Anthony Quayle (1913–1989)
Autor(a) de Eight Hours from England
About the Author
Image credit: Courtesy of the NYPL Digital Gallery (image use requires permission from the New York Public Library)
Obras de Anthony Quayle
Strange Report: The Complete Series [DVD] 1 exemplar(es)
Woman In A Dressing Gown [DVD] [1957] 1 exemplar(es)
The BBC Shakespeare : Henry IV Part II (VHS) (1989) 1 exemplar(es)
The Nelson Affair (aka Bequest to the Nation) 1 exemplar(es)
Arabistanlı Lawrence (DVD) 1 exemplar(es)
Oedipus At Colonus 1 exemplar(es)
Paradise Lost 1 exemplar(es)
Associated Works
Great Expectations [1974 TV movie] — Actor — 5 cópias
Les Miserables / The White Seal / Remembrance of Things Past / Selected Passages from Walden — Reader — 1 exemplar(es)
The Ballad of Robin Hood [sound recording] — Read & Sung — 1 exemplar(es)
Etiquetado
Conhecimento Comum
- Nome de batismo
- Quayle, Sir John Anthony
- Data de nascimento
- 1913-09-07
- Data de falecimento
- 1989-10-20
- Sexo
- male
- Nacionalidade
- England
UK - Local de nascimento
- Ainsdale, Lancashire, England, UK
- Local de falecimento
- London, England, UK
- Educação
- Rugby School
- Ocupação
- actor
director - Premiações
- Knight Bachelor (1985)
Membros
Resenhas
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Associated Authors
Estatísticas
- Obras
- 12
- Also by
- 24
- Membros
- 39
- Popularidade
- #376,657
- Avaliação
- 4.1
- Resenhas
- 1
- ISBNs
- 7
The reason for the lack of direct, attention-grabbing action between British commandos, Albanian partisans and German soldiers is that Eight Hours from England is more memoir than novel. Quayle, later a famous actor perhaps best known to the target audience of this book for his role in The Guns of Navarone, had the very job within the SOE that he gives his protagonist here: to infiltrate Nazi-occupied Albania and co-ordinate the resistance movement there to ensure it's in line with the British war effort. Hewing very, very close to Quayle's own experiences – he even gives his protagonist, John Overton, his mother's maiden name – Eight Hours from England is restricted from some of the more thrilling avenues it might have pursued in the name of fiction and imagination. An early reference to Hemingway's For Whom the Bell Tolls (pg. 29), which had a similar scenario of an English-speaking man employed on partisan duty in a foreign land, only shows these limitations more starkly.
That said, if you accept Eight Hours from England as a war memoir rather than a novel, its qualities become much more evident. Quayle/Overton has a damned hard time negotiating with the various resistance groups in his littoral corner of Albania, and we witness a more nuanced take on resistance operations during the war than the usual depiction of co-ordinated patriots desperate to kill Nazis and sabotage rail lines. Quayle's Albanians need coaxing, bribing, flattering, and all of the other natural things that get airbrushed out of the historical record, and while his protagonist's need to politick and "haggle with a lying shepherd over the price of a goat" (pg. 210) is less stimulating than emptying a tommy-gun, Where Eagles Dare-like, in the direction of a German patrol, it is more realistic. Frustration and disappointment might be unusual choices for a writer to seek to evoke in the story they tell, but Quayle gives a valuable record of what the war was really like for people in such circumstances.… (mais)