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Little Dorrit (1857)

de Charles Dickens

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4,830761,745 (3.98)299
The daughter of an imprisoned debtor suffers injustices of nineteenth-century English society.
  1. 13
    Sense and Sensibility de Jane Austen (FutureMrsJoshGroban)
    FutureMrsJoshGroban: They are both wonderful love stories, and they are both my favorite books by the respective authors.
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Mostrando 1-5 de 75 (seguinte | mostrar todas)
A true delight, Dickens' second masterpiece, coming soon after Bleak House. The 19th of Dickens' 24 major works, and the 11th of his novels, Dorrit was written over a span of two years, and brings us into CD's final act, as he begins to lavish careful attention on his works and aims to realise his characters far more greatly, and tie his works together. Dorrit is more diffuse than Bleak House yet feels even more like a novel rather than a serialised work.

The lead characters, Amy Dorrit - a child of a debt-ridden family, whose essential goodness has created a community in the most unlikely of places - and Arthur Clennam, the soulful sailor uncovering his family's ill deeds, are like most of Dickens' lead characters to date: a bit vanilla. This alone is a step back from Bleak House although they continue to greatly reflect the world around them, and in this case their positive qualities form a part of the novel's plea for sanity and simplicity in an increasingly material world.

The novel excels in its portrayal of Victorian England's ludicrous class system, through the absolutely fantastic caricatures of the Meagles and the Merdles, and in examining the idiocy of a culture that refuses to allow the downtrodden any relief. The Marshalsea - a real debtors' prison in which Dickens' father spent time, which had closed down shortly before the novel was written - is vividly realised, and the delightful supporting characters, from Mrs. Plornish to the conflicted Pancks, from the babbling Flora Finching to the eternally hilarious Mr. F's Aunt, still provide much merriment and intrigue. And the groaning, heaving mass that is Clennam and Co is perhaps Dickens' most powerful individual symbol.

At the heart of the work is Mr. Dorrit, a portrait of pathos like many prior, but far more interesting and realistic than any Dickensian character we have yet seen. A really strong work (with an equally beautiful and faithful BBC adaptation) that I heartily recommend. ( )
  therebelprince | Oct 5, 2021 |
After a couple of novels that steered away, Dickens returns to the sympathetic child motif and resurrects one of his most commercially successful instances. Little Amy Dorrit resembles Little Nell of the Curiosity Shop in her name and for a fierce devotion to her father, but quickly proves herself more capable. Whereas Nell was a victim of her father's will, Amy assumes control of the family even at her tender age, finding situations and training for her siblings. Certainly she's less tiresome to read about, and Dickens brings a stronger structure to this story, but I wish he'd applied it more evenly. It has a promising start but it's a hard novel to get into, with little or nothing at stake through its entire first half. Only in its second does it become more apparent that our protagonists have something to lose or gain.

Dickens does an interesting flip from Hard Times as he is now siding with industry, defending its innovations against government red tape. He's still a far cry from neglecting the downtrodden. A highlight for me were the scenes of unrequited love, very well portrayed for my male gaze at least. It's belatedly occurred to me that Dickens' idealized women, like Amy Dorrit for example, are robbed of the ability to feel or express anger. They can be mortified or shamed by injustice, but they can never get mad about it and that lends a hollow note to their characterization in any modern reading. Possibly it's suiting, then, that (with honourable mention of Young John Chivery) my favourite character was Miss Wade, despite her negative portrayal. Dickens has never so conflated dignity and self-respect with the sin of pride. I thought Tattycoram made the right choice to try her, after I was beginning to grit my teeth every time Mr. Meagles asked her to start counting.

And then there's poor, forgotten Cavalletto. What happened to that guy? ( )
2 vote Cecrow | Sep 29, 2021 |
I found this to be, perhaps, the most comprehensive critique of 19th century ills that Dickens ever wrote. It's also a beautiful metaphor about imperfection, love, and recovery. I owe a great debt to Claire Foy, however, for forever tinting my view of little Amy Dorrit (Solid talent) in the BBC miniseries. If I had read the book before the film, I would have seen her as too perfect, too angelic (for Clennam paints her so), but because of Foy I saw the flaws and identified with the character. And Blandois was even more evil than painted in the BBC adaption.

