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Dublinenses (1914)

de James Joyce

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19,651225234 (3.9)1 / 472
Dubliners is a collection of 15 short stories by James Joyce, first published in 1914. The fifteen stories were meant to be a naturalistic depiction of the Irish middle class life in and around Dublin in the early years of the 20th century.The stories were written at the time when Irish nationalism was at its peak, and a search for a national identity and purpose was raging; at a crossroads of history and culture, Ireland was jolted by various converging ideas and influences. They center on Joyce's idea of an epiphany: a moment where a character has a special moment of self-understanding or illumination. Many of the characters in Dubliners later appear in minor roles in Joyce's novel Ulysses. The initial stories in the collection are narrated by children as protagonists, and as the stories continue, they deal with the lives and concerns of progressively older people. This is in line with Joyce's tripartite division of the collection into childhood, adolescence and maturity.… (mais)
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 Literary Centennials: James Joyce: Dubliners1 não-lido / 1baswood, Abril 2014

» Veja também 472 menções

Mostrando 1-5 de 223 (seguinte | mostrar todas)
What is there left to say about this great literary work? Buy it, read it, reflect and read it again!! Although it has been read and discussed for over 100 years, each reader will have their own relationship with the book- recognizing similar characters, thoughts, and situations in their lives. That's what makes it timeless! ( )
  Chrissylou62 | Apr 11, 2024 |
I found this collection of Joyce's short stories less compelling and insightful than I had expected, and of variable quality and impact. ( )
  sfj2 | Mar 10, 2024 |
I sometimes feel Goodreads is a place to record for posterity misrememberings, misreadings. This struck me forcibly as I came to scribble thoughts on ‘Dubliners’. I have not ever been more appalled by my lack of critical sense in my younger self than with this book. Read quickly in its entirety at 16, I have since bought entirely into the high level critical myth about ‘The Dead’ (and read that story again many times). By which I mean the view which states that here is one of the most magnificent examples of the genre, worthy of its place in any anthology whose goal is to be authoritative and one which is also entirely suitable to be published on its own. The issuing of the story in its own self contained form is an interesting phenomenon and one which of course predates eBooks as any quick search on Goodreads will show. I’d go further and say that the Huston film was the final affirmation of that story’s status, nothing less than a canonical endorsement. This is all fine to an extent but viewing the rest of ‘Dubliners’ as a kind of virtuosic trial for the masterpiece with which it ends misses so much not only about the rest of the book but what reading the other stories first can reveal to us about ‘The Dead’. I do understand that in the world of Joyce scholarship this view would be regarded as so trite and self evident that it would be embarrassing to comment on it, but in the world of ‘real’ readers I think it can’t be repeated enough.
It is not just that the book is, as I have said, a brilliant exercise in variety, of the continual reinvention of the form and its conventions, of an adoption of a new voice for each story complete with stylistical difficulties overcome with laughable ease, but as much that within this abundance of riches there is a brilliantly sustained set of themes and a patterning which could only be achieved with a musician’s ear and compositional sense. We move from underlying unease (‘The Sisters’) to downright disturbing (‘An Encounter’) from bleakness and tragedy (‘Eveline’) to something so new and real (‘Araby’) that it would not be out of place in an anthology of new stories from the 21st century. And this is less than a quarter of the way into the book.
Next, see what Joyce does in ‘After the Race’. This is the sort of material that Hemingway would have picked up and run with, in some ways the most obviously ‘modern’ subject matter in the collection, but Joyce deliberately subverts the newness of car racing into something Jamesian. Not just in its narrative development but in its style and syntax. Well, actually, I think Joyce realises the issues with the Jamesian sentence and unfussily replaces it with something better:
'At the crest of the hill at Inchicore sightseers had gathered in clumps to watch the cars careering homewards and through this channel of poverty and inaction the Continent sped its wealth and industry’
I could go on, but my by now tiresomely obvious concluding point is the impact 'The Dead' has. You realise holding the book that you are reading something that is approximately a third of the overall length which is intriguing. The very opening sentence with its unliteral use of ‘literally’ emphasises how deeply into that world you are because of the immersive effect of the previous stories. And what a perfectly poised story this is, what a devastating emotional effect it has. There is nothing new to say about it, but I can't help being struck by its obvious influences Tolstoy, Chekov, Ibsen, James and the extent to which Joyce has shaped and perfected them and matched them to the environment.
You've already spent too long reading this review - pick up the book now. ( )
  djh_1962 | Jan 7, 2024 |
他习惯快步在街上走路,甚至白天也如此;每当他发现自己深夜还在城里时,他更是又怕又兴奋地匆匆赶路。不过,有时他的恐惧也是自作自受。他选择最黑暗、最狭窄的街道,大着胆子往前走,脚步周围的静寂使他不安,游动的、不声不响的人影使他困扰;有时一阵低沉远去的笑声吓得他浑身哆嗦,像一片树叶似的。

