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The Silkworm Keeper: A captivating historical novel of Renaissance Italy

de Deborah Swift

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Rome 1638 Old sins have long shadows ~ Italian Proverb Giulia Tofana never wanted to be a nun, but she is determined to atone for her past misdeeds by making her new monastery a success. When an unexpected disaster closes the convent, Giulia is forced to turn to her old friend Fabio Pasello for help. Giulia still has intense feelings for Fabio and Fabio's passion for her has never diminished. But they are not the same people they were before. Giulia has taken her vows, and Fabio is apprenticed to Gianlorenzo Bernini the famous sculptor, and has become one of Bernini's rakish libertines. They could not be further apart. To add to their problems, Giulia cannot escape her reputation as a poisoner, and is soon embroiled in a plot against Fabio's patron, Pope Urban VIII. Faced with the idea of murder, will Giulia renounce her vows or embrace them? Inspired by true stories, this is a novel of nuns and courtesans, artists and priests, in the shadow and splendour of the Eternal City. 'Swift is a consummate historical novelist, basing her books on immaculate research and then filling the gaps between real events and real people with eloquent storytelling, atmospheric scene setting and imaginative plot lines.' - The Visitor… (mais)
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As much as I enjoyed the first book – “The Poison Keeper” – I like “The Silkworm Keeper” even more. Didn’t think I would, though, when I learned it was about poisoner Giulia Tofana’s new phase as a nun. Turns out that the scenes in the nunnery appealed to me most of all.

Putting people where they really don’t want to be tends to make for engaging reading. First off, Giulia is sent to take charge of a new nunnery, which she’s somewhat daunted by, mainly because she’s to take charge of five siblings who have no desire whatsoever to become nuns. Sadly for them, they’ve no alternative.

Two of the siblings are young adults, the other three are children. Giulia’s interaction with them makes for entertaining reading. All characters are vivid and believable.

Although this is in no way a comedy, I had to laugh when – following a scene about Satan becoming the snake who tempts Eve in the Garden of Eden – one of the children asks if Satan could be one of the silkworms. Brilliant. You can just imagine a child asking such a question.

At length, events compel Giulia and the children to move to Rome. Fabio – Giulia’s love interest from the first book – also ends up there. In one sense, Fabio’s storyline is like a subplot, rising to the surface every so often, and occasionally his threads connect with Giulia’s. Deborah Swift is an author who’s gifted in having several story threads on the go, which she eventually connects to make one main thread.

The author also does a great job in creating the seventeenth-century Italian setting. All scenes are vivid and authentic.

Overall, this is an excellent read. ( )
  PhilSyphe | Feb 10, 2022 |
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Rome 1638 Old sins have long shadows ~ Italian Proverb Giulia Tofana never wanted to be a nun, but she is determined to atone for her past misdeeds by making her new monastery a success. When an unexpected disaster closes the convent, Giulia is forced to turn to her old friend Fabio Pasello for help. Giulia still has intense feelings for Fabio and Fabio's passion for her has never diminished. But they are not the same people they were before. Giulia has taken her vows, and Fabio is apprenticed to Gianlorenzo Bernini the famous sculptor, and has become one of Bernini's rakish libertines. They could not be further apart. To add to their problems, Giulia cannot escape her reputation as a poisoner, and is soon embroiled in a plot against Fabio's patron, Pope Urban VIII. Faced with the idea of murder, will Giulia renounce her vows or embrace them? Inspired by true stories, this is a novel of nuns and courtesans, artists and priests, in the shadow and splendour of the Eternal City. 'Swift is a consummate historical novelist, basing her books on immaculate research and then filling the gaps between real events and real people with eloquent storytelling, atmospheric scene setting and imaginative plot lines.' - The Visitor

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