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Carregando... The Undertaking: Life Studies from the Dismal Trade (original: 1997; edição: 1998)de Thomas Lynch
Informações da ObraThe Undertaking: Life Studies from the Dismal Trade de Thomas Lynch (1997) Carregando...
Registre-se no LibraryThing tpara descobrir se gostará deste livro. Ainda não há conversas na Discussão sobre este livro. Thomas Lynch is a second-generation Irish Catholic that grew up in the midwest into the family tradition of undertaking. He has quite a way with words, being a published poet, and these short biographical stories infused with lessons and ideals have a beautiful poignancy that made even a common story seem somewhat profound. However, I found that he focused a lot more on his personal life and religion rather than his career in the funeral business than I expected and since the main reason I wanted to read this book was to get a personal view of the funeral trade, I was a bit disappointed. I did like his stories about Ireland and the differences between how people view death and the dying between the two countries, but I'm not Catholic or at all religious so the strong religious overtones were sometimes too much for me. Overall, a very interesting read but not quite what I hoped for. ( ) A collection of essays from poet and undertaker Lynch concerning life and death and the ways people handle the latter. Lynch has a gift with language—it’s obvious he’s a poet—and though I disagree with some of his later thoughts on abortion and the death penalty (I’m logical in his book since I believe in both) I cannot fault his logic. His descriptions of life in a small town, as well as life in a village in Ireland, are delicately done. The last book that rendered so well human relationships was Kathleen Finneran’s The Tender Land. sem resenhas | adicionar uma resenha
"Every year I bury a couple hundred of my townspeople." So opens this singular and wise testimony. Like all poets, inspired by death, Thomas Lynch is, unlike others, also hired to bury the dead or to cremate them and to tend to their families in a small Michigan town where he serves as the funeral director. In the conduct of these duties he has kept his eyes open, his ear tuned to the indispensable vernaculars of love and grief. In these twelve pieces his is the voice of both witness and functionary. Here, Lynch, poet to the dying, names the hurts and whispers the condolences and shapes the questions posed by this familiar mystery. So here is homage to parents who have died and to children who shouldn't have. Here are golfers tripping over grave markers, gourmands and hypochondriacs, lovers and suicides. These are the lessons for life our mortality teaches us. Não foram encontradas descrições de bibliotecas. |
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