Brilliant Dickensian writing, of course. It seemed more collected than some--less sporadically scattered about.

My one complaint was the plot... I'm still not sure what happened, what the secret was. Bits and pieces of it seemed to be scattered throughout the story and, since it was never quite collected in one monologue (cue The Incredible's quote), I'm still puzzling it out in my mind.



Dickens' wit strikes again...

"Mrs General was the daughter of a clerical dignitary in a cathedral town, where she had led the fashion until she was as near forty- five as a single lady can be. A stiff commissariat officer of sixty, famous as a martinet, had then become enamoured of the gravity with which she drove the proprieties four-in-hand through the cathedral town society, and had solicited to be taken beside her on the box of the cool coach of ceremony to which that team was harnessed. His proposal of marriage being accepted by the lady, the commissary took his seat behind the proprieties with great decorum, and Mrs General drove until the commissary died. In the course of their united journey, they ran over several people who came in the way of the proprieties; but always in a high style and with composure.

The commissary having been buried with all the decorations suitable to the service (the whole team of proprieties were harnessed to his hearse, and they all had feathers and black velvet housings with his coat of arms in the corner), Mrs General began to inquire what quantity of dust and ashes was deposited at the bankers'. It then transpired that the commissary had so far stolen a march on Mrs General as to have bought himself an annuity some years before his marriage, and to have reserved that circumstance in mentioning, at the period of his proposal, that his income was derived from the interest of his money. Mrs General consequently found her means so much diminished, that, but for the perfect regulation of her mind, she might have felt disposed to question the accuracy of that portion of the late service which had declared that the commissary could take nothing away with him." ( )
  OutOfTheBestBooks | Sep 24, 2021 |
This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot & Librarything by Bookstooge’s Exalted Permission

Title: Little Dorrit
Series: ----------
Author: Charles Dickens
Rating: 5 of 5 Stars
Genre: Classic
Pages: 839
Words: 340K

Synopsis:


From Wikipedia

The novel begins in Marseilles "thirty years ago" (c. 1826), with the notorious murderer Rigaud telling his cellmate John Baptist Cavalletto how he killed his wife. Arthur Clennam is detained in Marseilles with a group of travellers in quarantine. He meets new friends in the quarantine. He is returning to London to see his mother after 20 years in China with his father, handling that part of the family business. His father died there. On his deathbed, his father had given him a mysterious message, murmuring "Your mother," which message and a watch Arthur mails to Mrs Clennam.

Inside the watch casing is an old silk paper with the initials DNF (do not forget) worked in beads. It is a message, but the implacable Mrs Clennam, who now uses a wheelchair, refuses to tell him what it means. The two become estranged.

In London, William Dorrit, imprisoned as a debtor, has been a resident of Marshalsea debtors' prison for over twenty years. He has three children: Edward, Fanny and Amy. The youngest daughter, Amy, was born in the prison and is affectionately known as Little Dorrit. Their mother died when Amy was eight years old. Fanny lives outside the prison with William's older brother, Frederick. The adult children are free to pass in and out of the prison as they please. Little Dorrit, devoted to her father, supports them both through her sewing. To the honour of her father, who is embarrassed to acknowledge his financial position, Little Dorrit avoids mentioning her work outside the prison or his inability to leave. Mr Dorrit assumes the role of Father of the Marshalsea, and is held in great respect by its inhabitants, as if he had chosen to live there.

After Arthur tells his mother that he will not continue in the family business, Mrs Clennam chooses her clerk Jeremiah Flintwinch as her partner. When Arthur learns that Mrs Clennam employs Little Dorrit as a seamstress, showing unusual kindness, he wonders whether the young girl might be connected with the mystery of the watch. Arthur follows the girl to the Marshalsea. He tries in vain to enquire about William Dorrit's debt in the Circumlocution Office, assuming the role of benefactor towards Little Dorrit, her father, and her brother. While at the Circumlocution Office he meets the successful inventor Daniel Doyce. Doyce wants a partner and man of business at his factory and Clennam agrees to fill that role. Little Dorrit falls in love with Arthur, but Arthur fails to recognise Little Dorrit's feelings.

