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Ekstremt højt & utrolig tæt på : roman de…
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Ekstremt højt & utrolig tæt på : roman (original: 2005; edição: 2006)

de Jonathan Safran Foer

MembrosResenhasPopularidadeAvaliação médiaMenções
14,708445282 (4.08)315
Nine-year-old Oskar Schell is a precocious Francophile who idolizes Stephen Hawking and plays the tambourine extremely well. He's also a boy struggling to come to terms with his father's death in the World Trade Center attacks. As he searches New York City for the lock that fits a mysterious key he left behind, Oskar discovers much more than he could have imagined.… (mais)
Membro:Kanzler
Título:Ekstremt højt & utrolig tæt på : roman
Autores:Jonathan Safran Foer
Informação:Kbh. : Tiderne Skifter, 2006.
Coleções:Sua biblioteca
Avaliação:
Etiquetas:Nenhum(a)

Detalhes da Obra

Extremely Loud and Incredibly Close de Jonathan Safran Foer (2005)

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    The Boy in the Striped Pajamas de John Boyne (Usuário anônimo)
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    Don't Let Me Be Lonely: An American Lyric de Claudia Rankine (Maiasaura)
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    The Selected Works of T. S. Spivet de Reif Larsen (BookshelfMonstrosity)
    BookshelfMonstrosity: The precocious young narrators in each of these novels embark on journeys alone, providing illustrations to enhance their complex narratives, which include family history as well as current concerns. T. S. travels across the U.S, while Oskar travels throughout New York City.… (mais)
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    The Tower: Tales from a Lost Country de Uwe Tellkamp (Esther1987)
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    The Street of Crocodiles de Bruno Schulz (sdrayzen)
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    The History of Love de Nicole Krauss (BookshelfMonstrosity)
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    Let the Great World Spin de Colum McCann (Bici47)
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    The Tin Drum de Günter Grass (jenn_the_eskimo)
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    Vatten de Martin Cathcart Frödén (Usuário anônimo)
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    The Wine of Youth: Selected Stories de John Fante (helio_)
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    Pay It Forward de Catherine Ryan Hyde (JeremyFine)
    JeremyFine: Both of these books use perspective changes by chapter. And also, both of them have a child on a seemingly impossible, yet still realistic, mission for them to complete.
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    PghDragonMan: Another story of searching for meaning after personal tragedy and questioning why bad things happen.
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» Veja também 315 menções

Inglês (412)  Holandês (14)  Dinamarquês (5)  Francês (5)  Sueco (3)  Italiano (3)  Alemão (2)  Catalão (1)  Todos os idiomas (445)
Mostrando 1-5 de 445 (seguinte | mostrar todas)
There's a blurb on my copy of Cloud Atlas that says something to the effect of "David Mitchell's ambition is writ in fire on every page" or something equally over the top, and I don't think that that book quite earns it, but damn, this does. Despite those five stars, I don't think this is 100% perfect (I think that the non-Oskar narratives ultimately ended up being kind of a question mark to me), but ultimately this is just such a dizzying, heartbreaking Thing that I feel like I can't give it anything less. Just brilliant in so many different ways. ( )
  skolastic | Feb 2, 2021 |
Started well, continued not so well and finished unevenly. There was a sentimentality, particularly with the grandparent voices that alienated me in the end. ( )
  Ma_Washigeri | Jan 23, 2021 |
For years I've put off reading Jonathan Safran Foer, though I'm not sure why -- maybe I thought he was a hipster darling, and I didn't want any part of that. Last week I read a brief review of the book by a person whose reading I follow and admire, and I decided to go ahead and give JSF a chance. I'm glad I did. It's a lovely book, perhaps a little cute at times, but full of really lovely and at times devastating things. ( )
  dllh | Jan 6, 2021 |
I read this for book group a couple of years ago and I enjoyed it more than I thought I would. I never saw the movie and I was afraid I would find this book sad and depressing. I didn't. In fact, it was intriguing at times and overall a good story, albeit an odd one. I saw quite a few reviews that mentioned - what on earth is a kid running around New York like that? Is this believable? I have no idea and I just took it in stride. ( )
  Chica3000 | Dec 11, 2020 |
Δείτε επίσης και στο Chill and read

Ο Όσκαρ είναι εννιά χρονών και είναι λίγο διαφορετικός από τα υπόλοιπα παιδιά της ηλικίας του. Διαβάζει πολύ, μαθαίνει πολλά πράγματα, εξερευνεί και ανακαλύπτει ότι μπορεί να φανταστεί κανείς. Του αρέσει να παίζει το ντέφι του, τον βοηθά να λειτουργεί καλύτερα, αλλά και να εφευρίσκει πράγματα. Επίσης του αρέσει να επικοινωνεί με ανθρώπους που θαυμάζει και στέλνει γράμματα στον Στήβεν Χώκινς, παρόλο που ο ίδιος κατοικεί στη Νέα Υόρκη.

Πέρα από όλα αυτά όμως, ο Όσκαρ είναι ένα παιδί που έχασε τον πατέρα του στα γεγονότα της 11ης Σεπτεμβρίου και βρήκε στην ντουλάπα του πατέρα του ένα κλειδί μέσα σε ένα φάκελο που έγραφε “Μπλακ” και ήταν κρυμμένο μέσα σε ένα μπλε βάζο. Ο μικρός Όσκαρ θα προσπαθήσει να ανακαλύψει τι ανοίγει αυτό το κλειδί, ψάχνοντας όλους τους Μπλακ της Νέας Υόρκης.