雪飘落下来,厚厚地堆积在歪斜的十字架和墓碑上,堆积在小门一根根栅栏的尖顶上,堆积在光秃秃的荆棘丛上。他听着雪花隐隐约约地飘落,慢慢地睡着了,雪花穿过宇宙轻轻地落下,就像他们的结局似的,落到所有生者和死者身上。
  Maristot | Oct 22, 2023 |
The Irish poet of the English language, James Joyce, has captured here the absolute spirit of early 20th century Dublin in a collection of short stories about various people carrying on their lives. Joyce makes the mundane fascinating and, while few of his stories are wildly dramatic, all are infused with real life and the longings and pleasures of people who seem as real as the ones we meet every day. Included in the collection is his acclaimed story "The Dead," which lives up to its reputation. This edition has a magnificent set of footnotes that provide detailed background into the city of Dublin and the smallest of obscure references. ( )
  jumblejim | Aug 26, 2023 |
Mostrando 1-5 de 223 (seguinte | mostrar todas)

» Adicionar outros autores (119 possíveis)

Nome do autorFunçãoTipo de autorObra?Status
Joyce, Jamesautor principaltodas as ediçõesconfirmado
Brown, TerenceEditorautor secundárioalgumas ediçõesconfirmado
Cabrera Infante, GuillermoTradutorautor secundárioalgumas ediçõesconfirmado
Cancogni, FrancaTradutorautor secundárioalgumas ediçõesconfirmado
Clarke, J. J.Fotógrafoautor secundárioalgumas ediçõesconfirmado
Colum, PadraicIntroduçãoautor secundárioalgumas ediçõesconfirmado
Davidson, FrederickNarradorautor secundárioalgumas ediçõesconfirmado
Deane, SeamusEditorautor secundárioalgumas ediçõesconfirmado
Doyle, GerardNarradorautor secundárioalgumas ediçõesconfirmado
Ellmann, RichardEditorautor secundárioalgumas ediçõesconfirmado
Fleckhaus, WillyDesigner da capaautor secundárioalgumas ediçõesconfirmado
Hynes, TadhgNarradorautor secundárioalgumas ediçõesconfirmado
Jacques, RobinIlustradorautor secundárioalgumas ediçõesconfirmado
Johnson, JeriEditorautor secundárioalgumas ediçõesconfirmado
McCallion, DavidNarradorautor secundárioalgumas ediçõesconfirmado
McCann, ColumPrefácioautor secundárioalgumas ediçõesconfirmado
McKenna, T. P.Narradorautor secundárioalgumas ediçõesconfirmado
Muradov, RomanArtista da capaautor secundárioalgumas ediçõesconfirmado
Norton, JimNarradorautor secundárioalgumas ediçõesconfirmado
O'Brien, GerryNarradorautor secundárioalgumas ediçõesconfirmado
Reichert, KlausEditorautor secundárioalgumas ediçõesconfirmado
Scholes, Robert E.Editorautor secundárioalgumas ediçõesconfirmado
Senn, FritzEditorautor secundárioalgumas ediçõesconfirmado
Zet, ApfelDesigner da capaautor secundárioalgumas ediçõesconfirmado
Zimmer, Dieter E.Tradutorautor secundárioalgumas ediçõesconfirmado

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The Sisters

There was no hope for him this time: it was the third stroke.
An encounter: It was Joe Dillon who introduced the Wild West to us.
Araby: North Richmond Street, being blind, was a quiet street except at the hour when the Christian Brothers' School set the boys free.
Eveline: She sat at the window watching the evening invade the avenue.
After the race: The cars came scudding in towards Dublin, running evenly like pellets in the groove of the Naas Road.
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Dubliners is a collection of 15 short stories by James Joyce, first published in 1914. The fifteen stories were meant to be a naturalistic depiction of the Irish middle class life in and around Dublin in the early years of the 20th century.The stories were written at the time when Irish nationalism was at its peak, and a search for a national identity and purpose was raging; at a crossroads of history and culture, Ireland was jolted by various converging ideas and influences. They center on Joyce's idea of an epiphany: a moment where a character has a special moment of self-understanding or illumination. Many of the characters in Dubliners later appear in minor roles in Joyce's novel Ulysses. The initial stories in the collection are narrated by children as protagonists, and as the stories continue, they deal with the lives and concerns of progressively older people. This is in line with Joyce's tripartite division of the collection into childhood, adolescence and maturity.

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