A wonderful engaging book - very different from the usual white teacher comes to Africa with much wisdom to impart. Young Jewish Larry Kaplansky lands at a run down mission school in the middle of the Nambibian nowhere. His colleagues are an engaging bunch, there's a drought, a neighboring farmer sells vegetables, a piano arrives. There is boredom, joy, sorrow, mystery, and more boredom. The story - or what there is of it - is told in brief, sometimes single paragraph chapters, but it builds like the most detailed novel and the brievity adds to the humor and sadness. A most unusual but very satisfying story.

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Orner does a really excellent job of capturing daily life in rural Namibia. The chapters have this ephemeral, leaf-like quality where they simply seem to float away - much like the days in the heat of Namibia. I am biased because I lived in Namibia for two years as a Peace Corps volunteer and I hunger for any sort of literature from that area. However, even though I understood almost all of the references and details, I felt like Orner did a great job of leaving the details off to the side and focusing on the overall narrative. I felt like I was right back there in Namibia with characters that seemed very lifelike and similar to actual people I met in Namibia. ( )

Sparse but beautiful writing. It took me a moment to get into this book, but once I was won over, I couldn't put it down. How Orner managed to create such complete characterizations with so few words is a mystery to me; yet the people who populate this book feel known to me in a way that I don't even know myself. I quote a NYTimes review that states: "As Orner unspools their quirks through sharp, eccentric dialogue and interior asides, his characters grow distinct without ever becoming Gothic. He hits the right notes and no others.... Orner's thrift only heightens the longing that vibrates throughout the novel." Longing for rain; longing for something new on the horizon of the vast and endlessly arid veld; longing for love or that something that approximates it. ( )

"The Second Coming of Mavala Shikongo" is told in snippets, tiny chapters, some as short as a paragraph, that observe the lives, lusts, and shenanigans of teachers at a Catholic boys' school in the veld of Namibia.

Some of the snippets provide forward momentum, as we learn of the volunteer teacher from Cincinnati, a youngish Jewish man who, along with the other male teachers, lusts after the eponymous Mavala. Young Larry Kaplanski, our Buckeye protaganist, engages in a long series of assignations with the heroine, and works less than diligently at his teaching job.

These brief chapters make this book a quick read, but don't get in the way of our knowing the characters. They (the chapters) are often extremely funny, but there is some informed, charged talk about the newly independent Namibia, about how isolated everyone is, about the struggle between the parish priest and the principal. There are other weighty issues to grapple with, too, as when a young boy dies en route back to school after a holiday. While this is an enjoyable book and effective in its way, its characters don't do quite enough to win our sympathy, and the point of the exercise remains, frankly, murky. ( )

Goas, Namibia. Heat, desolation, desert. A boy's school. A lot of unnamed little boys. A few teachers, their wives, the director of the school and the priest. Larry Kaplinski, American, volunteer, teacher. And of course Mavala Shikongo, former fighter in the liberation army, and by far the coolest lady in this desolate place. What else can all the men do but fall in love with her? However, she remains an enigma, even to Larry, who appears to get closest to her.

This about sums up the novel, at least story-wise. Nothing much happens in Goas, apart from the daily business and boredom. A drunk teacher. The school's mechanic leaving for his monthly visit to his wife. A love affair. Nightly conversations. So if you are looking for action and adventure, don't read this book. This is a quiet and slow book. Yet it is one of the most original novels I have read during the past years. The chapters are short, sometimes extremely short, and set around one character, one event, or one location. Many of the chapter titles are repeated, so that gradually you get to know Goas, and its main characters and regular events. Such as the nightly conversations, or the meetings of Larry and Mavala. They are mixed with original titles, recounting original events. This mixture of repetition and new titles give the novel a rhythm that is almost like a song, a very pleasing and soothing song. A song that I would like to listen to again. ( )