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The Reader de Bernhard Schlink
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The Reader (original: 1995; edição: 1999)

de Bernhard Schlink (Autor)

MembrosResenhasPopularidadeAvaliação médiaMenções
13,473395451 (3.7)470
Classic Literature. Fiction. Literature. Historical Fiction. HTML:Hailed for its coiled eroticism and the moral claims it makes upon the reader, this mesmerizing novel is a story of love and secrets, horror and compassion, unfolding against the haunted landscape of postwar Germany.
When he falls ill on his way home from school, fifteen-year-old Michael Berg is rescued by Hanna, a woman twice his age. In time she becomes his loverâ??then she inexplicably disappears. When Michael next sees her, he is a young law student, and she is on trial for a hideous crime. As he watches her refuse to defend her innocence, Michael gradually realizes that Hanna may be guarding a secret she considers more shameful than murd… (mais)
▾Informação do livro
Membro:Ilzezita
Título:The Reader
Autores:Bernhard Schlink (Autor)
Informação:Pantheon (1999), 218 pages
Coleções:Sua biblioteca, Lendo atualmente, Lista de desejos, Para ler, Lidos mas não possuídos, Favoritos
Avaliação:***
Etiquetas:Nenhum(a)

Informações da Obra

The Reader de Bernhard Schlink (1995)

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▾Recomendações do LibraryThing
▾Recomendações dos membros
  1. 112
    The Book Thief de Markus Zusak (bookcrazyblog, lucyknows)
    bookcrazyblog: Though book thief is understood to be Teen-read, it is deep and enthralling. If you liked The Reader for anything beyond its sensuality in the first part, you will love Book Thief
    lucyknows: The Book Thief by Markus Zusak may linked with The Reader by Bernhard Schlink using the themes of reading, Nazi Germany and death. You could also pair it with the graphic novel Maus by Art Spiegelman. Atonement by Ian McEwan could work as well because of the young protagonists, war, and reading.… (mais)
  2. 20
    In My Brother's Shadow: A Life and Death in the SS de Uwe Timm (Tinwara)
    Tinwara: Autobiographical account that also deals with the post war generation in Germany, trying to come to an understanding of how loved persons can make the wrong decisions.
  3. 10
    Let Me Go de Helga Schneider (Booksloth)
  4. 10
    Those Who Save Us de Jenna Blum (bnbookgirl)
    bnbookgirl: One of my top ten fav's.
  5. 10
    Without Blood de Alessandro Baricco (2810michael)
  6. 00
    A Child of Hitler de Alfons Heck (AlisonY)
    AlisonY: Written by a German child who became a high-ranking leader of the Hitler Youth, this autobiography picks up on the theme from 'The Reader' about what made some people join the Nazi party
  7. 00
    Julia de Otto de Kat (charl08)
    charl08: Both novels deal with the after effects of Nazism, felt many years after the war ends.
  8. 00
    The Girl at the Lion d'Or de Sebastian Faulks (MissBrangwen)
  9. 00
    Innocence de Pierre Magnan (bluepiano)
    bluepiano: Shortly after WWII a teenager falls with gusto of course into an affair with an older woman who also played a part in the war. She too is a criminal. Richer & more re-readable.
  10. 01
    Before I Knew Him de Anna Ralph (1Owlette)
  11. 12
    Enduring Love de Ian McEwan (lucyknows)
    lucyknows: The Reader could be successfully paired with Enduring Love for English Studies. In addition either book could also be be paired with the film The Talented Mr Ripley under the theme of obsession
  12. 13
    Ethan Frome de Edith Wharton (1Owlette)
  13. 02
    Beatrice and Virgil de Yann Martel (Cecilturtle)
  14. 02
    Berlin de Pierre Frei (Johanna11)
    Johanna11: Although the books are very different in many respects, both are about Berlin after WWII and about Germans during WWII and after.
  15. 25
    Close Range de Annie Proulx (1Owlette)
    1Owlette: Although very different in many ways, [The Reader] and [Brokeback Mountain] are both similarly devastating and concentrated in their impact.
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Mostrando 1-5 de 394 (seguinte | mostrar todas)
An incredibly interesting point of view on a sensitive yet thought-provoking topic ( )
  EnchantedCabin | Jun 3, 2024 |
Many years ago, I saw a small portion of the movie version of The Reader on TV. My feelings about an affair between a teenage boy and a thirty-something woman set aside, this is a book I had planned to read but never got around to it before.

