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Carregando... Asymmetry: A Novel (2018)de Lisa Halliday
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Registre-se no LibraryThing tpara descobrir se gostará deste livro. Ainda não há conversas na Discussão sobre este livro. I guess I didn't really get this one or was distracted at times during my listening. Nothing much seemed to happen or conclude satisfactorily. Can't recommend. ( ) That now-old generation of patronizingly sexist and overbearing celebrated male authors gets a mostly tender jabbing here from Halliday, who wryly draws upon her real life “Folly” of sharing Phillip Roth’s bed to sketch out a young blank page of a woman following wherever The Famous One decrepitly leads. She’s kind to herself, and to him, which helps create sympathy for a first-half protagonist who doesn’t demonstrate a great deal of personal agency. Halliday’s second-half is a clever turn about, fully revealed in a brief ending coda, which now serves up The Famous One without the filter of an underdeveloped pair of rose colored glasses. Apparently I missed the subtle clues and so trying to find a connection between part 1,2, and 3 was more than a little frustrating. I suspect the rave reviews raised my expectations ... but even with the connections explained now, I find I don’t have any desire to re-read although there were many interesting and thought provoking passages throughout the book.
An exceptional debut examines imbalances in love and geopolitics. Halliday’s structure shows exquisite control of leitmotif and patterning; each half gradually intensifies in emotion to reach a devastating climax. The weakest note is the epilogue, a transcript of a Desert Island Discs interview, in which Blazer is reported to have won the Nobel Prize, approves of the method of the novel we are close to finishing, and attempts to seduce Kirsty Young, the presenter. I see why it is there: to make it easier for the reader to connect the two narratives that have gone before, but it lacks their lightness of touch. Blazer’s record choices do, however, make for a great playlist, and listening to them will call further attention to the ambitious music of this exceptional debut. Lisa Halliday’s striking debut is certainly – as the title implies – a sharp examination of the unequal power dynamic between men and women, innocence and experience, fame and aspiration. Through its fractured structure and daring incompleteness, it also explores the unreliability of memory, the accidents of history and the exercise and understanding of creativity. Most of all, it wonders whether we can ever “penetrate the looking-glass” of our own personality to imagine another consciousness – a question as relevant to human relationships as it is to novel writing. (...) Can any of us escape our own perspective? What are the risks, if we do not? What is art for, and how do we fit our lives around it? This is a debut asking a dizzying number of questions, many to thrilling effect. That it leaves the reader wondering is a mark of its success. And that is the magic of this exquisite, impressive book: the way it plays with influence and assumption. As Ezra notes, “Our memories are no more reliable than our imaginations, after all. But I’m the first to admit it can be irresistible, contemplating what’s ‘real’ versus ‘imagined’ in a novel.” (...) For us, the ride is in surrendering to falling down rabbit holes to unknown places. The moment “Asymmetry” reaches its perfect ending, it’s all the reader can do to return to the beginning in awe, to discover how Halliday upturned the story again and again. The leap from the novel’s first section to its second is so great, and yet so intuitively logical, that it forces the reader to rethink the Alice section entirely: It is now clear that she is not a version of Lisa Halliday, but just one of the many voices Halliday can invent, if she chooses. In its subtle and sophisticated fable of literary ambition, and the forms it can take for a young woman writer, Asymmetry is a “masterpiece” in the original sense of the word—a piece of work that an apprentice produces to show that she has mastered her trade. Pertence à série publicadaGallimard, Folio (6871) PrêmiosDistinctionsNotable Lists
"Told in three distinct and uniquely compelling sections, Asymmetry explores the imbalances that spark and sustain many of our most dramatic human relations: inequities in age, power, talent, wealth, fame, geography, and justice. The first section, "Folly," tells the story of Alice, a young American editor, and her relationship with the famous and much older writer Ezra Blazer. A tender and exquisite account of an unexpected romance that takes place in New York during the early years of the Iraq War, "Folly" also suggests an aspiring novelist's coming-of-age. By contrast, "Madness" is narrated by Amar, an Iraqi-American man who, on his way to visit his brother in Kurdistan, is detained by immigration officers and spends the last weekend of 2008 in a holding room in Heathrow. These two seemingly disparate stories gain resonance as their perspectives interact and overlap, with yet new implications for their relationship revealed in an unexpected coda. A stunning debut from a rising literary star, Asymmetry is an urgent, important, and truly original work that will captivate any reader while also posing arresting questions about the very nature of fiction itself. A debut novel about love, luck, and the inextricability of life and art, from 2017 Whiting Award winner Lisa Halliday" -- Não foram encontradas descrições de bibliotecas. |
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Google Books — Carregando... GênerosClassificação decimal de Dewey (CDD)813.6Literature English (North America) American fiction 21st CenturyClassificação da Biblioteca do Congresso dos E.U.A. (LCC)AvaliaçãoMédia:
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