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Carregando... Silent Refuge (The Azrieli Series of Holocaust Survivor Memoirs)de Margrit Rosenberg Stenge
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"News travels fast in the countryside, and when I started school many of the villagers knew that we were Jewish, although they really did not know what that meant." In 1940 in the remote village of Rogne, Norway, eleven-year-old Margrit Rosenberg and her parents believe that they have finally found the safety that has eluded them since fleeing from Germany two years earlier. What could go wrong in a tiny village? But after war breaks out in Norway and anti-Jewish persecution escalates, the Rosenbergs must spend their winters in an even more secluded refuge--a small, rudimentary cabin in the mountains accessible only on skis. At first, in a landscape frozen in time, the isolation offers relative security and tranquility. But when the Nazis begin to arrest and deport the Jews of Oslo, the Rosenbergs are forced to make a fateful decision to trust the Resistance and plan a dangerous escape from Nazi-occupied Norway to neutral Sweden. Não foram encontradas descrições de bibliotecas. |
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Google Books — Carregando... GênerosClassificação decimal de Dewey (CDD)940.53History and Geography Europe Europe 1918- World War IIAvaliaçãoMédia:
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All this was told very well, and there aren't many books (in English at least) about the Holocaust in Norway, so it was a bit of a novelty to read Stenge's account. However, the book wasn't even halfway through when the war ended, and Stenge spent the rest of the pages talking about things that were pretty much of no interest to me: her marriage, all her children, crisscrossing the world moving from one country to the next, her husband's career, her grandchildren, etc etc etc. I really didn't care and contemplated just not finishing the book, but I soldiered through.
I think it would have been much better if the book had ended, say, with Stenge's marriage to a Hungarian Holocaust survivor, or perhaps at the death of her father in 1948. Either of those would have been suitable endcaps for the story and cut out all the irrelevant details. This was, after all, marketed as a Holocaust memoir, not a full biography of Stenge's life, which, following the war, was deeply ordinary. ( )