This volume is comprised of two stories. I read the first, eponymous one and declined to read the second. Far more interesting than the story is the life of the author.

Kanoko Okamoto was born in 1889, the daughter of a very wealthy family and grew up in privilege, though sickly. She married a poor cartoonist, who with the first blush of success, spent his days with geisha. He came around, however, and devoted himself to his wife's writing career. When Kanoko fell in love with a tubercular young man, her husband invited him to live with them until he died three years later. Husband and wife then turned to the study of religion, and Kanoko became well-known as a speaker and writer on Buddhism. They then took a three year tour of Europe, bringing with them two more of Kanoko's lovers and their son. When they returned, they set up house with one of the men acting as her physician, the other as the maid, and the husband as (celibate) secretary and research assistant. Although many were scandalized by her lifestyle, others compared it to a successful male writer who might have had a wife, maid, and mistress. During her life, Kanoko moved from writing poetry to short fiction, and had she lived longer (she died at 49), she might have written novels as well.

In the introduction, David Mitchell writes that Japanese critics often call her writing "overwrought," and with that I would agree. Here is a passage from early in "A Riot of Goldfish":

It was as if she were allowing the pain caused by the sharp thorns of his words to fill her heart until it overflowed as tears. Soon her face would tremble violently and a single, pearl-coloured tear would emerge from her lower eyelid like the rising moon.

And yet, I kept reading drawn in by the story of the unrequited love held by a goldfish breeder with his patron's daughter. Although Mataichi had known Masako since they were children, it wasn't until a single act of defiance on her part that he fell in love with her. He became obsessed with her, even after she married, and yet had a poor opinion of her.

It was something to do with her lack of personality. She was an unstoppable woman who simply blossomed like a beautiful butterfly. She overflowed with charm, and yet her charm was only of a physiological sort. She sometimes said clever things, but one was left with the impression of a mechanical doll that spoke through a special talking apparatus; or of an ineffable, far-off, and eerie creature.

He goes on to compare her to a mannequin. Yet he cannot stop thinking of her. She had once expressed a desire to see him breed a new type of goldfish, and Mataichi makes that his life's goal. As the years pass, the mythical goldfish he attempts to create becomes a stand-in for Masako herself. The aesthetic becomes his reality. ( )

Two poignant stories exploring frustration, self-worth and trying to make your mark in the world. Set in Japan in the years between the two 20th century world wars, they show a nation caught between the old feudal way of life and the thrusting modernity brought in by the Meiji era. The men are largely frustrated and unsettled by their inability to grasp the opportunities modernity seems to offer them, while the women float serenely above them. An interesting pair of stories. ( )