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Possession: A Romance de A S Byatt
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Possession: A Romance (original: 1990; edição: 1991)

de A S Byatt (Autor)

MembrosResenhasPopularidadeAvaliação médiaMenções
11,850267417 (4.02)783
As a pair of young scholars researching the lives of two Victorian poets uncover their letters, journals, & poems, & trace their movements from London to Yorkshire-and from spiritualist seances to the fairy-haunted far west of Brittany-an extraordinary counterpoint of passions & ideas emerges. An exhilarating novel of wit and romance, an intellectual mystery, and a triumphant love story. This tale of a pair of young scholars researching the lives of two Victorian poets became a huge bookseller favorite, and then on to national bestellerdom. Winner of England's Booker Prize, a coast-to-coast bestseller, and the literary sensation of the year, Possession is a novel of wit and romance, at once an intellectual mystery and a triumphant love story. Revolving around a pair of young scholars researching the lives of two Victorian poets, Byatt creates a haunting counterpoint of passion and ideas.… (mais)
Membro:GauravKhosla
Título:Possession: A Romance
Autores:A S Byatt (Autor)
Informação:Vintage (1991), Edition: 1st, First Edition, 624 pages
Coleções:Sua biblioteca
Avaliação:
Etiquetas:Nenhum(a)

Detalhes da Obra

Possession: A Romance de A.S. Byatt (1990)

Adicionado recentemente poranneofia, MacandrewBayLibrary, coffeymuse, librookian, sundayat7, biblioteca privada, jamielousie, tclitsoc
Bibliotecas HistóricasGillian Rose
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    KayCliff: Both books are cited by Michael Dirda as examples of antiquarian romance.
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    KayCliff: The story, "Precipice-encurled" can be seen as a sort of paradigm of 'Possession'.
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» Veja também 783 menções

Inglês (246)  Holandês (4)  Alemão (4)  Espanhol (4)  Italiano (3)  Finlandês (2)  Francês (1)  Português (Portugal) (1)  Sueco (1)  Todos os idiomas (266)
Mostrando 1-5 de 266 (seguinte | mostrar todas)
I just turned the last page and closed the book. I’m stunned by the achievement of this and don’t know if I can write anything so dispassionate as a review.
This is a long, convoluted novel in the way that nineteenth-century novels were, and yet juggles several levels of plot. The two main threads take place 150 years apart, but these two worlds intersect; in a sense, they trespass upon each other. The author does a virtuoso turn of writing in varying styles to accord with these two levels and adopts a variety of voices to write a series of poems by two of the protagonists, as well as the prose of several other characters. In this and other features, she shows that this is also a novel of the late twentieth century.
Along the way, Byatt demonstrates that the world of scholarship is not dry and airless. The men and women who pursue these studies are a varied lot, each with their own passions and frigidities, ambitions, and fears. Skulduggery abounds. The title word, Possession, takes on a range of nuances and applications in the course of this adventure. Yes, the book recounts an adventure — a quest. It also has elements of romance and mystery. And it’s about the enduring power of myth.
The author has also worked in many small insets, some of which land striking blows, as when the sleek television presenter responds to a remark of her guest, “Sorry, I don’t understand.” Or the description of the dissection of a plate of seafood by one of the characters (the nemesis of the plot) as a metaphor for instruments of torture.
There are further aspects of the author’s style that impressed me. The book abounds in careful, exact observations, as well as in a cascade of recurring motifs. Color plays a prominent role in these. All in all, both in conception and execution, this book enthralled me. ( )
  HenrySt123 | Jul 19, 2021 |
Intellectual, lyrical, with one of the most perfect endings of any novel I've ever read. ( )
  Charon07 | Jul 16, 2021 |
I'm impressed by Byatt's ability to write in such a wide variety of texts and voices. She really knows about literature! This was a beautifully written story and it deserves a reread, if only for the poetry. ( )
  Squarepeg2021 | Jul 11, 2021 |
Yes, I must confess my initial dismissal of this novel (10 years ago) has evolved quite a lot, from 2 stars to a solid 4 stars. Marvellous stuff that is far warmer than perhaps I gave it credit for in my nebbishly intellectual youth. ( )
  therebelprince | Jun 24, 2021 |
This is one of those books that's so compelling on several different levels that I got lost in it. The story weaves through letters, fairy tales, biographies, academic studies and poetry purportedly written by long-dead Victorian poets, and brings together two researchers, both possessed by their subjects. ( )
  dcvance | May 4, 2021 |
Mostrando 1-5 de 266 (seguinte | mostrar todas)
This is a romance, as the subtitle suggests, but it's a romance of ideas — darkly intricate Victorian ideas and modern academic assembly-line ideas. The Victorian ideas get the better of it.
adicionado por stephmo | editarEntertainment Weekly, L.S. Klepp (Nov 30, 1990)
 
Shrewd, even cutting in its satire about how literary values become as obsessive as romantic love, in the end, “Possession” celebrates the variety of ways the books we possess come to possess us as readers.
 
