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The Children's Life of the Bee (1919)

de Maurice Maeterlinck

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I have not yet forgotten the first apiary I saw, where I learned to love the bees. It was many years ago, in a large village of Dutch Flanders, the sweet and pleasant country that rejoices in brilliant flowers; a country that gladly spreads out before us, as so many pretty toys, her illuminated gables and wagons and towers; her cupboards and clocks that gleam at the end of the passage; her little trees marshaled in line along quays and canal-banks, waiting, one almost might think, for some splendid procession to pass; her boats and her barges with sculptured sterns, her flower-like doors and windows, her spotless dams and many-coloured drawbridges; and her little varnished houses, bright as new pottery, from which bell-shaped dames come forth, all a-glitter with silver and gold, to milk the cows in the white-hedged fields, or spread the linen on flowery lawns that are cut into patterns of oval and lozenge and are most amazingly green.… (mais)
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I was not particularly happy with Maeterlinck's treatment of this subject, although what annoyed me so much might have been the arrangement made by Sutro and Williams. I found the style to be too flowery and childlike. The information presented was thus interrupted and slowed down such that truth and storytelling were inextricably intertwined, and deciphering what was fact was difficult. So, don't read this to find out how to manage bees or their hives.
Included at the back of the book were two stories by Charles G. D. Roberts. I found them, as with all Major Roberts' animal stories, delightful. ( )
  gmillar | Jun 1, 2022 |
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I have not yet forgotten the first apiary I saw, where I learned to love the bees. It was many years ago, in a large village of Dutch Flanders, the sweet and pleasant country that rejoices in brilliant flowers; a country that gladly spreads out before us, as so many pretty toys, her illuminated gables and wagons and towers; her cupboards and clocks that gleam at the end of the passage; her little trees marshaled in line along quays and canal-banks, waiting, one almost might think, for some splendid procession to pass; her boats and her barges with sculptured sterns, her flower-like doors and windows, her spotless dams and many-coloured drawbridges; and her little varnished houses, bright as new pottery, from which bell-shaped dames come forth, all a-glitter with silver and gold, to milk the cows in the white-hedged fields, or spread the linen on flowery lawns that are cut into patterns of oval and lozenge and are most amazingly green.

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