Some of these stories are said in the Caribbean island of Santo Domingo, and some are set in england. Only stories that I rated three stars or higher are included here.

Pioneers, Oh Pioneers 3 stars
Mr ramage comes to Barbados to buy a home and find peace. But because he marries a black woman, people living there won't leave him in peace. They end up killing him.

Goodbye Marcus, Goodbye Rose, 3 stars
The "Captain" comes to the island where a little girl lives, with his wife. They decide to stay awhile, and the captain invites her on walks.
The first time they go out for a walk, they sit down on a bench in a park, and he speaks to her about soon having boyfriends, Because she's 12 years old. Then he teaches in her shirt and fondles her.
The significance of the title is that she knows now she's not a good girl and she'll never have children, the ones she's named in advance Marcus and rose.
I had an Uncle Norman who was something like this.
They should cut off their penises when they're born.

The Chevalier of the Place Blanche, 4 stars
A delightful story of a petty, pissy, tightwad little French man. He thinks he's going to get money out of an English woman, but can't stand it when she acts like men do: telling him she doesn't want him to make love to her, not being impressed by him. ( )

This collection of beautifully written short stories was mostly a pleasure to read, but generally lacked much of a point. There was no unifying perspective or story, which can sometimes really make a collection, though man's inhumanity to man is fairly well represented. A few of the stories are stone-cold classics which more than makes up for the odd one that goes astray. I probably liked best the unexpected ghost story, as much for the suprise as anything. ( )

A great collection of stories, by turns mordant and poignant.

I found myself comparing the first-person stories (roughly 50%) in this collection to the stories and personal essays that annoy me in Tin House, n 1, Granta, etc. The difference is simply that Jean Rhys does it right: the stories are engaging, often not about the narrator at all, and establish their relevance by not over-emphasizing a trivial context at the outset ("I was on vacation", "I was in grad school", "I was at a bar"...). I suspect that the MFA and workshop writing courses are telling people that their diary scribblings are Writing, that everyone has a story worth telling (yawn), that Your View Matters. You know, the kind of writing that most people want to write, but few people want to read. It's hard work, doing it properly like Jean Rhys does. ( )