Στη ζωή του Όσκαρ υπάρχει η μητέρα του που θρηνεί, η γιαγιά του που επέζησε του βομβαρδισμού της Δρέσδης στο δεύτερο Παγκόσμιο Πόλεμο, ένας απών παππούς που έχασε τη λαλιά του μετά τον βομβαρδισμό αλλά και ο ίδιος ο πατέρας του Όσκαρ, που είναι δίπλα του μέσα από τις αναμνήσεις και τις στιγμές που πέρασαν μαζί.

Το βιβλίο αυτό, αν και γραμμένο από Αμερικανό, δεν είναι ένα ακατάπαυστο μοιρολόι στους νεκρούς της τρομοκρατικής επίθεσης. Δεν είναι ένα στενάχωρο και θλιμμένο βιβλίο. Δεν είναι ένας συνονθύλευμα συνωμοσιών για το τι τελικά έγινε και πως έπεσαν οι πύργοι. Δεν είναι ένα μανιφέστο μίσους στους εχθρούς της Αμερικής.

Είναι ένα αριστούργημα! Η αφήγηση γίνεται σε πρώτο πρόσωπο κι έτσι μαθαίνουμε την ιστορία του Όσκαρ μέσα από τα ίδια του τα μάτια. Ο Φόερ δημιούργησε αριστοτεχνικά, έναν λογοτεχνικό ήρωα που μένει στον αναγνώστη. Δεν είναι το παιδί της διπλανής πόρτας που έχασε τον πατέρα του, στενοχωριέται και μπορεί να πάθει κατάθλιψη. Είναι ένα παιδί που θέλει να μάθει ακόμα από τον χαμένο πατέρα του. Τα μυστικά του ίσως; Κάτι το οποίο μπορεί να τον συνδέσει με εκείνον, ακόμα και τώρα που έχει φύγει. Η πράξη του να ψάξει για την κλειδαριά, είναι ένας τρόπος να κρατηθεί κοντά του, αλλά και κάτι που πολλοί ενήλικοι ίσως να μην τολμούσαν να κάνουν σε αντίστοιχη περίπτωση.

Το βιβλίο εκδόθηκε στην Αμερική το 2005. Το 2011 έγινε ταινία με τον Thomas Horn στο ρόλο του Όσκαρ και τον Tom Hanks στο ρόλο του πατέρα του. Ο ηθοποιός Max von Sydow είναι προταθεί για Όσκαρ δεύτερου αντρικού ρόλου αλλά και η ταινία η ίδια είχε προταθεί για Όσκαρ καλύτερης ταινίας. ( )
  GeorgiaKo | Dec 1, 2020 |
Mostrando 1-5 de 445 (seguinte | mostrar todas)
The bigger problem is that Foer never lets his character wander off without an errand.

In fact, there is hardly a line in this book that has not been written for the purpose of eliciting a particular emotion from the reader. The novel is a tearjerker. ...The skepticism and satire that marked the best parts of Everything Is Illuminated are nowhere in evidence here.
adicionado por jburlinson | editarNew York Review of Books, Keith Gessen (pay site) (Sep 25, 2005)
 
The search for the lock that fits a mysterious key dovetails with related and parallel quests in this (literally) beautifully designed second novel from the gifted young author (Everything Is Illuminated, 2002). The searcher is nine-year-old Oskar Schell, an inventive prodigy who (albeit modeled on the protagonist of Grass's The Tin Drum) employs his considerable intellect with refreshing originality in the aftermath of his father Thomas's death following the bombing of the World Trade Center. That key, unidentified except for the word "black" on the envelope containing it, impels Oskar to seek out every New Yorker bearing the surname Black, involving him with a reclusive centenarian former war correspondent, and eventually the nameless elderly recluse who rents a room in his paternal grandma's nearby apartment. Meanwhile, unmailed letters from a likewise unidentified "Thomas" reveal their author's loneliness and guilt, while stretching backward to wartime Germany and a horrific precursor of the 9/11 atrocity: the firebombing of Dresden. In a riveting narrative animated both by Oskar's ingenuous assumption of adult responsibility and understanding (interestingly, he's "playing Yorick" in a school production of Hamlet) and the letter-writer's meaningful silences, Foer sprinkles his tricky text with interpolated illustrations that render both the objects of Oskar's many interests and the memories of a survivor who has forsworn speech, determined to avoid the pain of loving too deeply. The story climaxes as Oskar discovers what the key fits, and also the meaning of his life (all our lives, actually), in a long-awaited letter from astrophysicist Stephen Hawking. Much more is revealed as this brilliant fiction works thrilling variations on, and consolations for, its plangent message: that "in the end, everyone loses everyone." Yes, but look what Foer has found. Film rights to Scott Rudin in conjunction with Warner Bros. and Paramount; author tour.
adicionado por cmwilson101 | editarKirkus Reviews
 

» Adicionar outros autores (15 possíveis)

Nome do autorFunçãoTipo de autorObra?Status
Jonathan Safran Foerautor principaltodas as ediçõescalculado
Baardman, GerdaTradutorautor secundárioalgumas ediçõesconfirmado
Bocchiola, MassimoTradutorautor secundárioalgumas ediçõesconfirmado
Caruso, BarbaraNarradorautor secundárioalgumas ediçõesconfirmado
Ferrone, RichardNarradorautor secundárioalgumas ediçõesconfirmado
Nilsson, Hans-JacobTradutorautor secundárioalgumas ediçõesconfirmado
Stheeman, TjadineTradutorautor secundárioalgumas ediçõesconfirmado
Woodman, JeffNarradorautor secundárioalgumas ediçõesconfirmado
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Nine-year-old Oskar Schell is a precocious Francophile who idolizes Stephen Hawking and plays the tambourine extremely well. He's also a boy struggling to come to terms with his father's death in the World Trade Center attacks. As he searches New York City for the lock that fits a mysterious key he left behind, Oskar discovers much more than he could have imagined.

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