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Wordwings

de Sydelle Pearl

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"It is 1941 when twelve year old Rivka Rosenfeld lives in the midst of the Warsaw Ghetto with her grandfather and two sisters in the small sanctuary of a synagogue because housing is so scarce. When her grandfather's beard is slashed from his face by German soldiers simply because he is Jewish, Rivka becomes so angry that she is compelled to write in between the pages of a worn library book of fairytales by Hans Christian Andersen. As she hides her words in the rags of her pillow, she wishes she could bury them deep under the ground where someday they would be discovered after the war. Rivka charts her memories as well as her stories and learns that through her storytelling, she can transport, strengthen, and uplift her listeners who are mainly the homeless, orphaned, and beggar children. Rivka is especially drawn to stories of birds because of her wish to escape the horrors of Ghetto life. Dr. Emanuel Ringelblum, historian and founder of the Underground Archives-a written compilation of life experiences in the Warsaw Ghetto-is so impressed by her storytelling that he asks her to contribute her diary with her stories to this archives and Rivka agrees wholeheartedly, imagining her words rising up from the ground on wings of their own."--… (mais)
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In which I read another novel about the Holocaust, set in a Polish Ghetto, from the perspective of a child, but without the magical talking dolls. I think I appreciate books about the Holocaust more that don't feature talking dolls, as much as anyone can, or should, appreciate a novel about how truly sh*tty humans can be to each other.

So, Wordwings is about a girl who tells stories in the Warsaw ghetto, writing them between and around the lines of a worn book of fairy tales by Hans Christian Andersen. That's why I requested it; there's something poetic about where she had to write. It has a sort of fairy tale logic in its necessity. And then there's some talk of The Six Swans, which I always think of a The Three Ravens from the Jim Henson Storyteller TV show. So, little pieces I liked dappled throughout.

I approached Wordwings as a children's book, maybe because the last novel I read about the Holocaust was geared towards kids. But then Netgalley tells me it's General Adult. But then Rivke, our protagonist, doesn't really write like a child, although does one write like a child in such situations? I am blessed that I never had to find out. But as an adult book, Wordwings only kind of works, mainly since the secondary characters are more sketches than people. If we put it back as a middle-grade novel, the characterization work better. But then we're again with the voice, which I can't reconcile with a child's one. But I think a middle-grade reader would see past that. And I think that even if it says General adult, I might put it under mature middle-grade (and weirdo grown-ups like me who like middle-grade books).

Wordwings by Sydelle Pearl went on sale October 1, 2017.

I received a copy free from Netgalley in exchange for an honest review. ( )
  reluctantm | Nov 16, 2017 |
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"It is 1941 when twelve year old Rivka Rosenfeld lives in the midst of the Warsaw Ghetto with her grandfather and two sisters in the small sanctuary of a synagogue because housing is so scarce. When her grandfather's beard is slashed from his face by German soldiers simply because he is Jewish, Rivka becomes so angry that she is compelled to write in between the pages of a worn library book of fairytales by Hans Christian Andersen. As she hides her words in the rags of her pillow, she wishes she could bury them deep under the ground where someday they would be discovered after the war. Rivka charts her memories as well as her stories and learns that through her storytelling, she can transport, strengthen, and uplift her listeners who are mainly the homeless, orphaned, and beggar children. Rivka is especially drawn to stories of birds because of her wish to escape the horrors of Ghetto life. Dr. Emanuel Ringelblum, historian and founder of the Underground Archives-a written compilation of life experiences in the Warsaw Ghetto-is so impressed by her storytelling that he asks her to contribute her diary with her stories to this archives and Rivka agrees wholeheartedly, imagining her words rising up from the ground on wings of their own."--

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