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The Picture of Dorian Gray and Three Stories…
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The Picture of Dorian Gray and Three Stories (Signet Classics) (edição: 2007)

de Oscar Wilde (Autor)

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A fashionable young man sells his soul for eternal youth and beauty in Oscar Wilde's fascinating gothic tale. The Picture of Dorian Gray, Oscar Wilde's only full-length novel, is the enduringly eerie story of a naïve and irresistible young man lured by decadent Lord Henry Wotton into a life of depravity. Though Dorian is steeped in sin, his face remains perfect, unlined as years pass--while only his portrait, locked away, reveals the blackness of his soul. This timeless tale of Gothic horror and fable, reveling in the unabashed hedonism and cynical wit of its characters, epitomizes Wilde's literary revolt against the proprieties of the Victorian era.   Sharing this volume with The Picture of Dorian Gray are Wilde's clever and sophisticated story "Lord Arthur Savile's Crime" and two of his delicate fairy tales, "The Happy Prince" and "The Birthday of the Infanta." With an Introduction by Gary Schnidgall and an Afterword by Peter Raby… (mais)
Membro:Kharisma1980-1
Título:The Picture of Dorian Gray and Three Stories (Signet Classics)
Autores:Oscar Wilde (Autor)
Informação:Signet (2007), Edition: Reprint, 336 pages
Coleções:Sua biblioteca
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The Picture of Dorian Gray and Three Stories (Signet Classics) de Oscar Wilde

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The Picture of Dorian Gray by Oscar Wilde is a Gothic novel with strong themes of corruption, innocence, and the “grand” Faustian bargain. The novel begins with Basil Hallward who speaks of a mysterious and beautiful young man, Dorian Gray, to his friend Lord Henry Wotton who has some very hedonistic world views. With elements of Stevenson’s Jekyll and Hyde and Shakespeare’s Hamlet and Romeo and Juliet, Wilde has created a critique of the Victorian era by exaggerating elements of the Romantic age, particularly the horror, awe, and aesthetic experience, which is embodied in Lord Henry and eventually Dorian Gray — in the most absurd way.

Dorian is an insanely narcissistic man who meets Basil and Lord Henry, two men obsessed with beauty and pleasure and its fleeting nature. Basil is more obsessed with Dorian’s stunning beauty as a fuel for his art, while Lord Henry pontificates his various theories about pleasure and beauty and its transient nature in an effort to garner Dorian’s favor and fuel his own ego that loves the art of influencing others. Dorian is ripe for Henry’s picking as he seems to be — at least initially — like a child seeking stimulation and knowledge, but like a child, he does not have the tools to question what he is told and what he experiences.

Read the full review: http://savvyverseandwit.com/2012/02/the-picture-of-dorian-gray-by-oscar-wilde.ht... ( )
  sagustocox | Feb 21, 2012 |
This is the first Oscar Wilde novel I ever read and was instantly intrigued. The language and descriptions are exquisite. Wilde has a wonderful way to tell a story while conveying a message also. Such a sad, tragic, and beautiful story. ( )
  Scott.Ondovchik | Sep 8, 2011 |
"when we are happy, we are always good but when we are good, we are n6t a3ways happy" said lord henry. his words influenced the young dorian gray.
  shihoh | Jan 12, 2010 |
I first read Dorian Gray when I was 13. I haven't stopped re-reading it since. ( )
  Waianuhea | Jun 9, 2008 |
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A fashionable young man sells his soul for eternal youth and beauty in Oscar Wilde's fascinating gothic tale. The Picture of Dorian Gray, Oscar Wilde's only full-length novel, is the enduringly eerie story of a naïve and irresistible young man lured by decadent Lord Henry Wotton into a life of depravity. Though Dorian is steeped in sin, his face remains perfect, unlined as years pass--while only his portrait, locked away, reveals the blackness of his soul. This timeless tale of Gothic horror and fable, reveling in the unabashed hedonism and cynical wit of its characters, epitomizes Wilde's literary revolt against the proprieties of the Victorian era.   Sharing this volume with The Picture of Dorian Gray are Wilde's clever and sophisticated story "Lord Arthur Savile's Crime" and two of his delicate fairy tales, "The Happy Prince" and "The Birthday of the Infanta." With an Introduction by Gary Schnidgall and an Afterword by Peter Raby

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