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Narrow Boat (1944)

de L. T. C. Rolt

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First published in 1944, and now reissued with new black-and-white illustrations and a foreword by Jo Bell, Canal Laureate, this book has become a classic on its subject, and may be said to have started a revival of interest in the English waterways. It was on a spring day in 1939 that L.T.C. Rolt first stepped aboard Cressy. This engaging book tells the story of how he and his wife adapted and fitted out the boat as a home, and recreates the journey of some 400 miles that they made along the network ofwaterways in the Midlands. It recalls the boatmen and their craft, and celebrates the then seemingly timeless nature of the English countryside through which they passed. As Sir Compton Mackenzie wrote, âe~it is an elegy of classic restraint unmarred by any trace of sentimentâe(tm) for a way of life and a rural landscape that have now all but disappeared.… (mais)
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    Flower of Gloster de E. Temple Thurston (thorold)
    thorold: Pioneers of recreational canal travel in the 1910s and the 1930s, respectively
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Exibindo 5 de 5
OK, it's a classic, and part of what led to the restoration of the canals, but it is also horribly preachy. The canals are the only part of the industrial revolution that Holt approves of. ( )
  MarthaJeanne | Oct 11, 2017 |
This is a beautiful book, slow moving and incidental like the mode of travel that it depicts. Certain aspects of canal travel have not changed at all; others are unrecognizable. Rolt chronicles his time aboard 'Cressy' in a way that is very moving and lyrical. Thank goodness for this book and its author who helped preserve the waterways of England and Wales so that the present generation can continue to enjoy them.

This book took me back in time not only in England's history and the life cycle of its canal heritage but also in my own life, remembering the wonderful, all too short, canal holidays I have enjoyed.

Though many ways of the canals are gone forever, I want to give a shout out to The Lime Kilns pub on Watling Street in Hinckley-Bosworth. The true atmosphere of the canalside inn that Rolt describes was present there on a particularly memorable Midsummer Eve this year. Thanks in part to Tom Rolt, some elements of this indescribably unique mode of travel will endure. ( )
  sansmerci | Sep 16, 2016 |
Tom Rolt was a very complex man, never more so than in his seminal book Narrow Boat. He captures the end of the age of working canals and enjoys observing the end of an era. His observations and opinions were made at a time long before detailed analysis of records was available. Working on gut feeling his words captured the imagination of the post war public and set into motion the foundations for the canal restoration movement. He was a pioneer of the new movement. ( )
  Mike-Fitzgibbons | Apr 11, 2012 |
This is the author's first book, and paints a fascinating picture of the end of the working canal age in England and Wales. The illustrated editions are highly recommended. The author has much more subtle and ambivalent views about the old countryside and the Industrial Revolution than the previous reviewer found: but you need to read his autobiography The Landscape Trilogy to get these, and to get the personal context of the Narrow Boat book. Rolt was also a very active advocate of steam railways (very much the product and driver of the Industrial Revolution) and was well aware of his internal conflicts between his love of the English and Welsh countryside, enjoying his work as a craftsman engineer with steam and diesel, motorising a horse-drawn canal boat, and being a vintage car driver and mechanic. ( )
  ChrisWJ | May 30, 2010 |
Rolt is an excellent writer, with a good eye for what he sees and good descriptive text, but with massive cultural blinkers.

His description of his travels on board his converted narrow boat Cressy back in the 1940s was to be one of the sparks leading to the foundation of the Inland Waterways Association and the restoration of the British canal network.

In the regard of writing about his journey, and his description of the life of the few remaining owners of horse-drawn boats when he encountered them, he gives many useful details (I'd never known that concertinas were popular instruments among boatsmen).

However, his blinkers come from his conviction that everything of the past is good and everything of the machine age is bad. He says quite seriously that he believes the canals to be the safest form of transport ever devised, but does not spot the contradiction when he encounters a boatman whose daughter had recently drowned in a lock (in fact, drownings and other accidents were pretty common).

He comments on the life span of over a hundred of some old countrymen in the parish records he views and attributes it to their simple life, but fails to spot the high infant mortality in those same records.

He loves his books, but believes that the illiterate boatman loses nothing by his lack of knowledge.

It's a good book if you want to read about the pre-restoration Inland Waterways, complete with the last surviving canal pubs (in the era of real ale served in a jug), but you may find it a touch annoying if you feel that you wouldn't actually want to have lived in Olde England even if it looks very charming in retrospect. ( )
2 vote JudithProctor | Aug 25, 2009 |
Exibindo 5 de 5
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Nome do autorFunçãoTipo de autorObra?Status
L. T. C. Roltautor principaltodas as ediçõescalculado
Gaskell, EricIlustradorautor secundárioalgumas ediçõesconfirmado
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Informação do Conhecimento Comum em inglês. Edite para a localizar na sua língua.
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Dedicated to the Vanishing Company of 'NUMBER ONES'
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Most people know no more of the canals than they do of the old green roads which the pack-horse trains once travelled.
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First published in 1944, and now reissued with new black-and-white illustrations and a foreword by Jo Bell, Canal Laureate, this book has become a classic on its subject, and may be said to have started a revival of interest in the English waterways. It was on a spring day in 1939 that L.T.C. Rolt first stepped aboard Cressy. This engaging book tells the story of how he and his wife adapted and fitted out the boat as a home, and recreates the journey of some 400 miles that they made along the network ofwaterways in the Midlands. It recalls the boatmen and their craft, and celebrates the then seemingly timeless nature of the English countryside through which they passed. As Sir Compton Mackenzie wrote, âe~it is an elegy of classic restraint unmarred by any trace of sentimentâe(tm) for a way of life and a rural landscape that have now all but disappeared.

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