Arthur is reacquainted with his former fiancée Flora Finching, the reason he was sent away to China, who is now an unattractive widow, and accompanied by the aunt of her late husband. Her father Mr Casby owns many rental properties, and his rent collector is Mr Pancks. The indefatigable Pancks discovers that William Dorrit is the lost heir to a large fortune, enabling him to pay his way out of prison, altering the status of the entire family.

The now wealthy Dorrits decide that they should tour Europe as a newly respectable rich family. They travel over the Alps and take up residence for a time in Venice, and finally in Rome, displaying pride over their new-found wealth and position, unwilling to tell their past to new friends. Little Dorrit finds it difficult to adjust to their wealth and new social position, and slowly comes to appreciate the new places and new sights. Fanny adjusts rapidly to the ways of society, and is sought by the same young man, Edmund Sparkler, who pursued her in her poverty in London, but with a new start that is acceptable to his mother. In Rome, at a party, Mr Dorrit falls ill, and dies at their lodgings. His distraught brother Frederick dies that same night. Little Dorrit, left alone, returns to London to stay with newly married Fanny and her husband, the dim-witted Edmund Sparkler.

The financial house of Merdle, Edmund Sparkler's stepfather, ends with Merdle's suicide; the collapse of his bank and investment businesses takes with it the savings of the Dorrits, the firm of Doyce and Clennam, Arthur Clennam, and Pancks. Clennam is now imprisoned in the Marshalsea, where he becomes ill. When Little Dorrit arrives in London, she slowly nurses him back to health.

Cavalletto finds the villain Rigaud hiding in London as Blandois, and brings him to Arthur Clennam. Held in the prison, he sends this undesirable man to his mother, who has advertised to find him. As Blandois he tries to blackmail Mrs Clennam with his full knowledge of her past. Mrs Clennam had insisted on bringing up little Arthur and denying his biological mother the right to see him. Mrs Clennam feels this is her right to punish others, because they hurt her. Arthur's biological mother died about the same time as Arthur went off to China, but lived out of England with Flintwinch's twin brother. Mr Clennam's wealthy uncle, stung by remorse, had left a bequest to Arthur's biological mother and to the youngest daughter of her patron, or if no daughter, the youngest child of his brother. The patron was Frederick Dorrit, the kind musician who had taught and befriended Arthur's biological mother, and the beneficiary is his niece, Amy Dorrit. Blandois left a copy of the papers he obtained from Jeremiah's brother at the Marshalsea for Little Dorrit.

Mrs Clennam knows of this inheritance and fails to tell Little Dorrit, or to tell Arthur about his biological mother. Unwilling to yield to blackmail and with some remorse, the rigid woman rises from her chair and totters out of her house to reveal the secret to Little Dorrit at the Marshalsea. Mrs Clennam begs her forgiveness, which the kind-hearted girl freely grants. Returning to home, Mrs Clennam falls in the street, never to recover the use of her speech or limbs, as the house of Clennam literally collapses before her eyes, killing Rigaud. Affery was outdoors seeking her mistress, and Jeremiah had escaped London before the collapse with as much money as he could find. Rather than hurt him, Little Dorrit chooses not to reveal any of this to Arthur; when he is well, she asks him to burn the papers.

Mr Meagles seeks the original papers, stopping to ask Miss Wade. She has them but denies it; Tattycoram slips back to London with the papers and presents them to Mr Meagles, who gives them to Little Dorrit. Mr Meagles then seeks out Arthur's business partner Daniel Doyce from abroad. He returns a wealthy and successful man, who arranges to clear all debts for Arthur's release. Arthur is released from the prison with his fortunes revived, his position secure with Doyce, and his health restored. Arthur and Little Dorrit marry.

