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(3.77) | 671 | Detective Rob Ryan and his partner, Cassie Maddox, investigate the murder of a 12-year-old girl near a Dublin suburb. The case resonates with similarities to a murder committed twenty years before that involved two children and the young Ryan. |
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Informação do Conhecimento Comum em inglês. Edite para a localizar na sua língua. | |
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Informação do Conhecimento Comum em inglês. Edite para a localizar na sua língua. | |
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Informação do Conhecimento Comum em inglês. Edite para a localizar na sua língua. | |
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Informação do Conhecimento Comum em inglês. Edite para a localizar na sua língua. | |
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Epígrafe |
Informação do Conhecimento Comum em inglês. Edite para a localizar na sua língua. "Probably just somebody's nasty black poodle. But I've always wondered... What if it really was Him, and He decided I wasn't worth it?" -- Tony Kushner, A Bright Room Called Day  | |
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Informação do Conhecimento Comum em inglês. Edite para a localizar na sua língua. For my father, David French, and my mother, Elena Hvostoff-Lombardi  | |
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Informação do Conhecimento Comum em inglês. Edite para a localizar na sua língua. Picture a summer stolen whole from some coming-of-age film set in small-town 1950s.  | |
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Informação do Conhecimento Comum em inglês. Edite para a localizar na sua língua. What I am telling you, before you begin my story, is this--two things: I crave truth. And I lie.  We think about mortality so little, these days, except to flail hysterically at it with trendy forms of exercise and high-fiber cereals and nicotine patches.  To my mind the defining characteristic of our era is spin, everything tailored to vanishing point by market research, brands and bands manufactured to precise specifications; we are so used to things transmuting into whatever we would like them to be that it comes as a profound outrage to encounter death, stubbornly unspinnable, only and immutably itself.  "Absence of evidence is not evidence of absence," he told me reproachfully.  Maybe she, like me, would have loved the tiny details and the inconveniences even more dearly than the wonders, because they are the things that prove you belong.  I am not good at noticing when I'm happy, except in retrospect. My gift, or fatal flaw, is for nostalgia. I have sometimes been accused on demanding perfection, of rejecting heart's desires as soon as I get close enough that the mysterious impressionistic gloss disperses into plain solid dots, but the truth is less simplistic than that. I know very well that perfection is made up of frayed, off-struck mundanities. I suppose you could say my real weakness is a kind of long-sightedness: usually it is only at a distance, and much too late, that I can see the pattern.  The girls I dream of are the gentle ones, wistful by high windows or singing sweet old songs at a piano, long hair drifting, tender as apple blossom. But a girl who goes into battle beside you and keeps your back is a different thing, a thing to make you shiver. Think of the first time you slept with someone, or the first you fell in love: that blinding explosion that left you crackling to the fingertips with electricity, initiated and transformed. I tell you that was nothing, nothing at all, beside the power of putting your lives, simply and daily, into each other's hands.  I failed to understand the one crucial thing: where the real danger lay. I think this may have been, in the face of stiff competition, my single biggest mistake of all.  The wood had never been so lush or so feral. Leaves threw off dazzles of sunlight like sparklers and the colors were so bright you could live on them, the smell of fertile earth amplified to something heady as church wine.  If you believe only one thing I tell you, make it this: neither of us knew.  And then, too, I had learned early to assume something dark and lethal hidden at the heart of anything I loved. When I couldn't find it, I responded, bewildered and wary, in the only way I knew how: by planting it there myself.  Human beings, as I know better than most, can get used to anything. Over time, even the unthinkable gradually wears a little niche for itself in your mind and becomes just something that happened.  | |
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Informação do Conhecimento Comum em inglês. Edite para a localizar na sua língua. | |
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Informação do Conhecimento Comum em inglês. Edite para a localizar na sua língua. | |
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Autores Resenhistas (normalmente na contracapa do livro) |
Informação do Conhecimento Comum em inglês. Edite para a localizar na sua língua. | |
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Informação do Conhecimento Comum em Italiano. Edite para a localizar na sua língua. | |
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▾Referências Referências a esta obra em recursos externos. Wikipédia em inglês (2)
▾Descrições de livros Detective Rob Ryan and his partner, Cassie Maddox, investigate the murder of a 12-year-old girl near a Dublin suburb. The case resonates with similarities to a murder committed twenty years before that involved two children and the young Ryan. ▾Descrições de bibliotecas Não foram encontradas descrições de bibliotecas. ▾descrição por membros do LibraryThing
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