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Morning and Evening Talk (1987)

de Naguib Mahfouz

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902299,888 (3.97)23
A late work by the Egyptian Nobel literature laureate, Morning and Evening Talk is an epic tale of Egyptian life over five generations. Set in Cairo, it traces the fortunes of three families from the arrival of Napoleon at the end of the eighteenth century to the 1980s, using short character sketches arranged in alphabetical order. This highly experimental device produces a kind of biographical dictionary, whose individual entries come together to paint a vivid portrait of life in Cairo from a range of different perspectives. The characters include representatives of every class and human type, and as the intricate family saga unfolds, a powerful picture of a society in transition--and the accompanying upheaval--emerges. This is a tale of change and continuity, of the death of a traditional way of life, of the road to independence and beyond, seen through the eyes of Egypt's citizens. Naguib Mahfouz's last chronicle of Cairo is an elegy to a bygone era and a tribute to the Egyptian spirit. It is also one of his most technically innovative contributions to the Arabic novel.… (mais)
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تعرف مسلسل "حديث الصباح و المساء" ؟...اعرفه...قريت الرواية؟...لا...يبقى ماتعرفوش

قليلا بل نادرا ما اعجب بعمل درامى و اصله الادبى فى نفس الوقت...لكن اغرمت بالاثنين كسابقه تاريخية

فى البدء كنت اعصر ذهنى لتذكر اى ممثل قد ادى دور ذلك ال"فلان" و كنت اوفق احيانا و اشبه احيانا و افشل فشل ذريعا احيانا....و بعد دخولى فى العمل وجدت العنصر اكس الناقص فبسبب كثرة الشخصيات فلم يستطع المسلسل بحلقاته الاربعين على احتواء كل هذا الصخب فتجاوز البعض و حذف البعض من الاصل

لتكتب "حديث الصباح و المساء" فى صورتها النهائية التى تقرأها يجب ان تكتب مرتين...فتكون المرة الاولى رواية أجيال عادية كالحرافيش او مئة عام من العزلة و هى روايات لو تعلمون صعبة على المؤلف فى كثرة احداثها و تركيب خطوطها الدرامية الممتعه....و الخطوة الثانية و هى الاصعب و الاكثر ابهارا هو تجزئ تلك الرواية الضخمه احداثا و الصغيرة حجما الى اجزاء اصغر كقطع البازل و من ثم يعيد تركيبها بشكل ابجدى ليمتع نجيب العالمى القارئ العربى بتكنيك و نمط لم يكتب فى لغتنا و اظن انه لم يكتب ابدا

لكنة نجيب يجعل لقارئة لوحات البازل ليبذل القارئ مجهود لتركيب الصورة فيحظى بمتعة المشاركة و ليس فقط المشاهدة المملة

يشعرك محفوظ بانه "يغرف من بحر" فالتفاصيل كثيرة و يبدو لك قد رأى مصير تلك الاسرة المتشابك الالف المرات و ها هو يلخص لك الامر...و كانة يعرف اكثر بكثير مما يروى لك فيلمح احيانا و يسرع المعدل حيناو يتجلى اسلوب محفوظ القصصى جدا فى هذا العمل...لعله المقابل تماما لاسلوب فيرجنيا وولف التى اتشرف بقراءة اعمالها تلك الايام...فاما الاول فينظر لحياة الانسان من على يروى لك مصيره فى حياد شبه تام ...انه محفوظ الذى يستطيع تلخيص حياة شخص بكامل سنين عمره فى جمل مقتضبة لا يفوته فيها الكثير حسب نظرية عز الدين شكرى "هناك سنوات لا يحدث فيها شئ دون ان تمضى"...بينماتستطيع فيرجنيا وولف كتابه رواية ادبية شيقة قد تبدأ احداثها بمجلس رجل على محطة الاتوبيس و تنتهى بوصول الاتوبيس فى عمل قد لا يقل عن 300 صفحة دون لحظة من الملل يتخللها كل شاردة او واردةخطرت على ذهنه او ذكرى مرت عليه يوما

لا استطيع ان افضل اسلوب على اخر فكلا متعته الخاصة...لكن اهتف بروعة الادب و العابه الذهنية فى تلك اللحظة

اربعة نجوم للرواية...و نجمة اضافية لروعة التكنيك

النسخ القديمة "و التى على الرغم من رخص ثمنها" من طباعه مكتبة مصر تحوى روعة اخرى هى الرسومات باليد للشخصيات
( )
  Dina_Nabil | Mar 23, 2014 |
This is an experimental novel written toward the end of the Nobel Laureate's career, which consists of brief stories about 67 people in three Cairo families spanning five generations over two centuries, from the years preceding Napoleon's invasion of Egypt to the aftermath of Anwar Sadat's assassination and the ascension of Hosni Mubarak to power. The short biographies are arranged in Arabic alphabetical order; as a result, the stories do not have a linear or historical flow. Apparently Mahfouz expects the reader to link these disjointed stories together, in order to weave a tapestry that would represent the complexity of Cairinese society over two centuries. I viewed this as a homework assignment from hell, and sped my way through the stories, which seemed to consist mainly of people in miserable marriages, tormented by their relatives and children and frustrated by societal limitations. Mahfouz is one of my favorite writers, but I would avoid this book like a plague of locusts. ( )
1 vote kidzdoc | Mar 21, 2011 |
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The sky was a clear blue, the shadows of walnut trees slumbered on the ground, and the surface of the old square shone in the sunlight and clamored with endless noise from the surrounding alleys.
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A late work by the Egyptian Nobel literature laureate, Morning and Evening Talk is an epic tale of Egyptian life over five generations. Set in Cairo, it traces the fortunes of three families from the arrival of Napoleon at the end of the eighteenth century to the 1980s, using short character sketches arranged in alphabetical order. This highly experimental device produces a kind of biographical dictionary, whose individual entries come together to paint a vivid portrait of life in Cairo from a range of different perspectives. The characters include representatives of every class and human type, and as the intricate family saga unfolds, a powerful picture of a society in transition--and the accompanying upheaval--emerges. This is a tale of change and continuity, of the death of a traditional way of life, of the road to independence and beyond, seen through the eyes of Egypt's citizens. Naguib Mahfouz's last chronicle of Cairo is an elegy to a bygone era and a tribute to the Egyptian spirit. It is also one of his most technically innovative contributions to the Arabic novel.

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