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Roadside Picnic de Arkadii Natanovich…
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Roadside Picnic (original: 1972; edição: 2001)

de Arkadii Natanovich Strugatskii Arkady Strugatsk Boris Strugatsky (Autor)

MembrosResenhasPopularidadeAvaliação médiaMenções
2,6561054,143 (4.01)161
"Red Schuhart is a stalker, one of those young rebels who are compelled, in spite of the extreme danger, to venture illegally into the Zone to collect the mysterious artifacts that the alien visitors left scattered around. His life is dominated by the place and the thriving black market in the alien products. But when he and his friend Kirill go into the Zone together to pick up a "full empty," something goes wrong. And the news he gets from his girlfriend upon his return makes it inevitable that he'll keep going back to the Zone, again and again, until he finds the answer to all his problems."--… (mais)
Membro:anniehun
Título:Roadside Picnic
Autores:Arkadii Natanovich Strugatskii Arkady Strugatsk Boris Strugatsky (Autor)
Informação:Gollancz (2001), Edition: paperback / softback
Coleções:Sua biblioteca
Avaliação:
Etiquetas:Nenhum(a)

Detalhes da Obra

Roadside Picnic de Arkady Strugatsky (Author) (1972)

  1. 131
    Solaris de Stanisław Lem (S_Meyerson)
  2. 30
    Gateway de Frederik Pohl (Vonini)
  3. 10
    The Cinema of Andrei Tarkovsky (British Film Institute) de Mark Le Fanu (S_Meyerson)
  4. 10
    The Ugly Swans de Arkady Strugatsky (leigonj)
    leigonj: By the same authors, both books feature strange happenings: in Roadside Picnic the curious effects left by a brief Alien visitation in 'the zone', and in Ugly Swans the perpetual rain and mutants in a small town, caused by who knows what?
  5. 00
    Lament for the Afterlife de Lisa L. Hannett (ShelfMonkey)
  6. 00
    Prüffelder der Phantasie : sowjet. Essays zur Phantastik u. Science-fiction de Vsevolod A. [Herausgeber] Revič (HelgeM)
    HelgeM: enthält u. a. Aufsatz der Strugazkis zur Verteidigung der Science-fiction
  7. 00
    Zona: A Book About a Film About a Journey to a Room de Geoff Dyer (bertilak)
  8. 01
    Railsea de China Miéville (bertilak)
  9. 01
    The Complete Fuzzy de H. Beam Piper (Vonini)
  10. 02
    Fortitude [short story] [podcast] de David Brin (bertilak)
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» Veja também 161 menções

Inglês (98)  Francês (5)  Russo (1)  Alemão (1)  Todos os idiomas (105)
Mostrando 1-5 de 105 (seguinte | mostrar todas)
I thought the movie was dense but hoooo boy this was a slog to read. One bit did make me appreciate the movie more, towards the beginning,

"We don’t even make it to the first marker before he starts babbling. You know, the way novices babble in the Zone: his teeth are chattering, his heart is galloping, he’s out of it, and though embarrassed he can’t get a grip. I think this is like diarrhea for them; they can’t help it, the words just keep pouring out. And the things they’ll talk about! They’ll rave about the scenery, or they’ll philosophize about the aliens, or they might even go on about something totally irrelevant."
This honestly made me feel better about the movie, it confirmed that the two guys arguing the whole time was supposed to be annoying and pointless.

Anyway 3 stars for having a cool anti-anthropocentric concept with a cool message but this was really not worth reading. IDK if it's just this translation or if the original was also this dense but this was very difficult to read and I almost gave up, the characters were boring, what the authors chose to focus on was boring (in an otherwise well-built world). All in all a reminder of why I tend to not like sci fi by men. ( )
  jooniper | Sep 10, 2021 |
Redrick口嫌體正直我的天太大魅力了,我被迷倒了(。
還是帶著一種莫名很俄式的疏離感,所謂智慧生物的智慧該如何定義、外星人造訪的後果又該如何看待,這些看似關鍵的問題卻通通不給出解答;活屍怎麼來的、獵物何去何從、Monkey算是個怎樣的存在等全都拋了個概念就不繼續擴寫了,一副「你知道一下就好我沒打算細說哈」的架勢;但這些問題絲毫影響不到故事本身的魅力,一方面是因爲各色登場人物的 ambiguity 很引人入勝(每個章節都帶點敘事基調和情節的反轉),另一方面則是——各種外星文物乃至整個禁區的設定都太有趣了!從易拉罐想象而來的Empty(emmm難怪會有西方學者將其解讀為“反映了對資本主義的荼毒的恐懼”,這不就是可樂罐嗎x)、蛛網、濃縮重力陷阱、Hell Slim 再到最後根本不 golden 的 Golden Sphere,光從文字中都能體驗到禁區探險的刺激感,要是做成游戲那得該多好玩!我真恨不得這不是一本novella而是個幾冊的大部頭,實在不夠看TqT
另外被結尾震驚到笑之後繼續看作者之一Boris寫的後記,結果比正文還來得科幻,太有意思了,跟近兩年恁國的出版現狀相映成趣wwww這真的是社會主義陣營的共通點了,不要問問就是莫須有和文字獄
ps. 沒看過塔可夫斯基那部電影,我是直到看了後記才知道是電影帶響了書的名聲……我:什麼!不是因為地鐵系列和S.T.A.L.K.E.R.嗎x ( )
  puripuri | Sep 9, 2021 |
I listened to the audiobook, and while the story was great, the narration by Robert Forster took the story to the next level. His gritty, no-nonsense narration style was perfectly suited to this book. ( )
  sigshane | Aug 31, 2021 |
This is a dangerous book, and different from much SF that Western readers are familiar with.

