I liked, if not loved, every single story in this short anthology. Granted, there were only eight stories, but for me, it is still quite an achievement as I prefer novels to shorts. Megan Whalen Turner is one of the best story tellers in the YA fantasy genre I've come across and these stories showcase her talents wonderfully. I especially loved "Factory" and "Instead of Three Wishes." ( )

Cute. ( )

Overall Rating: 3/5
Megan Whalen Turner’s The Queen’s Thief series is, without a doubt, one of the best things I’ve ever read. By the middle of book three, The King of Attolia, I had already decided to add her to my list of favorite authors on goodreads.

However, the best thing about those books is, by far, the characters. Turner has a knack for great, multi-dimensional characters the way Brandon Sanderson has a knack for cool magic systems, or the way Patrick Rothfuss has a knack for pretty words, or the way that Gene Wolfe has a knack for world building. It is her strongest trait by far. Which is not to say that those books don’t have decent world-building, lore, and plots behind them, because they do, but they’re just regular good.

I was very excited when I found out that Turner had a short story collection I could read, though now that I’ve read it I realize that her strongest trait, character, is something that typically takes a back seat in short stories so that unique ideas, plots, or styles of writing can take center stage. There’s simply not enough words in a short story to develop strong characters (usually), but the length is perfect for experimentation in other areas.

These stories, unfortunately, are not at all experimental. They’re charming, but woefully predictable, and they all wrap up a little too cleanly for my taste. I would say that the majority of short stories I've read have at least somewhat ambiguous endings, and that's probably for the best. You can get away with stuff you otherwise couldn't, so why not take advantage of that? We really don't like ambiguous endings in western culture, but somehow that type of ending thrives in short stories and that's a big part of why I'm drawn to them.

A Plague of Leprechaun (1/5)
Tourist start flocking to a small town when a leprechaun is sighted. An artist visiting to paint landscapes gets the gold. Quite boring.

Leroy Roachbane (1/5)
Some kid likes to kill roaches to an unhealthy degree. He has to write a report about his black heritage for school, but he lives in Sweden and the school library only has history books about white people. He crashes his bike and has some sort of hallucination about killing roaches for ancient Swedish tribal people or something. What the shit? Seriously, what the shit?

Factory (4/5)
This is a great little story about a sort of dystopian future where people sleep, eat, live, and work for fourteen hours a day in a giant factory. Work is apparently so scarce that there is a selection process to get in, if you can believe it. The main character, John, due to the results of his psych profile, which indicate he's a loner, is assigned to the 'high crane' where he is isolated from most of the other workers. In fact, it takes him so long to climb up and down the ladder to his crane that he very quickly stops climbing down to take his lunch breaks at all, which further isolates him from the rest of the workers.

At first he enjoys his job, doesn't mind being alone at all, and loves reading the books the factory library provides. He hears rumors of how the previous workers in his position have quit after a short time because they saw ghosts. The official story from the factory, however, is that they quit “because they got bored and lonely.”

At first he ignores these rumors, but eventually he meets one of these ghosts and forms a friendship with her. Turns out she's one of the people who lived in a mansion on this plot of land a long time ago, before the factory was built.

They share poetry, she tells him what nature in her time was like (John's people call pigeons 'birds' because 'there's only the one kind' and he's never heard of a squirrel).

They become really close and he comes to realize that he would rather live in her world, a world that never changes, than grow old and leave her, and so he talks to her mother (who is the one who figured out how to ghost-ify the whole family in the first place) and does exactly that, bringing not only himself but a ton of new books and chocolates into his new friend's unchanging world where they can sit and read and eat chocolate together for all eternity.

It's short, sweet, character-driven, and speaks to what is truly important in life (relationships with other people, ideas, contentment, happiness) vs. what really isn't important at all but a lot of people really think is incredibly important (forward progress, manufacturing, profit, money, work work work and more work). It really resonated with me and my own personal world-view and I enjoyed it immensely.

Aunt Charlotte and the NGA Portraits (3/5)
An old woman tells a story from her youth, about how she befriended this older woman during a vacation who was magical. At the end she gets sent into a painting to retrieve a fur coat for said woman and meets several people who are, in actual fact, not real but people from several different paintings. Basically it's her way of explaining why she sees certain painting as friends, and what parts of it you choose to believe are up to you, as aunt Charlotte would say.

Instead of Three Wishes (4/5)
The 'title track' of this collection if you will, this story is yet again a sweet, character-driven story that shows off Turner's strengths.

It all starts when a young woman named Selene helps an elf prince cross the street. He, as elves do, offers her a gift in exchange for her help—three wishes, printed on business cards—which she promptly refuses because he could be a crazy murderer or something, and besides, how often do wishes go so very wrong in stories? She accidentally tells him where she lives in her attempt to escape the situation and receives gift upon gift at her doorstep, all of which she refuses for reasons of practicality and common sense. A mansion she can't afford to live in; a fairy tale prince meant to be her husband who can't read, write, or do anything useful; etc.

Finally, not knowing how to please her, the elf prince disguises himself as a human and takes up lodging in Selene and her mother's house in order to find out what she likes so that he can repay his debt. Turns out a nice lodger was exactly what they wanted, and Selene's delicious baking is exactly what the elf prince wanted. The three of them slowly become friends, and when Selene gets accepted into an exclusive culinary school that she can't afford to go to the elf prince knows exactly what to do. He pays her tuition, and moves Selene's mother into his own house where his mother lives.

What started as a single-minded, almost business-like attempt to repay a debt ends with Selene being able to go to the culinary school of her dreams, and her, her mother, the elf prince and his mother, all becoming good friends. Just like Factory it emphasizes the importance of friendships and other people over material goods. Selene chose to make new friends instead of making three wishes, and she was smarter than most of us for doing so.

The Nightmare (2/5)
Some high-school freshman harasses a woman who throws something at him. Turns out it's a nightmare that he has every night of what the people he saw throughout the day think of him. It turns him into a better, more empathetic individual and at the end of the story he passes it on to someone else, just as the woman did to him.

The Baker King (3/5)
A charming story written like a fairy tale, but a fairy tale that seems...perhaps a little too familiar? Basically a king sends his son off somewhere to learn the ways of life, but dies before he tells anyone where the boy actually is. His ministers manage just fine without a king until an infamous bandit sends word that he'll be taking up the position, whether they like it or not. They realize they can't call upon the army without a royal decree. One minister decides to find a random young man who fits the lost heir's description and tries to convince him that he is, in fact, the king. Turns out the man he picked actually is the lost heir, and knows that he is, but he doesn't want to be king. He pretends as much as he needs to in order to convince everyone that the throne is cursed and will kill anyone who sits on it besides the true heir, which scares away the bandits, and then returns to being a baker's apprentice while the ministers go back to running things. ( )

Charming. Maybe only 3.5 stars though. Very quick read, but not just for young children. Again, it's an anthology, so it's a mixed bag, and the rating reflects an average of how much I liked the stories. ( )

Cute little short stories that left me smiling (no teeth) for a second. The endings to some of the stories were too mild for me. ( )