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The Temple: Penguin Pocket Classics (Penguin…
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The Temple: Penguin Pocket Classics (Penguin Clothbound Poetry) (edição: 2018)

de George Herbert (Autor)

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1352157,929 (4.31)3
A collectible new Penguin Classics series: stunning, clothbound editions of ten favourite poets, which present each poet's most famous book of verse as it was originally published. Designed by the acclaimed Coralie Bickford-Smith and beautifully set, these slim, A format volumes are the ultimate gift editions for poetry lovers. On his deathbed George Herbert entrusted the manuscript of The Temple to his friend Nicholas Ferrar, asking him to publish it if he thought it was worthy. Herbert died in 1633 and the collection was published the same year to great acclaim, subsequently becoming one of the best-loved collections in the English language. The Temple is an astounding collection of verse poems: an extended meditation on man's relationship to God that is characterised by Herbert's clarity and directness of style. It includes such favourites as 'The Collar', 'The Pearl' and 'Love', with its beautiful opening lines: 'Love bade me welcome; yet my soul drew back, / Guilty of dust and sin'.… (mais)
Membro:EdCreedy
Título:The Temple: Penguin Pocket Classics (Penguin Clothbound Poetry)
Autores:George Herbert (Autor)
Informação:Penguin Classic (2018), 336 pages
Coleções:Sua biblioteca
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The temple : sacred poems and private ejaculations de George Herbert

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Title page missing. 3rd ed.? Shows collation of early Cambridge editions, with change to Wholly abstain (Church-porch, l.13) added by 2nd ed. (1633) and who for me (H. Communion, l.3) added by 3rd ed. (1634), but not the removal of the comma after canne (Church-porch, l. 47) found in 4th and later eds. (1635-). Also has the comma after pipe (Water-course, l.6) found only in the 2nd and 3rd eds. (1633-34). ( )
  ME_Dictionary | Mar 19, 2020 |
The Poems of the holy George Herbert, who, as as well known, was the brother of the celebrated Lord Herbert of Chirbury, were first published by his friend the pious Nicholas Fcrrar, to whom the manuscript was entrusted by Herbert for that purpose. They were the results of the ardent piety and devotional spirit which pervaded him when he was settled at his living at Bemerton near Salisbury, and are full of those excellent and religious feelings so naturally described by the quaint and simple pen of Isaac Walton in his Life of Herbert. The Poems are entirely destitute of imagination, and are, unfortunately, too much tinged with the conceits and affectation of the school of Donne, but when free from these faults and puerilities, are not without a certain degree of sweetness and polish, as witness the solemn Ode on Vertue quoted by Walton in his Complete Angler
Vertue

Sweet day so cool so calm so bright;
The bridull of the earth and skie
The dew shall weep thy full to night;
For thou must die

Sweet rose whose hue angrie and branc
Bids the rash gazer wipe his eye;
Thy root is ever in its grave
And thou must die

Sweet spring full of sweet dayes and roses;
A box where sweets compacted lie
Sly musick shows ye have your closes
And all must dle

source=bookclip">Remains, Historical and Literary, Connected with the Palatine Counties of Lancaster and Chester By Chetham Society
  JamesBoswell | Mar 2, 2009 |
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In his Temple doth every man speake of his honour.
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A collectible new Penguin Classics series: stunning, clothbound editions of ten favourite poets, which present each poet's most famous book of verse as it was originally published. Designed by the acclaimed Coralie Bickford-Smith and beautifully set, these slim, A format volumes are the ultimate gift editions for poetry lovers. On his deathbed George Herbert entrusted the manuscript of The Temple to his friend Nicholas Ferrar, asking him to publish it if he thought it was worthy. Herbert died in 1633 and the collection was published the same year to great acclaim, subsequently becoming one of the best-loved collections in the English language. The Temple is an astounding collection of verse poems: an extended meditation on man's relationship to God that is characterised by Herbert's clarity and directness of style. It includes such favourites as 'The Collar', 'The Pearl' and 'Love', with its beautiful opening lines: 'Love bade me welcome; yet my soul drew back, / Guilty of dust and sin'.

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