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A Doll's House

de Henrik Ibsen

Outros autores: Veja a seção outros autores.

MembrosResenhasPopularidadeAvaliação médiaMenções
4,489711,874 (3.59)134
""The character of Nora has fascinated me for a long time but I felt that the play, in the form I knew, was too dated. I would not have been interested in accepting the part in the Archer version, because the lines were too stiffly artificial and lacked conviction. The Thornton Wilder adaptation, however, has restored life and credibility to a drama, which is still one of the finest efforts in our theatrical literature." -Ruth Gordon, Cincinnati Times-Star, October 27, 1937 "It's a thrill to encounter this collaboration between these two pioneers of modern theater. Wilder has created a brilliant version of Ibsen's great play, which is taut, conversational and pulsing with life nearly eighty years after it was written. Of course, Wilder worked on A Doll's House while writing Our Town. There are incredible echoes between Nora and Emily-two young women who poignantly confront their own mortality and must say good-bye to life as they know it." -Arin Arbus, director, A Doll's House, Theatre for a New Audience, May 1, 2016 Not staged until 2016, since its record-breaking Broadway premiere starring Ruth Gordon in 1937, this is the first publication of the adaptation of Ibsen's classic drama as revitalized through the shrewd lens of American drama master Thornton Wilder. With clarifying dialogue, Wilder uproots this classic from Norway and funnels it through an American lens. The marriage of Ibsen's naturalistic style melds with Wilder's knack for emotional nuance to create a demonstrative edition of the revered A Doll's House. Henrik Ibsen is often referred to as the father of modern realism. He is most well known for his plays Hedda Gabler, Ghosts, The Master Builder, The Wild Duck, Peer Gynt, and An Enemy of the People. Thornton Wilder is considered to be one of the most accomplished American playwrights and novelists of the twentieth century. He received three Pulitzer Prize Awards for Our Town (1938), The Skin of Our Teeth (1943) and The Bridge of San Luis Rey (1928). His novel The Eighth Day received The National Book Award in 1968. Our Town is the most-produced American play in the world"--… (mais)
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» Veja também 134 menções

Inglês (59)  Espanhol (3)  Italiano (3)  Catalão (2)  Norueguês (1)  Sueco (1)  Alemão (1)  Holandês (1)  Todos os idiomas (71)
Mostrando 1-5 de 71 (seguinte | mostrar todas)
I wasn't sure how a stage play would translate to audio, but it works very well here. The sound is good and the characters all have distinct voices. The play is very dialogue driven, so I didn't feel like I missed anything that might have been gestured or performed but not spoken. Comings and goings are indicated with footsteps and doors, so it felt realistic and comprehendible. Good acting, too. And of course the story, particularly the final conversation, is strong enough to explain why this play is so well known. A woman who finally figures out she's just been a "doll, a plaything" for first her father and then her husband and needs to go out and figure out who she is: I can see that this was ground breaking at one time. ( )
  LDVoorberg | Nov 22, 2020 |
This is another book I read in high school, and therefore I forget many of the details. I do remember being impressed by how feminist and head of it's time it is. Essentially, it is a play about a housewife who slowly realizes her life feels like she is being manipulated like a doll in a dollhouse, and has to decide what to do with this realization. It is not an action thriller, but it does make you think and it does feel pressing and pertinent, even today. ( )
  dafnab | Oct 24, 2020 |
I believe that before all else I am a human being, just as you are—or at least that I should try and become one. ( )
  drbrand | Aug 4, 2020 |
The book that followed me through college. It was a favorite at my university and I must have read it on three different occasion for three different classes. It seems like a straight forward story but even the title can be misleading. Sometimes it is translated as A Doll’s House and others as A Doll House. Both set a different tone. I prefer A Doll’s House. It makes Nora trapped in a make believe world where events are controlled by outside operators. Nora does seem trapped and seen as frivolous, a spend thrift, and very much a child. Although a bit ditzy, Nora is a person waiting to break out of the confines of her doll house. ( )
  evil_cyclist | Mar 16, 2020 |
I haven't read a play in some time so this was a nice break from a traditional novel.
I enjoyed the story which did drag a bit in Act II but almost necessary for the play to explain the circumstances contributing to the ultimate finale. I found the conclusion had me wondering how it would end and I was pleasantly surprised! From a historical standpoint, the story was brilliant! ( )
  marquis784 | Feb 15, 2020 |
Mostrando 1-5 de 71 (seguinte | mostrar todas)

» Adicionar outros autores (55 possíveis)

Nome do autorFunçãoTipo de autorObra?Status
Ibsen, HenrikAutorautor principaltodas as ediçõesconfirmado
McGuinness, FrankAdaptationautor principalalgumas ediçõesconfirmado
Clant van der Mijll-Piepers, J.Tradutorautor secundárioalgumas ediçõesconfirmado
Keel, AldoPosfácioautor secundárioalgumas ediçõesconfirmado
Lange, WilhelmTradutorautor secundárioalgumas ediçõesconfirmado
Lavery, BryonyTradutorautor secundárioalgumas ediçõesconfirmado
Linder, RichardTradutorautor secundárioalgumas ediçõesconfirmado
McLeish, KennethTradutorautor secundárioalgumas ediçõesconfirmado
Meyer, Michael LeversonTradutorautor secundárioalgumas ediçõesconfirmado
Palola, EinoTradutorautor secundárioalgumas ediçõesconfirmado
Stephens, SimonTradutorautor secundárioalgumas ediçõesconfirmado
Walsh, PaulTradutorautor secundárioalgumas ediçõesconfirmado
Wilder, ThorntonTradutorautor secundárioalgumas ediçõesconfirmado

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""The character of Nora has fascinated me for a long time but I felt that the play, in the form I knew, was too dated. I would not have been interested in accepting the part in the Archer version, because the lines were too stiffly artificial and lacked conviction. The Thornton Wilder adaptation, however, has restored life and credibility to a drama, which is still one of the finest efforts in our theatrical literature." -Ruth Gordon, Cincinnati Times-Star, October 27, 1937 "It's a thrill to encounter this collaboration between these two pioneers of modern theater. Wilder has created a brilliant version of Ibsen's great play, which is taut, conversational and pulsing with life nearly eighty years after it was written. Of course, Wilder worked on A Doll's House while writing Our Town. There are incredible echoes between Nora and Emily-two young women who poignantly confront their own mortality and must say good-bye to life as they know it." -Arin Arbus, director, A Doll's House, Theatre for a New Audience, May 1, 2016 Not staged until 2016, since its record-breaking Broadway premiere starring Ruth Gordon in 1937, this is the first publication of the adaptation of Ibsen's classic drama as revitalized through the shrewd lens of American drama master Thornton Wilder. With clarifying dialogue, Wilder uproots this classic from Norway and funnels it through an American lens. The marriage of Ibsen's naturalistic style melds with Wilder's knack for emotional nuance to create a demonstrative edition of the revered A Doll's House. Henrik Ibsen is often referred to as the father of modern realism. He is most well known for his plays Hedda Gabler, Ghosts, The Master Builder, The Wild Duck, Peer Gynt, and An Enemy of the People. Thornton Wilder is considered to be one of the most accomplished American playwrights and novelists of the twentieth century. He received three Pulitzer Prize Awards for Our Town (1938), The Skin of Our Teeth (1943) and The Bridge of San Luis Rey (1928). His novel The Eighth Day received The National Book Award in 1968. Our Town is the most-produced American play in the world"--

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