The main characters and narrators are not the engineers, captains, pilots or administrators. They are not the intellectuals. They are from the working class: sometimes brutish, sometimes brilliant, always under-informed and a bit bitter. They do dangerous jobs, trying to get the better piece of the pie, no matter what the admin may say. It's subversive in little ways.

The writing is terse and spare to a fault. Piles of detail are not given; the reader must pay attention to each word in a scene, or something 20 pages later will seem to come out of nowhere. Sudden moments of violence just happen without preamble, as they would to the character, and then the story continues, without lots of explanation...as it would for the character. Like the character who is picking his way through the Zone, the Reader should make his way cautiously through the text. You have to pay attention.

The story itself, the Zone, the characters, and the voice of the text are dark and unfriendly as well, and they soak into your subconscious. Hope and happiness aren't much present. This can leave a reader with very dark dreams, or lingering unease days after reading. It sticks with you like few other SF books I've read. The end of the book is intentionally abrupt and rather inconclusive; it marks a good stopping point for tale-telling, but does leave you wondering what the fallout would have been.

This is a dangerous book, but one worth the danger. It is a fundamentally different SF than the norm, but a very rewarding one. Once you've read it, "Roadside Picnic" doesn't really let you walk away from it. ( )
  MLShaw | Jun 10, 2021 |
(...)

Anyhow, I agree with Lem that the final chapter – while I sympathize with its ultimate message, “HAPPINESS, FREE, FOR EVERYONE, AND LET NO ONE BE FORGOTTEN!” – isn’t the most successful of the book. It turns something that was fairly consistent in its harshness in a kind of dreamlike carnival of the deranged. In vogue in 60ies and 70ies literature, sure, but also a bit of an Achilles heel, as I feel the mystery and absurdity of life isn’t best served with fairly straightforward mimesis of a mental meltdown in outré surroundings: it too easily turns into something cartoonish.

Is the weird truly the best form to portray the Wonder? Part of the answer to that is taste, obviously, but I think reality is strange enough as is, and it doesn’t need embellishments to drive that home. On the other hand, Redrick Schuhart’s mental fate isn’t unrealistic given what he had to endure in his fictional life, so Boris & Arkady Strugatsky get a pass for that ending, easily.

(...)

Full review on Weighing A Pig ( )
  bormgans | Jun 3, 2021 |
Mostrando 1-5 de 105 (seguinte | mostrar todas)
adicionado por r.orrison | editarBoing Boing, Jason Weisberger (Nov 21, 2013)
 

» Adicionar outros autores (27 possíveis)

Nome do autorFunçãoTipo de autorObra?Status
Strugatsky, ArkadyAutorautor principaltodas as ediçõesconfirmado
Strugatsky, BorisAutorautor principaltodas as ediçõesconfirmado
Adrian, EsaTradutorautor secundárioalgumas ediçõesconfirmado
Barceló, MiquelTradutorautor secundárioalgumas ediçõesconfirmado
Bormashenko, OlenaTradutorautor secundárioalgumas ediçõesconfirmado
Bouis, Antonina W.Tradutorautor secundárioalgumas ediçõesconfirmado
Capo, LuisaTradutorautor secundárioalgumas ediçõesconfirmado
Fukami, TadashiTradutorautor secundárioalgumas ediçõesconfirmado
Griese, FriedrichTradutorautor secundárioalgumas ediçõesconfirmado
Kalliomaa, HeikkiArtista da capaautor secundárioalgumas ediçõesconfirmado
Le Guin, Ursula K.Prefácioautor secundárioalgumas ediçõesconfirmado
Lem, StanislawPosfácioautor secundárioalgumas ediçõesconfirmado
Magee, AlanArtista da capaautor secundárioalgumas ediçõesconfirmado
Möckel, AljonnaTradutorautor secundárioalgumas ediçõesconfirmado
Rehnström, KjellTradutorautor secundárioalgumas ediçõesconfirmado
Schalekamp, Jean-A.Tradutorautor secundárioalgumas ediçõesconfirmado
Strugatsky, BorisPosfácioautor secundárioalgumas ediçõesconfirmado
Sturgeon, TheodoreIntroduçãoautor secundárioalgumas ediçõesconfirmado
Uhlířová, MarieTradutorautor secundárioalgumas ediçõesconfirmado
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We usually proceed from a trivial definition: intelligence is the attribute of man that separates his activity from that of the animals. It's a kind of attempt to distinguish the master from his dog, who seems to understand everything but can't speak. However, this trivial definition does lead to wittier ones. They are based on depressing observations of the aforementioned human activity. For example: intelligence is the ability of a living creature to perform pointless or unnatural acts.
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"Red Schuhart is a stalker, one of those young rebels who are compelled, in spite of the extreme danger, to venture illegally into the Zone to collect the mysterious artifacts that the alien visitors left scattered around. His life is dominated by the place and the thriving black market in the alien products. But when he and his friend Kirill go into the Zone together to pick up a "full empty," something goes wrong. And the news he gets from his girlfriend upon his return makes it inevitable that he'll keep going back to the Zone, again and again, until he finds the answer to all his problems."--

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