Perhaps the most remarkable thing to note about Carlyle's masterpiece is that he had to rewrite from scratch the first volume of the work after the only copy he had was accidentally lost in a fire at the home of John Stuart Mill with whom he had left the copy for his review and comment. Carlyle is famous for his idiosyncratic style which is demanding and captivating. His politics were not that easy to get a fix on. He is frequently described as a Tory Radical or radical conservative. He is one of the few modern writers who subscribe to what is referred to as the "Great Man" theory of history, but he is also clearly influenced by German Idealism and subscribes to a philosophy of history that is based on the notion of a spirit of the times and the progress of ideas and movements that is inexorable.

In his history of the French Revolution, Carlyle covers the period from the latter stages of the rule of Louis XV through the famous "Whiff of Grapeshot" employed by Napoleon Bonaparte to quell the uprising of the Jacobins against the National Convention in the aftermath of the downfall of Robespierre and his associates. This is about as close to a day to day or play by play of the events of the revolution as you are likely to encounter. It bears no resemblance to the typical academic history of the revolution, much less the typical textbook treatment of this world historical event. In Carlyle's retelling which was published a mere twenty-two years after the Battle of Waterloo you are introduced to what seems like the proverbial "cast of thousands". Anyone who was anyone appears on Carlyle's stage and his or her role is accounted for and judged according to his influence and merit. On the whole Carlyle is, if not on the side of, definitely sympathetic to the Revolution. The historicist in him seems to require that he pronounce in favor of what is, because it was, a movement, a spirit, an energy whose time had come and was accordingly irresistible. There is no sympathy expressed for the institutions and actors of the ancien regime, although one does detect a certain admiration for the character of Marie Antoinette. Louis XVI, on the other hand, is doomed by the circumstances he is unequipped to deal with and a Hamlet like inability to make up his mind to follow through on a plan of action. He is reduced to a passive, hope for the best, response at every major turning point where a different course of action might have salvaged his situation.

Carlyle takes a harsh attitude toward the nobility and the clergy. He frequently employs the epithets Jesuitical and Jesuitism to criticize anyone of either a royalist or moderate republican bent. He is dismissive of the emigres, approves of the abolition of feudalism. His sympathies are with what he constantly refers to as the 'twenty-five millions", i.e., the population of France suffering from the want of basic means of subsistence, not just political oppression. I was a little surprised at the harsh assessment of the Girondins who are dismissed along with their "Formulas" a term Carlyle employs to indicate his contempt for political theory as opposed to what in other contexts you might call will to power. He seems to approve of the winning side because it is the winning side and therefore deserved to win. He only criticizes the extreme left of the Jacobins after they have completely wiped out their political opposition and committed themselves to a kind of permanent revolution in the manner of their totalitarian admirers and successors in the 20th century.

Carlyle's prose is difficult albeit elegant. It is as if Shakespeare decided to write a 700-page history instead of a five-act play. If you want to fully follow the story it is really valuable to keep your access to the Internet handy to look up all of the characters he introduces who were significant players if only for a brief time in this drama. Also, the text is replete with references to Greek mythology, ancient and medieval history, and the Bible. I found myself constantly pausing to do a search on my cell phone. Sometimes it is necessary to look up a proper name to understand if he refers to a person or a place. And his vocabulary is as challenging as his literary and historical store of knowledge.

I need to mention by way of a recommendation some benefits of the Modern Library edition which may be wanting in other versions. First, there is an index of proper names which although a common feature is not universal but advantageous when a character reappears in the narrative dozens or more pages after being initially introduced. Also, at the top of each page is a reference to the date of the action being described, at least the year, more frequently the month and sometimes the specific date. In the beginning of the book before Carlyle's text there is a Chronology of the events covered in his work. I found it a useful reference. The only negative associated with the Modern Library edition which is shares with other titles published in the Modern Library series is a poor quality of the typescript.

I should like to conclude by way of an example of Carlyle's rhetoric and thought a paragraph from the chapter Rushing Down in the Book entitled Terror the Order of the Day.

