Read approximately 15%

This book is very, very good. Zero complaints about the quality of the writing. And maybe if I was ever in the mood, I would consider reading it to the end. But the story is so depressing and so dark right in the very beginning. Pretty much focuses on a group of exiled warriors with their struggles and desire to be allowed to return home. The prose is great, it is just way too depressing for me. If readers wanted a story reminiscent of the exiled Rohirrim from LOTR, this book will be up their alley. ( )

Really detailed world building! I found it confusing at first but then the story gripped me. Recommend if you want to get lost in a story. ( )

For this year’s Wyrd & Wonder I wanted to take the opportunity to read some of the fantasy books that have been languishing for a while on my TBR, and the first that came to my attention is this first volume in Devin Madson’s Reborn Empire series: with hindsight, I can’t believe I waited so long before losing myself in this magnificent saga that from the very start proved to be a compelling read peopled with amazing characters. The novel seems to throw the readers into the middle of things and it takes a while to get one’s bearings: a brief search taught me that there is a prequel trilogy to this series and that explains the sense of “missing information” one feels at the beginning, but don’t fear - the author has a way of conveying the necessary details through some well-placed dialogue that brings readers up to speed quickly and allows them to connect with the narrative with no problem at all.

The story is told through three different POVs which represent the three main cultures sharing this world - not only that, but each of them is narrated in the first person, gifting the characters with very distinctive personalities that in turn help depict the different milieus they come from, three civilizations that have been at odds with each other for a long time. Through the eyes of Princess Miko we experience the Kisian empire, a realm reminiscent of feudal Japan: Miko and her brother Tanaka are the children of the ruling Kisian emperor - or rather that’s the cover story, since they are in reality the offspring of the previous ruler, whose actions caused him to be branded a traitor and be killed. The two are waiting for Tanaka to be named heir and meanwhile have to navigate the dangerous waters of court intrigue; an impulsive act from Tanaka causes a political upheaval that rekindles the hostility with neighboring Chiltae, launching both countries on the path of war and forcing Miko to act against her cultural and social boundaries and take her destiny - and that of Kisia - into her own hands.

Chiltae offers the well-known medieval fantasy setting, complete with a powerful clergy and their dangerous Blessed Guards. Cassandra Marius is a Chiltaen citizen and a prostitute who also doubles as a hired assassin: there is something very mysterious, and also very wrong with her, since there is a constant, nagging voice in her head that seems to come from a very different personality, one capable at times to take control of her body. Add to that the fact that she can hear the “call” of the dead and you have a very fractured personality that, however, seems able to function well enough to ensure her survival. Hired by an enigmatic individual to assassinate two people in exchange for the promise of a cure for her “ailment”, Cassandra accepts only to discover that her target is a highly placed one, and that she is a quite expendable pawn in a convoluted political game.

Rah e’Torin is the captain of a band of Levanti, nomadic tribes of the plains living in virtual symbiosis with their horses. He and his people have been exiled like many others before them and in their search for a place to call their own they are captured by the Chiltaens who forcibly enroll them in their war against Kisia. Once reached the main camp, Rah discovers that his old friend and mentor Gideon is at the head of the Levanti conscripts, which forces the younger man to come to terms with the compromises their new condition imposes on the old way of life, and to choose between survival and the adherence to Levanti codes of conduct.

When novels are written with multiple POVs, it’s easy to find one or more who are the reader’s favorites at the expense of the others, but such was not the case with We Ride the Storm, because I enjoyed all three characters in equal measure, and the constantly raising stakes of their different destinies made me care for them in a way I seldom experience: as the buildup of events carried them forward, showing more and more nuances in their psychological makeup and turning their individual situation ever more difficult, I found myself unable to stop turning the pages to learn what would happen next.

Even though I enjoyed all three POVs, Miko is the character who shows a major evolution in the course of the book: her culture requires women to defer to men in all matters, and although she can envision a future as ruler of Kisia, she is ready to accept a secondary role to her brother Tanaka, and it’s only when disaster strikes that she finds the moral and physical strength necessary to lead her people in the struggle against the Chiltaen invasion.

[…] I had lived in a prison made of people with more power. I did not want to be afraid anymore. I wanted to sit on the throne of my ancestors and make them proud.

Cassandra is a complicated person in many ways and - sadly - her chapters don’t enjoy the same narrative space as the other two protagonists (although with three more books in the series my hope of learning more is still strong) but what little we see is quite intriguing and also offers one more mystery to be explored in the person of the weird Witchdoctor, who might be the one to solve the puzzle of the mysterious “She” who shares Cassandra consciousness.

Rah is the character for whom I felt a great deal of compassion: both as the leader of his band of outcasts, and then as a conscripted soldier for the supercilious Chiltaen, he desperately tries not to compromise his principles, finding it ever so difficult when even his hero Gideon seems to have bargained his honor in exchange for vague promises of freedom. Rah’s faithfulness to his moral compass is both admirable and sad, because it’s clear that he’s living through a time of change and one has to wonder if that change is going to trample him it its wake.

As a series opener, We Ride the Storm is an amazing story that wonderfully blends excellent characterization and masterful world-building, but it’s also a very emotional journey through the experiences of three very different people who in the course of the story become so alive and real that it’s almost impossible to forget they are fictional characters. At the end of this first volume, all three are left on the brink of… something - be it good or bad - that compels me not to wait too long before moving forward with their journey. I have rarely felt so impressed by a new discovery as I have been with Devin Madson’s writing, and I know I have just found a new favorite author for my reading “adventures”. ( )

Perfect for RR Martin's (or Gwynne's) fans, with excellent political fuckery and civil war (Princess Miko POV), very good coming of age epic/military adventures (Captain Rah POV) and, unfortunately, also pretty bad assasin-thief crap (Cassandra the posessed prostitute POV).
The sum is very captivating, still, and even though the author can't really write battles, she is amazing at character development (again, not you, Cassandra, but yes, Miko and Rah).
I am diving straight into book 2 and found myself a new must follow author! ( )

We Ride the Storm is the story of a princess, a warrior and an assassin, worlds apart yet caught on opposing sides of the same growing conflict. The book is light on magic, heavy on politics and pregnant with the threat of war. It contains brutal and gripping battle scenes with twists, turns, and rarely an easy way out.

This is a dense fantasy read with countless named characters and locations that had me regularly flipping back and forth or consulting the world map - more than enough to satisfy any epic fantasy fan. It has been compared to A Song of Ice and Fire by George R. R. Martin, and while the writing is quite different, I would agree in that the story is focused on battles and insidious political schemes above other fantasy elements.

The story is written in first-person and alternates between the three protagonists, each drawn into their own struggle as the continent devolves into violence. I'm going to go ahead and assume that Madson's working title was We Ride the Sh*tstorm before she opted for more gravitas because that pretty much sums up this first instalment in The Reborn Empire quadrilogy.

"War built the Kisian Empire. And now war will tear it down."

This book is well-written and relentless, covering a lot of ground (as in, the equivalent of two to three ASoIaF books) to pave the way for the rest of the series, and I had a hard time putting it down. The worldbuilding is detailed and Madson has created distinct and fascinating cultures.

We Ride the Storm is a violent and bloody read. While I didn't mind the detailed descriptions of dismemberment and beheading which at times were written to be oddly spiritual, I struggled with some darker scenes that I personally think could have been omitted.

I otherwise really enjoyed reading this book and I'm looking forward to the sequel We Lie With Death which is due out in 2021. I would absolutely recommend this to any fan of military fantasy, or authors like George R. R. Martin and Mark Lawrence.

Trigger warning: Gang rape and murder of children ( )