"He was an architect, and very much in love with his profession"
By sally tarbox on 19 Jan. 2014
Format: Paperback
I couldn't put this down from page 1, where we are introduced to pleasant, enthusiastic young Martin Lovell, off on a visit to Rome where he can indulge his passion for architecture. But at the guest-house he encounters the redoubtable Lady Stapleford, a widow in straitened circumstances, resolved in marrying off her pretty but non-academic daughter Letty:
' "Now I don't believe", said Lady Stapleford with deceptive candour, "in keeping young people waiting about after they've made up their minds to marry each other...It would be extremely selfish of me", said the judge's widow, who did not mean to incur the expense of a London wedding, or risk the sobering effect of a change of scene and the likelihood of a young man's inconstancy.'
The novel then covers the next forty years; the married life of two such different characters, Martin's unabating interest in his subject, children, an interfering mother-in-law... Beautifully written, with a very moving ending. ( )

Bricks And Mortar by Helen Ashton

Martin Lovell was putty in Lady Stapleford's hands and he fell in love with her daughter Letty "quite simply and immediately, without any suspicion that the matter was being arranged for him". Lovell, at twenty-four, was an innocent, decent and "sweet minded", socially and physically awkward, and passionate about architecture, which was his profession. Not particularly wealthy, he had come to Rome to look at the buildings, but at dinner in his third rate pension he finds himself seated opposite "the prettiest girl in the world". Letty Stapleford's father, Lord Stapleford, had died leaving his wife and daughter badly off, and Lady Stapleford was putting all her will and energy into getting her daughter married as quickly as possible at minimum expense. Letty, eighteen, is in her mother's estimation pretty, silly, and useless, but she is obedient, and dutifully, if reluctantly, allows Martin to guide her round churches and ruins in which she has no interest. Inevitably Martin's study plan is jettisoned and without quite understanding how it happened he returns from Rome a married man. Looking through the cab window on the way to the train station he sees the buildings he had been so eager to view and considers that "the whole of his life had been upset and changed, by an event which as yet he hardly realised. He had a sudden queer regret for a hundred things which he had meant to do and see by himself in Rome. He had been lost and drowned in the blue eyes of Letty and the days had gone by him and been wasted. The whole imperial confusion of domes and towers, of obelisks and columns, of temples and colonnades and fountains, lay behind him in an accusing golden sunset. He wondered whether he would ever come back again and make up for all that he had missed: for a moment he was full of regrets, then came the shouting and disturbance of the station" and getting into the train he "found himself shut up alone with a frightened, forlorn, beloved creature whose eyes implored him for protection against himself and her destiny."

'Bricks And Mortar' follows the course of Martin's career, his marriage, in which Lady Stapleford continues to interfere, and his relationships with his irritable petulant son and his clever strong willed daughter.

There is something charming about the novel, and it may be Martin himself. The forty years of his career covers a time of considerable change in architectural styles, from the Victorians to the modernists of the 1930s, and the success and decline of Martin's senior partner and, in due course, of Martin himself, is charted in the context of the buildings they want to, or are commissioned to, design, so some understanding of the various architectural movements and their significance, though not essential, is useful.

The Publisher's Note describes Ashton as "adept at writing an entertaining but interesting novel which leaves the reader with something to think about", a fair summation of 'Bricks And Mortar'.

In a sense Bricks and Mortar is a pretty typical Persephone novel, a largely domestic novel which follow the fortunes of a family across more than three decades. What sets this lovely novel a little apart from the other wonderful domestic set novels which Persephone publish, is that the main point of view in the novel is that of a man and that his career as an architect lies at the centre of the whole story.

“Martin fell in love with Letty quite simply and immediately, without any suspicion that the matter was being arranged for him. He mooned about after her, watched her across the dinner-table with unconcealed adoration, and manoeuvred constantly for a chance to go with her and her domineering, efficient little mother to visit some church or gallery or ruin.”

In 1892 Martin Lovell an awkward, young architect travels to Rome, here he meets Letty Stapleford his future wife. Wanting only to revel in the architecture, ambitious and endearingly passionate about his work, he’s a stuttering nervous young man and no match for Lady Stapleford. Recently returned from India, a widow, Lady Stapleford is almost penniless, her pretty daughter soon to be launched into London society, something Lady Stapleford can little afford. Recognising Martin Lovell to be at least a gentleman – Lady Stapleford sets out to secure the marriage of her daughter to Martin as quickly as possible. Martin Lovell returns to England to begin his career a newly married man, taking a small flat in Gray’s Inn Square. Letty doesn’t share Martin’s love of bricks and mortar, and although the young couple love each other, this is a small irreparable fissure in their relationship.bricksandmortar

Martin starts working for Nicholas Barford, they don’t always agree on architectural matters but rub along fairly well, and in time Martin becomes Barford’s partner and later, following Barford’s retirement takes over the business completely. For lovers of architecture, there is plenty to love in this novel, Martin’s own enthusiasm really very infectious, and Helen Ashton’s descriptions really lovely and seemingly very knowledgeable, and if, like me, you don’t know much about architecture; it really doesn’t matter at all. Martin’s development as an architect is explored brilliantly; with his youthful dreams of cathedral building and his early overly ornate projects later coming to embarrass him.