"No inconsiderable Oath, truly; forming, as has been often said, the most remarkable transaction in these last thousand years. Wherefrom likewise there follow, and will follow, results. The fulfillment of this Oath; that is to say the black desperate battle of Men against their whole Condition and Environment, -a battle, alas, withal against the Sin and Darkness that was in themselves as in others; this is the Reign of Terror. Transcendental despair was the purport of it, though not consciously so. False hopes, of Fraternity, Political Millenium, and what not, we have always seen: but the unseen heart of the whole, the transcendental despair, was not false; neither has it been of no effect. Despair, pushed far enough, completes the circle, so to speak; and becomes kind of genuine productive hope again." ( )

Complete and unabridged.

I wasn't sure it would ever happen, but I finished Carlyle's French Revolution.
It’s tough going! Carlyle’s style is poetic, a little bit archaic, and very much idiosyncratic. The author introduces important historical figures without pausing to explain who these characters are, where they are from, or what their significance to events will be. Often people and places will be referred to interchangeably by several different names. The cadance of the text is often more akin to speech than clear-headed literature. Throw in a bunch of (sometimes untranslated) French, Latin, and Greek expressions and the result can only be confusion and bewilderment. Prudent readers will go into this book having already acquired at least some knowledge of the events it describes, else risk being irrecoverably lost. Those looking for an informative and authoritative account of the Revolution might be better served by a modern work such as Schama’s Citizens.

All that said, Carlyle’s epic of history does have its merits. Firstly, there’s something captivating in its prose, which has the quality of epic poetry mixed with thumping energy. Secondly, Carlyle has an uncanny knack for making the reader feel like they are a face peering out of the crowed watching events unfold, rather than the more sterile role of omnipotent observer in which more modern and academic histories tend to cast their reader. In the climatic chapters that detail key world-changing events (the execution of Louis XVI or Marie Antoinette, Corday’s killing of Marat, the flight to Varennes) the book is positively thrilling. Overall, then, this is an interesting book, but one to read more as a piece of literature than as an accessible historical reference. In light of this, I’d urge potential readers to peruse at least a couple of chapters (they’re short) of the eBook at Project Gutenberg to figure out if this is likely to be a work they will enjoy before taking the plunge on an expensive fine press copy.

I wrote a bit more about this book and the specific LEC edition that I read on my book blog https://ubiquitousbooks.wordpress.com/2020/07/04/the-french-revolution/ ( )

Been working on this book for a while, it is hard to read. I've read the first two parts and had to finally put it down. For some reason it gives me a headache. A lot of esoteric description of people and situations. Very little straight forward discussion. As a whole it paints quite a word picture, but I had to get away from it. I'll complete it maybe in a few months. ( )

In the opening chapter of his ground-defining book The Symbolist Movement in Literature, the Edwardian critic and poet Arthur Symonds quotes this dictum from Carlyle’s history of the French Revolution: It is in and through Symbols that man, consciously or unconsciously, lives, works and has his being. First published in 1837 – only 40 years after the events it depicts- and around the same time that Ranke and Comte were trying to establish history as a more scientific discipline, with an underlying theory and a rigorous methodology, Carlyle’s History occupies an ambiguous position in historiography today.

On the one hand, Carlyle’s work is still cited as a source in the most up-to-date studies of the Revolution. It’s a must-go-to text for students of the period. On the other, there are those who argue that Carlyle’s methods and project are not empirical enough; that his high-flown, epic, symbolic style undermines any scientific contribution the work might make for an objective understanding of the Revolution. Modern academic historians have done much to lay open the economic causes of the Revolution, studying tax returns and harvest yields etc, while Marxists have given us a framework for understanding the underlying political and structural causes. Against this kind of academic, objective approach, Carlyle’s work reads more naively, more like a novel, or an epic of Revolution, and less like a serious scientific study.

But to hold this view is to miss the point Carlyle is trying to make about history, and to be blind to the very sophisticated awareness the work displays of the difficulties inherent in doing history. And not to read Carlyle is to miss out on the pleasure of encountering one of the greatest works in English of the 19th century.

The French Revolution may be regarded as a prototype of Symbolist literature, a non-fictional Symbolist work avant la lettre. This Symbolism is present in the work in at least two ways...

read the full review on The Lectern: ( )