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Carregando... Shoplifting from American Apparel (The Contemporary Art of the Novella) (edição: 2009)de Tao Lin
Informações da ObraShoplifting from American Apparel de Tao Lin
A Novel Cure (694) Carregando...
Registre-se no LibraryThing tpara descobrir se gostará deste livro. Ainda não há conversas na Discussão sobre este livro. Disaffected young white dude problems. Not my cup of tea. ( ) I did not like this book. I thought the cover looked interesting. I checked it out from the library but then I wished I had not. While I was reading the cat jumped on my lap. His back claw accidentally scratched me but it did not draw blood. The cat looked at me with a neutral expression. I looked back at him also with a neutral expression. Then I kept reading even though I hated the book. My boyfriend walked by and sat on the couch. He turned on the TV. A man was screaming loudly at a police officer. The police officer did not scream loudly. I stopped watching and tried to get to the end of my book. The cat sat on my Kindle so I could not read for a while. The cat walked away. I got to the end of the book. I deleted it from my Kindle with a neutral expression even though I was irritated. This has been a Review in the Style of the Book (TM). Actual excerpt from this book: There was a thing on the table and Sam touched it.That is the end of the discussion about the thing; no, you do not ever find out what the thing is. A grapefruit? A brass monkey? An alien? A gob of ear wax? All of the above? And so, I hated this book. Do not read it. I fell victim to a STAFF RECOMMENDS card for this book. After having written these cards for years and years, one finds oneself overly-curious for whatever excitement a staff member is trying to share about a book. The bookseller's words (the card even had a snappy little drawing) caught my eye and I went for it. While it wasn't that bad, in all honesty, it really wasn't all that good either. The writing is strange enough at times that it kept my interest, but once I closed the back cover — it just wasn't satisfying. I'm getting the impression that if you like one Tao Lin book, you'll pretty much like them all but I don't know as if they are quite as dramatic if you read them back to back. It throws you ajar to read them at first when you've been reading novels with safer and more traditional writing styles attached, for example. In any case, one thing that helped me connect less to this main character was how flippant he was about all these girls and female relationships..well, maybe not so much flippant but incapable of forming a long lasting attention..even possibly incapable of making sincere and emotional facial expressions. I did like the connection of the main character wanting to write a story that basically became what is Eeeee Eee Eee. Oh, and this one takes place in NYC vs. mainly Florida so there's a slightly different vibe there. Also, I liked the ending quite a bit. p.s. Yes, they are just inanimate objects but shoplifting was so post-yesterday. Favorite quotes: pg. 19 "Oscar Wilde said that a genius is a spectator to their own life, to the point that the real genius is uninteresting." pg. 78 "I just want to be crying in someone's arms." pg. 97 "I have an idea or something," said Sam. "We should start from very far away and then run toward each other and then give each other high fives jumping in the air." "Let's do it," said Audrey beginning to stand. "No wait," said Sam. "It's better just to think about it."
Lin is doing his best to capture a mid-twenties malaise, a droning urban existence that—in the hands of a mildly depressed narrator—never peaks nor pitches enough to warrant drama. Pertence à série publicada
Set mostly in Manhattan--although also featuring Atlantic City, Brooklyn, GMail Chat, and Gainsville, Florida--this autobiographical novella, spanning two years in the life of a young writer with a cultish following, has been described by the author as "A shoplifting book about vague relationships," "2 parts shoplifting arrest, 5 parts vague relationship issues," and "An ultimately life-affirming book about how the unidirectional nature of time renders everything beautiful and sad." From VIP rooms in hip New York City clubs to central booking in Chinatown, from New York University's Bobst Library to a bus in someone's backyard in a college town in Florida, from Bret Easton Ellis to Lorrie Moore, and from Moby to Ghost Mice, it explores class, culture, and the arts in all their American forms through the funny, journalistic, and existentially-minded narrative of someone trying to both "not be a bad person" and "find some kind of happiness or something," while he is driven by his failures and successes at managing his art, morals, finances, relationships, loneliness, confusion, boredom, future, and depression. Não foram encontradas descrições de bibliotecas. |
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Google Books — Carregando... GênerosClassificação decimal de Dewey (CDD)813.6Literature English (North America) American fiction 21st CenturyClassificação da Biblioteca do Congresso dos E.U.A. (LCC)AvaliaçãoMédia:
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