“standing under the light Renaissance arcade in the vine-wreathed courtyard of the Plantin-Moretius house, he decided, finally and obstinately, that he did not care for Flemish Gothic. There was something sinister, high-shouldered and constricted about the steeply-pitched roofs with their peering suspicious rows of dormer windows, the crowded, intricate tracery of the canopied windows and niches, the florid, soaring multiplicity of pierced belfries and arrowy slender spires. It all seemed as angular and ascetic as the tortured, lean-ribbed saints and prudish, shrinking virgin martyrs in the jewel coloured primitives of the museums. He took much greater delight in this warm sixteenth-century brickwork, these light round arches and tall mullioned windows; they satisfied his domestic and balanced mind.”

Letty and Martin have two children, Anatastasia (known always as Stacy) and Aubrey. Stacy very much her father’s child, takes a delightful interest in his work, while Aubrey his mother’s son, is spoiled and sickly. Letty frequently clashes with her daughter, far preferring her darling boy to the girl she doesn’t really understand, while Martin is often bored and irritated by his son. As the years pass, the family move several times, allowing Martin to put into practise his never waning fascination for houses. Stacy’s passion for bricks and mortar soon almost equals Martin’s and he is able to take comfort in the relationship that develops between them. When Martin takes on a new young architect, Nicholas Barford’s nephew Oliver, he and Stacy seem attracted to one another, something Letty is quick to make plain she’ll never condone. Stacy and Oliver move off in different directions, marrying other people, but almost inevitably come together again following the First World War. During the upheaval to traditional gender roles that came about following The Great War, Stacy finally begins her own architectural training. Her own career is not followed in any great detail, which is a shame; the focus is more on her disastrous first marriage, and her relationship with Oliver Barford.

Although I loved the character of Martin, Stacy really is the star of the show, and I wouldn’t have minded much more of her. The end of the novel is a little overly dramatic perhaps and certainly wasn’t quite what I had expected, but I am maybe just being picky. Overall Bricks and Mortar is a lovely novel, and if you want a novel which explores the changing nature of architecture in Britain in the first thirty years of the twentieth century, then this is certainly the book for you. ( )

In Bricks and Mortar, a young architect meets and marries a young woman named Letty, mostly through the finagling of her mother. Unhappy in his home life, over the next thirty years, Martin Lovell looses himself in his work, moving houses every now and then. He also takes comfort in his relationship with his daughter Stacy.

Although not written in the first person, we see everything from Martin’s point of view, so, for example, in the opening scene when he arrives in Rome, the first thing that’s described is the city’s buildings. Ashton’s descriptions of architecture are truly beautiful. Poor Martin gets trodden on right from the first, but he takes comfort in the work he’s passionate about, and in the daughter who possesses a fiery spirit and a passion almost equal to his own. It’s a beautifully written book, contrasting Martin and Stacy against Letty and his son Aubrey (like his mother, weak and useless to Martin). Then there’s Stacy’s interesting relationship with Martin’s young associate, Oliver… we know where that story line goes, but it’s interesting to watch how all of that unfolds.

Martin is a great hero, not in the over sense, but in a quiet, understated way. He knows that his marriage is a mistake and that Letty isn’t quite on his intellectual level, but he tries to make the best of things. As such, the end of the book is truly heartbreaking. ( )

Bought 29 Oct 2008 at the Persephone Bookshop, Notting Hill

This is the one I bought for myself when I was on my little shopping expedition on behalf of a group of friends.

It's the story of a man who is, ultimately, more interested in architecture than anything else. And why blame him? He is bamboozled into marriage by a pretty young girl and her formidable mother, then finds said mother inserting herself into his marriage and his relationship with his children. A wimpy boy and a hard-edged girl give him more challenges and he retreats into regular house-moves and an obsession with his business in order to escape. Beautifully drawn, bitter-sweet and moving. The best bits are the descriptions of the houses he lives in and visits, and the nature surrounding especially his country retreat. A lovely read. ( )