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This Woman's Work: Essays on Music

de Kim Gordon, Kim Gordon (Editor)

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293820,405 (3.83)1
"Edited by iconic musician Kim Gordon and esteemed writer Sinéad Gleeson, this powerful collection of award-winning female creators shares their writing about the female artists that matter most to them. This book is for and about the women who kicked in doors, as pioneers of their craft or making politics central to their sound: those who offer a new way of thinking about the vast spectrum of women in music. This Woman's Work: Essays on Music is edited by iconic musician Kim Gordon and esteemed writer Sinéad Gleeson and features an array of talented contributors, including: Anne Enright, Fatima Bhutto, Jenn Pelly, Rachel Kushner, Juliana Huxtable, Leslie Jamison, Liz Pelly, Maggie Nelson, Margo Jefferson, Megan Jasper, Ottessa Moshfegh, Simone White, Yiyun Li, and Zakia Sewell. In this radical departure from the historic narrative of music and music writing being written by men, for men, This Woman's Work challenges the male dominance and sexism that have been hard-coded in the canons of music, literature, and film and has forced women to fight pigeon-holing or being side-lined by carving out their own space. Women have to speak up, to shout louder to tell their story--like the auteurs and ground-breakers featured in this collection, including: Anne Enright on Laurie Anderson; Megan Jasper on her ground-breaking work with Sub Pop; Margo Jefferson on Bud Powell and Ella Fitzgerald; and Fatima Bhutto on music and dictatorship. This Woman's Work also features writing on the experimentalists, women who blended music and activism, the genre-breakers, the vocal auteurs; stories of lost homelands and friends; of propaganda and dictatorships, the women of folk and country, the racialized tropes of jazz, the music of Trap and Carriacou; of mixtapes and violin lessons."--Publisher's website.… (mais)
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This woman’s work. Onder redactie van: Sinéad Gleeson en Kim Gordon.

Een eigen band, hoe cool had ik dat gevonden!? Maar aangezien ik niet kon zingen, noch een instrument bespelen bleef het bij het vriendinnetje zijn van de gitarist van een hardcore band. In die hoedanigheid spendeerde ik de tweede helft van de jaren ’90 in obscure garages, plakkerige jeugdhuizen en rokerige concertzalen. Kijkend, luisterend, genietend, aan de rand van de pit. In het gezelschap van puberende jongens, zweterige mannen en heel af en toe nog eens een meisje als ik.

Muziek was (en is) vaak een mannenwereld. Op een podium staan, producen, managen, en zelfs er over schrijven gebeurt vaak door mannen. Maar vanaf nu is dat gedaan; met dank aan Gleeson en Gordon! Merci! In This woman’s work bundelen ze essays, van hun eigen hand maar ook van muzikanten en schrijvers. Grote namen zoals Maggie Nelson (alleen al voor dat essay zou ik dit boek kopen; Maggie-fan!), Otessa Moshfegh, Rachel Kushner, maar ook (voor mij) minder bekende namen die super boeiende verhalen hebben over Kurt Cobain, Ella Fitzgerald, Lucinda Williams en vele anderen.

Dit is een boek dat je wereld verruimt: je wil meer van de schrijfsters lezen, je zoekt muziek op, begint playlists aan te leggen (mix tapes zou Leslie Jamison zeggen) en verdwaalt in filmpje na filmpje over Lhasa de Sela (Nelson’s ‘Geniale vriendin’). This woman’s work is ruimer dan de pagina’s van een boek. Wat een boeiende bundeling essays. Blij dat ik zo veel nieuws ontdekt heb. Vrouwen; schreeuw harder, ik wil meer van jullie verhalen horen (en lezen)! ( )
  Els04 | Jul 5, 2022 |
This Woman's Work: Essays on Music, edited by Kim Gordon and Sinead Gleeson, is a splendid mix of essays that touch on so many different aspects of music, performers, and particularly women musicians.

If you come to this collection without having your expectations too narrow I think you will enjoy all of the essays. By too narrow, I simply mean expecting one specific type of music essay, for instance one about musical influence or one about song meanings. These essays include everything from essentially a career overview told through interpreting (primarily) one song to the political importance/threat of music and poetry to simply, as most of us can relate, to being a starstruck fan of someone.

While the reader will relate to things in every essay these are also very personal essays. The essayists are writing from deep personal belief and emotion, we are being invited to both hear their stories and to relate our own to them. While they all work in different ways, they do all work. Like so many multi-author essay collections, I would recommend taking a break, even half an hour, to digest what you read before reading the next.

A wonderful additional aspect of this book is the playlist you'll create, whether in actuality or in your mind. I revisited some artists and songs I had forgotten about as well as discovered some new works. Make this a multimedia event for yourself, it will be fun.

Reviewed from a copy made available by the publisher via NetGalley. ( )
  pomo58 | Jan 30, 2022 |
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"Edited by iconic musician Kim Gordon and esteemed writer Sinéad Gleeson, this powerful collection of award-winning female creators shares their writing about the female artists that matter most to them. This book is for and about the women who kicked in doors, as pioneers of their craft or making politics central to their sound: those who offer a new way of thinking about the vast spectrum of women in music. This Woman's Work: Essays on Music is edited by iconic musician Kim Gordon and esteemed writer Sinéad Gleeson and features an array of talented contributors, including: Anne Enright, Fatima Bhutto, Jenn Pelly, Rachel Kushner, Juliana Huxtable, Leslie Jamison, Liz Pelly, Maggie Nelson, Margo Jefferson, Megan Jasper, Ottessa Moshfegh, Simone White, Yiyun Li, and Zakia Sewell. In this radical departure from the historic narrative of music and music writing being written by men, for men, This Woman's Work challenges the male dominance and sexism that have been hard-coded in the canons of music, literature, and film and has forced women to fight pigeon-holing or being side-lined by carving out their own space. Women have to speak up, to shout louder to tell their story--like the auteurs and ground-breakers featured in this collection, including: Anne Enright on Laurie Anderson; Megan Jasper on her ground-breaking work with Sub Pop; Margo Jefferson on Bud Powell and Ella Fitzgerald; and Fatima Bhutto on music and dictatorship. This Woman's Work also features writing on the experimentalists, women who blended music and activism, the genre-breakers, the vocal auteurs; stories of lost homelands and friends; of propaganda and dictatorships, the women of folk and country, the racialized tropes of jazz, the music of Trap and Carriacou; of mixtapes and violin lessons."--Publisher's website.

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780.82The arts Music Music Groups of People Women

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