Picture of author.

Joan Acocella (1945–2024)

Autor(a) de Twenty-eight Artists and Two Saints: Essays

22+ Works 317 Membros 10 Reviews 1 Favorited

About the Author

Joan Acocella is a staff writer for the New Yorker.
Image credit: Joyce Ravid

Obras de Joan Acocella

Mark Morris (1993) 48 cópias
Dancers (1992) 11 cópias
28 Artists & 2 Saints 1 exemplar(es)
the Empty Couch 1 exemplar(es)

Associated Works

Beware of Pity (1982) — Introdução, algumas edições1,716 cópias
Life Stories: Profiles from the New Yorker (2000) — Contribuinte — 299 cópias
The 40s: The Story of a Decade (2014) — Contribuinte — 277 cópias
Dance to the Piper (1951) — Introdução — 149 cópias
The Best American Essays 1996 (1996) — Contribuinte — 133 cópias
The Diary of Vaslav Nijinsky: Unexpurgated Edition (1999) — Editor, algumas edições102 cópias
Baryshnikov: In Black and White (2002) — Introdução — 26 cópias

Etiquetado

Conhecimento Comum

Outros nomes
Ross, Joan Barbara (birth)
Data de nascimento
1945-04-13
Data de falecimento
2024-01-07
Sexo
female
Nacionalidade
USA
Local de nascimento
San Francisco, California, USA
Local de falecimento
Manhattan, New York, USA
Causa da morte
cancer
Locais de residência
San Francisco, California, USA
Oakland, California, USA
New York, New York, USA
Educação
University of California, Berkeley (BA | English, 1966)
Rutgers University (PhD | Comparative literature, 1984)
Ocupação
editor
journalist
dance critic
essayist
Organizações
Random House
Dance Magazine
The New Yorker
The New York Review of Books
Premiações
American Academy of Arts and Letters Academy Award (Literature ∙ 2007)
Guggenheim Fellowship (1993)
Agente
Robert Cornfield
Pequena biografia
Joan Acocella has written for The New Yorker since 1992 and became the magazine’s dance critic in 1998.
She also has written on dance, literature, and the arts for many other publications.

Membros

Resenhas

her death seemed premature - will make room on my shelves for this - she was always brilliant
 
Marcado
Overgaard | Apr 22, 2024 |
I read this book when it first came out and had a hard time not arguing against some of Acocella's assertions, particularly her stance against feminist academics, which is the heart of this book. After this second reading it still seems like Acocella has an axe to grind against feminist academics, particularity those who claim Cather as a lesbian. I'm personally quite happy that Cather has been claimed as a lesbian. This book gives the reader an idea of how Cather's reputation has ebbed & flowed over the decades according to the political and cultural needs of her critics and readers, but it does suffer from her often dismissive attacks against interpretations or schools of thought with which Acocella disagrees. Academic literary scholarship is a weird world, sometimes it seems like another planet, and Acocella is critiquing that world. She is reactionary and dismissive, yet I enjoyed re-reading this book (perhaps because I'm no longer an academic). It is probably only of interest to hard-core Cather fans who are familiar with academic literary scholarship.… (mais)
 
Marcado
Chris.Wolak | Oct 13, 2022 |
purchased at Powell's while visiting from California for dermatological surgery - cancer forehead - I loved this book the minute I saw it - probably in New Yorker - and on the rare occasions I pull it down from the shelf - I love it still
 
Marcado
Overgaard | outras 3 resenhas | Mar 22, 2021 |
This issue of The New Yorker includes a good profile of M.F.K. Fisher by Joan Acocella titled "The American Appetites Of A Girl From Whittier". The profile includes a review of the just published M.F.K. Fisher A Life in Letters: Correspondence 1929 - 1991. Illustrated with old photo of Fisher. pp. 172-7.
 
Marcado
rschwed | Sep 29, 2013 |

Prêmios

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Estatísticas

Obras
22
Also by
8
Membros
317
Popularidade
#74,565
Avaliação
4.1
Resenhas
10
ISBNs
13
Favorito
1

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