Clique em uma foto para ir ao Google Livros
Carregando... The Best Science Fiction of the Year #8de Terry Carr (Editor)
Nenhum(a) Carregando...
Registre-se no LibraryThing tpara descobrir se gostará deste livro. Ainda não há conversas na Discussão sobre este livro. sem resenhas | adicionar uma resenha
Contém
Não foram encontradas descrições de bibliotecas. |
Current DiscussionsNenhum(a)Capas populares
Google Books — Carregando... GênerosClassificação decimal de Dewey (CDD)813.0876Literature English (North America) American fiction By type Genre fiction Adventure fiction Speculative fictionClassificação da Biblioteca do Congresso dos E.U.A. (LCC)AvaliaçãoMédia:
É você?Torne-se um autor do LibraryThing. |
I have yet to find such a replacement.
And, with that as background, I stumbled across this collection at the used book store. Yes, 1978 was a long time ago. However, Terry Carr has always been interesting. (Don’t think so? Have you seen the collections he edited in his Universe books?) So, I decided to give it a go.
To be honest, I was surprised by how mundane many of the stories were. Based on my previous experiences with Carr’s editing work (see the Universe comment above) I expected something very different. What I got, at least for the first few stories (and, actually, throughout most of the collection), was quite…well, my first word choice was the right one…mundane. Oh, it wasn’t that the stories were bad. No, they were perfectly serviceable. It is just that I have trouble believing they were, indeed, the best. Not until I got to Ian Watson’s “The Very Slow Time Machine” (one I recall reading years ago where current viewers watch a man travel back in time) did I really care. Some more forgettable reading, then Harlan Ellison’s “Count the Clock that Tells the Time” and Joan Vinge’s “View from a Height”. (If you are a science fiction fan, you already know about both of these.) Then a complete unknown (to me), Hilbert Schenck’s “The Morphology of the Kirkham Wreck” in which powers struggle to keep the flow of time steady. And then into another I didn’t remember, but was excellent – Thomas Disch’s “The Man Who Had No Idea” in which licenses are needed before you can actually converse with other people.
The stories I have listed above are good, but a collection of the year’s best should have much more going for it than five stories. I wondered if it was Carr or it was just a bad year. I looked up the awards for the year (Hugo/Nebula), and, to be honest, there wasn’t much there to recommend the year (and it included some that Carr included.)
So, I went to Wollheim for that year. And there wasn’t a single story duplicated. There was Frank Herbert and Ursula K. LeGuin and Gregory Benford and John Varley and C. J. Cherryh and Jack Chalker and F. M. Busby and James Tiptree, Jr. I recognize a couple of the titles (been a long time since I read this particular collection) so I can do little more than quote the pedigrees. But that alone is the proof of why I keep looking, 20 plus years later, for a worthy successor. ( )