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Carregando... All That Sangde Lydia Perovic
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A visceral tale of obsession and creativity, unrequited passions and the power of music. A love story in which art is a foil to companionship, and the intellect an interlocutor of the heart. In the utterly unique All that Sang, the second fiction by Lambda Literary Award-finalist Lydia Perovic, a Toronto opera critic on assignment in Paris falls in love with the subject she's been sent to interview, France's leading female conductor. But is the attention evenly matched, is genuine connection even possible? Perovic guides us through the panorama that orbits contemporary courtship. The jilted lover, the housekeeper, the chiropractor, the manager, all take part in a chorus of voices that illustrate the unknowable creative spirit whose inaccessibility fires the writer's obsession. Reminiscent of the bold and inventive fictions of Ali Smith and Siri Hustvedt, postmodern refractions play with the reader's sense of perspective to build the persona of affection, a figure of reality and imagination that we all recognize but can never truly access. Não foram encontradas descrições de bibliotecas. |
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Google Books — Carregando... GênerosClassificação decimal de Dewey (CDD)819.3Literature English (North America) American literature in English outside the USA (optional) English literature from the United StatesClassificação da Biblioteca do Congresso dos E.U.A. (LCC)AvaliaçãoMédia:
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"Maybe if this were a proper, mutual, happy love story, it would call for a story indeed. Maybe two people finding each other warrants a retelling, a founding through a story.
Two people, a man and a woman in particular. But we don't have a man and a woman here.
Maybe if I came from a proper, coherent-appearing, long-historicised country, speaking one language---that is if I came from somewhere other than Canada--I would have also wanted to keep alive the tradition of making stories believable.
Maybe if all this happened within the same language it would have fit better.
Maybe, Probably.
As it is now, I must speak about what is happening, but I can't give you a story. Plot is a form of self-medication: look, rejoice, there's a glimpse of sense. Fragments will come together to mean something. Let's ignore all what conspires against the narrative." ( )