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Carregando... The Magician of Lublin (1960)de Isaac Bashevis Singer
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Muy conocido en Polonia oriental, Yasha Mazur se dedica a recorrer diversas poblaciones representando sus vistosos números de magia, acrobacia y escapismo. Pero sus trucos y su habilidad para el ilusionismo no se limitan a los escenarios. Medio judío, medio gentil, Yasha no tiene problemas para moverse a su conveniencia entre ambos mundos y vivir sin restricciones morales. Sin ir más lejos, sus largas giras le permiten dejar en casa a su esposa, una judía practicante, y caer en brazos de otras mujeres. Sin embargo, quizá ha de llegar el día en el que Yasha ya no pueda escapar tan fácilmente como hace en algunos de sus números ante el público y se vea obligado a decidir el rumbo que debe tomar su vida. The Magician of Lublin by Isaac Bashevis Singer was originally written in Yiddish and later translated to English. Set in Russian ruled Poland in the late 19th century, it is the story of Yasha Mazur, a magician from the town of Lublin who travels around Poland to perform. Although Jewish he is not particularly devout. He leads a carefree life of travel and performing, leaving his pious wife at home in Lublin. He has lovers in many of the cities that he visits as well as being involved with his young assistant. Currently however he is obsessing over Emilia, a Catholic widow who lives in Warsaw with her daughter. Although on the surface, Yasha appear to be confident that he can continue to manipulate his various women, deep inside he knows he is living a deceitful and senseless life. When things go wrong and he finds his life has shattered, he repents of his sins, returns home to Lublin and finally turns to his Jewish roots. The Magician of Lublin is a very well written story about faith and morality. I listened to an audio version as read by Larry Keith. Yasha lived a life of self-indulgence, he knew he was doing wrong but did not acknowledge his guilt. Eventually issues arose that forced him to turn and embrace both his Jewish faith and identity. I thought this was both a very clever and engaging story about living one’s life within the boundaries one is born with, although Yasha professed to not believing in religion or the traditional Jewish customs, those are exactly what he turned to when in need. I'm missing something here. I had absolutely no empathy with or sympathy for the main character, I have no picture of him in my head, I didn't believe in him, I didn't understand him. I didn't care about him or any of those around him. My conclusion is that this is not well written. It paints a rich picture of the Poland of the period; though I have no idea if it is historically accurate, it was at least interesting. That seems to be the strength of the author and the point of his work. In this book, at least, he has signally failed to create a character. I'd love to see the movie, Alan Arkin is a great actor, and I couldn't help thinking that it would work better on the screen. In short, disappointed. If you want to read a good book about an artist who can't keep his dick in his pants, even more unpleasant, but nonetheless makes you feel for him every step of the way, try Simenon's The Heart of the Man. I'm missing something here. I had absolutely no empathy with or sympathy for the main character, I have no picture of him in my head, I didn't believe in him, I didn't understand him. I didn't care about him or any of those around him. My conclusion is that this is not well written. It paints a rich picture of the Poland of the period; though I have no idea if it is historically accurate, it was at least interesting. That seems to be the strength of the author and the point of his work. In this book, at least, he has signally failed to create a character. I'd love to see the movie, Alan Arkin is a great actor, and I couldn't help thinking that it would work better on the screen. In short, disappointed. If you want to read a good book about an artist who can't keep his dick in his pants, even more unpleasant, but nonetheless makes you feel for him every step of the way, try Simenon's The Heart of the Man. I'm missing something here. I had absolutely no empathy with or sympathy for the main character, I have no picture of him in my head, I didn't believe in him, I didn't understand him. I didn't care about him or any of those around him. My conclusion is that this is not well written. It paints a rich picture of the Poland of the period; though I have no idea if it is historically accurate, it was at least interesting. That seems to be the strength of the author and the point of his work. In this book, at least, he has signally failed to create a character. I'd love to see the movie, Alan Arkin is a great actor, and I couldn't help thinking that it would work better on the screen. In short, disappointed. If you want to read a good book about an artist who can't keep his dick in his pants, even more unpleasant, but nonetheless makes you feel for him every step of the way, try Simenon's The Heart of the Man. sem resenhas | adicionar uma resenha
PrêmiosNotable Lists
The fiftieth anniversary of a lost classic--a deceptively sophisticated tale of sexualcompulsion and one man's flight from love Yasha Mazur is a Houdini-like performer whose skill has made him famous throughout eastern Poland. Half Jewish, half Gentile, a freethinker who slips easily between worlds, Yasha has an observant Jewish wife, a Gentile assistant who travels with him, and a mistress in every town. For Yasha is an escape artist not only onstage but in life, a man who lives under the spell of his own hypnotic effect on women. Now, though, his exploits are catching up with him, and he is tempted to make one finalescape--from his wife and his homeland and the last tendrils of his father's religion. Set in Warsaw and the shtetls of the 1870s--but first published in 1960--Isaac Bashevis Singer's second novel hides a haunting psychological portrait inside a beguiling parable. At its heart, this is a book about the burden of sexual freedom. As such, it belongs on a small shelf with such mid-century classics asRabbit, Run;The Adventures of Augie March; andThe Moviegoer. As Milton Hindus wrote inThe New York Times Book Review, "The pathos of the ending may move the reader to tears, but they are not sentimental tears . . . [Singer] is a writer of far greater than ordinary powers." Não foram encontradas descrições de bibliotecas. |
Capas populares
![]() GênerosClassificação decimal de Dewey (CDD)839.133Literature German literature and literatures of related languages Other Germanic literatures Yiddish literature Fiction 1860-1945Classificação da Biblioteca do Congresso dos E.U.A. (LCC)AvaliaçãoMédia:![]()
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