I won't repeat a summarized version of the book, as there is a decent synopsis of the story available on Goodreads and elsewhere. Telling the story through the lens of Michael Berg as both as a teenager and adult, lent itself to a unique descriptiveness that kept me engaged as a reader. We never know as much about Hanna, as we are mostly restricted to Michael's observation's and feelings about her. I have seen Schlink's writing described as sparse but don't know if I agree with that assertion. The author manages to convey some vivid imagery throughout the book, which becomes more sophisticated as Michael gains some maturity.

Untimately, this story is a reflection on how well we actually know people, how to come to terms with betrayal and what makes a person be characterized as good or bad. These types of questions and moral dilemmas can be difficult to answer. ( )
  Ann_R | May 25, 2024 |
I guess I will summarize this one as it is old (1995) and also a movie--so I'm not likely to spoil it for anyone.
This is a complicated story, beginning with a sultry relationship between a fifteen year old boy and a 30 something year old woman, that, when the female partner's past catches up to her, evolves into a crimes of war trial and aftermath that asks one to ponder what circumstances might lull someone into feeling that sending innocent people to their death is reasonable, and how another, who had once loved such a criminal might try to reconcile that person's behavior and their own love of that person once discovering this truth long after the passion has been spent but not it's memory. ( )
  TraSea | Apr 29, 2024 |
Very interesting. The protagonist is either deeply emblematic of the problem with humanity, or it’s confusing. Why was he so dead inside? Was his affair more traumatic than her life? Strange. The tone and pacing of the book lent itself to a kind of banality that worked. The character, Hannah, was quite complex—ignorant but kind, handicapped by her illiteracy into choices without real choice. What is the guilt of the executioner? That’s the question and the lingering guilt in the subsequent generations.
  BookyMaven | Dec 6, 2023 |
A teen boy stumbles into an affair with an older woman, who acts secretive throughout the relationship before simply vanishing one day. A couple of years later their paths cross again when he, as part of a school course, attends the trial of a group of Nazi soldiers and finds that she is one of the defendants. He struggles between being horrified and feeling sympathy for her.

This one didn’t really work for me, and I wonder if it at least partly is a cultural thing. Then again, I generally just don’t care for novels that are mostly character studies with little plot, and rarely enjoy stories with zero likeable characters. So. ( )
  electrascaife | Dec 4, 2023 |
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Mostrando 1-5 de 394 (seguinte | mostrar todas)
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▾Resenhas publicadas
What starts out as a story of sexual awakening, something that Colette might have written, a ''Cherie and the Last of Cherie'' set in Germany after the war, is suddenly darkened by history and tragic secrets. In the end, one is both moved and disturbed, saddened and confused, and, above all, powerfully affected by a tale that seems to bear with it the weight of truth.
adicionado por Shortride | editarThe New York Times, Richard Bernstein (Aug 20, 1997)
 
Schlink's daring fusion of 19th-century post-romantic, post-fairy-tale models with the awful history of the 20th century makes for a moving, suggestive and ultimately hopeful work, an original contribution to the impossible genre with the questionable name of Vergangenheitsbewaltigung, ''coming to terms with the past.''
adicionado por Shortride | editarThe New York Times Book Review, Suzanne Ruta (Jul 27, 1997)
 
▾Outros autores

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Nome do autorFunçãoTipo de autorObra?Status
Bernhard Schlink—autor principaltodas as ediçõescalculado
Janeway, Carol BrownTradutorautor secundárioalgumas ediçõesconfirmado
Kirchner, Ernst LudwigArtista da capaautor secundárioalgumas ediçõesconfirmado
Lien, ToroddTradutorautor secundárioalgumas ediçõesconfirmado
Meijerink, GerdaTradutorautor secundárioalgumas ediçõesconfirmado
Suominen, OiliTradutorautor secundárioalgumas ediçõesconfirmado
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Classic Literature. Fiction. Literature. Historical Fiction. HTML:Hailed for its coiled eroticism and the moral claims it makes upon the reader, this mesmerizing novel is a story of love and secrets, horror and compassion, unfolding against the haunted landscape of postwar Germany.
When he falls ill on his way home from school, fifteen-year-old Michael Berg is rescued by Hanna, a woman twice his age. In time she becomes his loverâ??then she inexplicably disappears. When Michael next sees her, he is a young law student, and she is on trial for a hideous crime. As he watches her refuse to defend her innocence, Michael gradually realizes that Hanna may be guarding a secret she considers more shameful than murd
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Classificação decimal de Dewey (CDD)

833.914Literature › German and related languages › German fiction › Modern period (1900-) › 1900-1990 › 1945-1990

Classificação da Biblioteca do Congresso dos E.U.A. (LCC)

PT2680.L54Language and Literature › German, Dutch and Scandinavian literatures › German literature › Individual authors or works › 1961-2000

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Média: (3.7)
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