Little Dorrit contains numerous sub-plots. One concerns Arthur Clennam's friends, the kind-hearted Meagles family, who are upset when their daughter Pet marries the artist Henry Gowan, and when their servant and foster daughter Tattycoram is lured away from them to the sinister Miss Wade, an acquaintance of the criminal Rigaud. Miss Wade is ruled by her anger, and she was a jilted sweetheart of Gowan. Another subplot concerns the Italian man John Baptist Cavalletto who was the cellmate of Rigaud in Marseilles, though jailed for a minor crime. He makes his way to London, meets up by chance with Clennam, who stands security for him as he builds up his business in wood carving and gains acceptance among the residents of Bleeding Heart Yard. Cavalletto repays this aid by searching for Blandois/Rigaud when Arthur wants him found. This action brings about the revelation of the secrets kept by Mrs Clennam.

The other major subplot is the satire of British bureaucracy, named as the Circumlocution Office, where the expertise is how not to do it.

My Thoughts:

All I can say is thank goodness for wikipedia and the hardy souls who have already put up indepth synopses. I don't know that I'd even try to do a synopsis on my own anymore for books by Dickens, as he has so many variegated plots and threads running at the same time. Daunting.

Back in '08 when I had reviewed this for the first time, I called it the most enjoyable Dickens' I had read to date. You know what? That statement still stands 12 years later. I'm also giving this the “Best Book of the Year” tag to remind me at years end.

There are some things that people need to know going into this. First and foremost, this is VERY florid. In fact, there is a character named Flora who Dickens writes as she speaks, ie, almost no punctuation and paragraph long sentences. It was HARD to read her stuff, as her mind went all over and Dickens gave full vent to that. I have to admit that I ended up skipping a lot of what she said. I don't feel that I missed much by skimming. And Dickens is just wordy so it's everywhere. Prepare yourself mentally to just drink in the words and you'll be fine. If you go in expecting Dickens to get right to the point, you'll be greatly disappointed.

Characters are Dickens strong point and Little Dorrit is filled to the brim with Character. This time around there aren't any real villainous characters, it's more about small minded things between characters. Clennam, the main character and what goes on between him and his estranged mother. Little Dorrit and how her family treats her before and after their succession to riches. Clennam and Little Dorrit, as Clennam slowly comes to realize that Little Dorrit loves him and that being 40 doesn't mean he's an old man ready to die. Plus lots and lots and lots and LOTS of other character interactions, all of it engrossing.

I read this while on vacation and that set the perfect pace for me. Read until I wanted to do something else, then toddle off and do that for 5-10 minutes, then come back for another hour or so. It was a low key read and and slotted perfectly into how our vacation was going. I suspect any Dickens I read during that time would have gotten the same treatment and the same praise. But still, this was a fantastic book.

★★★★★ ( )
  BookstoogeLT | Sep 12, 2020 |
I had extremely high expectations for this Dickens, after loving the 2009 miniseries. Alas, it doesn't really measure up to others I've read, including [b:Nicholas Nickleby|325085|Nicholas Nickleby|Charles Dickens|https://d.gr-assets.com/books/1352758388s/325085.jpg|4993095] and even [b:Martin Chuzzlewit|1990|Martin Chuzzlewit|Charles Dickens|https://d.gr-assets.com/books/1334392783s/1990.jpg|901325]. It's extremely long, but for all that feels lacking in complexity, even though Dickens beats the usual socio-political drums like debt, poverty, abuse, and political dysfunction. Or maybe GK Chesterton's preface has biased me. In any case, not the first long read I'd recommend! ( )
  beautifulshell | Aug 27, 2020 |
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It tripped my social conscience and infected me for the rest of my life.
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Thirty years ago, Marseilles lay burning in the sun, one day.
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Indiani, russi, cinesi, spagnoli, portoghesi, inglesi, francesi, genovesi, napoletani, veneziani, greci, turchi, tutti i discendenti dei costruttori della Torre di Babele convenuti a Marsiglia per i loro commerci cercavano l'ombra …
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The daughter of an imprisoned debtor suffers injustices of nineteenth-century English society.

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823.8 — Literature English (not North America) English fiction Victorian period 1837-1900

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