I won't be so churlish as to give away the end, but a plenitude of surprises awaits the reader of this gorgeously written novel. A. S. Byatt is a writer in mid-career whose time has certainly come, because ''Possession'' is a tour de force that opens every narrative device of English fiction to inspection without, for a moment, ceasing to delight.
adicionado por stephmo | editarNew York Times, Jay Parini (Oct 21, 1990)
 

» Adicionar outros autores (17 possíveis)

Nome do autorFunçãoTipo de autorObra?Status
Byatt, A.S.autor principaltodas as ediçõesconfirmado
Alfsen, MereteTradutorautor secundárioalgumas ediçõesconfirmado
Alopaeus, MarjaTradutorautor secundárioalgumas ediçõesconfirmado
Baardman, GerdaTradutorautor secundárioalgumas ediçõesconfirmado
Dugdale, RowenaIlustradorautor secundárioalgumas ediçõesconfirmado
Galuzzi, FaustoTradutorautor secundárioalgumas ediçõesconfirmado
Johansen, KnutTradutorautor secundárioalgumas ediçõesconfirmado
Lameris, MarianTradutorautor secundárioalgumas ediçõesconfirmado
Lehto, LeeviTradutorautor secundárioalgumas ediçõesconfirmado
Leishman, VirginiaReaderautor secundárioalgumas ediçõesconfirmado
Nadotti, AnnaTradutorautor secundárioalgumas ediçõesconfirmado
Nyqvist, SannaPosfácioautor secundárioalgumas ediçõesconfirmado
Polvinen, MerjaPosfácioautor secundárioalgumas ediçõesconfirmado
Walz, MelanieTradutorautor secundárioalgumas ediçõesconfirmado
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When a writer calls his work a Romance, it need hardly be observed that he wishes to claim a certain latitude, both as to its fashion and material, which he would not have felt himself entitled to assume, had he professed to be writing a Novel. The latter form of composition is presumed to aim at a very minute fidelity, not merely to the possible, but to the probable and ordinary course of man's experience. The former -- while as a work of art, it must rigidly subject itself to laws, and while it sins unpardonably so far as it may swerve aside from the truth of the human heart -- has fairly a right to present that truth under circumstances, to a great extent, of the writer's own choosing or creation. ... The point of view in which this tale comes under the Romantic definition lies in the attempt to connect a bygone time with the very present that is flitting away from us.
-- Nathaniel Hawthorne, Preface to The House of the Seven Gables
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The book was thick and black and covered with dust.
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The book was thick and black and covered with dust. Its boards were bowed and creaking; it had been maltreated in its own time. It spine was missing, or rather protruded from amongst the leaves like a bulky marker. It was bandaged about and about with dirty white tape, tied in a neat bow. … it had been exhumed from …
... the awesome Flamborough Head, where so many have met terrible deaths, in the race of water and the powerful currents - which you can almost see and hear, chuckling beneath the slap of the high waves ... The cliffs are chalky-white and carved and faceted and sliced by the elements into fantastic shapes ... One stands out to sea - raising an impotent or menacing stump -
Whitby ... a sloping town, crowding down in picturesque alleys or yards and flight after flight of stone stairs to the water - a terraced town ... The shop-fronts were old and full of romance.... There were several jewellers specialising in jet.
The Boggle Hole is a cove tucked beneath cliffs, where a beck runs down across the sand to the sea, from an old mill. They walked down through flowering lanes.... A peculiarity of that beach is the proliferation of large rounded stones which lie about ... These stones are not uniform in colour or size ...
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As a pair of young scholars researching the lives of two Victorian poets uncover their letters, journals, & poems, & trace their movements from London to Yorkshire-and from spiritualist seances to the fairy-haunted far west of Brittany-an extraordinary counterpoint of passions & ideas emerges. An exhilarating novel of wit and romance, an intellectual mystery, and a triumphant love story. This tale of a pair of young scholars researching the lives of two Victorian poets became a huge bookseller favorite, and then on to national bestellerdom. Winner of England's Booker Prize, a coast-to-coast bestseller, and the literary sensation of the year, Possession is a novel of wit and romance, at once an intellectual mystery and a triumphant love story. Revolving around a pair of young scholars researching the lives of two Victorian poets, Byatt creates a haunting counterpoint of passion and ideas.

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