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The Goldfinch: A Novel (Pulitzer Prize for…
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The Goldfinch: A Novel (Pulitzer Prize for Fiction) (original: 2013; edição: 2015)

de Donna Tartt (Autor)

MembrosResenhasPopularidadeAvaliação médiaConversas / Menções
11,017679454 (3.95)1 / 705
A young boy in New York City, Theo Decker, miraculously survives an accident that takes the life of his mother. Alone and abandoned by his father, Theo is taken in by a friend's family and struggles to make sense of his new life. In the years that follow, he becomes entranced by one of the few things that reminds him of his mother; a small, mysteriously captivating painting that ultimately draws Theo into the art underworld.… (mais)
Membro:romymaria
Título:The Goldfinch: A Novel (Pulitzer Prize for Fiction)
Autores:Donna Tartt (Autor)
Informação:Back Bay Books (2015), 771 pages
Coleções:Lendo atualmente
Avaliação:
Etiquetas:Nenhum(a)

Detalhes da Obra

The Goldfinch de Donna Tartt (2013)

Adicionado recentemente porrickyv377, paul17, Knhallreads, biblioteca privada, mackerelsnapper, Arina42, GoodsSJ, RosanaDR, BookTrail
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  3. 00
    Fates and Furies de Lauren Groff (pbirch01)
    pbirch01: Both have protagonists that use rare artworks to get what they want and execute their plan over many years
  4. 00
    Sympathy de Olivia Sudjic (niquetteb)
    niquetteb: The detailed writing styles are similar.
  5. 11
    The Dutch House de Ann Patchett (shaunie)
    shaunie: The Dutch House is in some ways a slimmed down, more enjoyable Goldfinch.
  6. 11
    The World to Come de Dara Horn (BookshelfMonstrosity)
    BookshelfMonstrosity: Paintings are at the heart of these hefty novels, both of which combine the antics of a heist novel with ruminations on literature, history, and loss. Memorable characters and rich details add to the enjoyment of both books.
  7. 11
    Did You Ever Have a Family de Bill Clegg (vwinsloe)
    vwinsloe: A book about trauma, guilt and complicated grief. The effect of secrets and drugs on lives and families.
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    You Remind Me of Me de Dan Chaon (sipthereader)
    sipthereader: Loss of a young parent; leading a deceptive life
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Mostrando 1-5 de 678 (seguinte | mostrar todas)
My profound “thank you” to VanityFair. I have been struggling with this book for months now, and I don’t seem able to move forward.

As it is, I put too much energy into it and it feels wrong to give up when I “listened” to 25 or so hours of it. But reading this article from Vanity Fair has helped me to move along.

Yes, count me among the literary snobs, but The Goldfinch is a bore. I am sure that are other books out there more deserving of my ears and I am heading out to find them…
( )
  RosanaDR | Apr 15, 2021 |
I liked the writing, the story, and the philosophising. As others have said, this is a very long book and some parts did drag on a bit. The thing that made it all enjoyable, though, is the narration by David Pittu. Excellant. I think that if you are having trouble reading this long book, try the audio version. ( )
  A2Seamster | Apr 9, 2021 |
This was a tough book. Very tough. I spent most of the book not liking Theo and hating Boris. I wanted to toss the book out the window. But I kept pushing. In the end I felt closer to Boris and Theo. It seems Theo found himself and finally came to grips with his own demons. Boris on the other hand just continued to be Boris. We can only guess. Was this book worthy of a Pulitzer Prize. For 700 pages I did not think so. But the last segment pushed that through. Theo is very symbolic to the small bird in the painting that had such and impact on his life. He was the Goldfinch. Tied to a point in time by an invisible chain that he could never escape from. Always seeing the world around him but never being able to interact with the freedoms he desired. You could say the same thing about his relationship with Pippa. The chain around his ankle was just long enough for him to get within arms reach of her but fate always found a way of pulling him back to his gilded perch. Boris was a bruised character. But that shone through with his dedication to Theo and their friendship. He was willing to do anything for Theo regardless of the consequences to himself. And though it was not always like that he eventually makes up for the crappy things he did to Theo. A layered story with layered characters. A huge onion with a bittersweet center of honey and tears. ( )
  Joe73 | Apr 2, 2021 |
A fantastic story of a child's growth filled with slice of life moments. There isn't much of an actual plotline, but it is written so well with great characters, that it is still incredibly enjoyable. The book centers on different parts of the protagonist's life which show his growth. While it is a long book, it reads well and flies by easily. I highly recommend this book. ( )
  renbedell | Mar 23, 2021 |
fails to live up to an anti-gogol flavoured "good things happen to bad people" it explicitly wishes it had. Nabokov captured that spirit better and wrote far more interesting unlikeable characters. There are a few fantastic passages w.r.t Theo's trauma near the beginning but he quickly coasts by, empty and privileged. Similarly, I believe Tartt wants to write transgressive acts without judgement but ultimately defangs them. One is privileged to be transgressive in Tartt's world. ( )
  .json | Mar 21, 2021 |
Mostrando 1-5 de 678 (seguinte | mostrar todas)
Good things are worth waiting for. . . a tour de force that will be among the best books of 2013.
adicionado por 4leschats | editarBookPage, Megan Fishmann (Nov 1, 2013)
 
It’s my happy duty to tell you that in this case, all doubts and suspicions can be laid aside. “The Goldfinch” is a rarity that comes along perhaps half a dozen times per decade, a smartly written literary novel that connects with the heart as well as the mind. I read it with that mixture of terror and excitement I feel watching a pitcher carry a no-hitter into the late innings. You keep waiting for the wheels to fall off, but in the case of “The Goldfinch,” they never do.
adicionado por BeckyJG | editarThe New York Times, Stephen King (Oct 10, 2013)
 
Book review in English 2 out of 5
adicionado por zwelbast | editarNRC (Dutch), Rob van Essen (Sep 23, 2013)
 
Book review in English 5 out of 5 stars
adicionado por zwelbast | editarde Volkskrant (Dutch), Hans Bouman (Sep 21, 2012)
 

» Adicionar outros autores (14 possíveis)

Nome do autorFunçãoTipo de autorObra?Status
Donna Tarttautor principaltodas as ediçõescalculado
Fabritius, CarelArtista da capaautor secundárioalgumas ediçõesconfirmado
Hayes, KeithDesigner da capaautor secundárioalgumas ediçõesconfirmado
Jong, Sjaak deTradutorautor secundárioalgumas ediçõesconfirmado
Lecq, Paul van derTradutorautor secundárioalgumas ediçõesconfirmado
Nielsen, Rose-MarieTradutorautor secundárioalgumas ediçõesconfirmado
Nimwegen, Arjaan vanTradutorautor secundárioalgumas ediçõesconfirmado
Pittu, DavidNarradorautor secundárioalgumas ediçõesconfirmado

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The absurd does not liberate; it binds.
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While I was still in Amsterdam, I dreamed about my mother for the first time in years.
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When I looked at the painting I felt the same convergence on a single point: a flickering sun-struck instant that existed now and forever. Only occasionally did I notice the chain on the finch's ankle, or think what a cruel life for a little living creature--fluttering briefly, forced always to land in the same hopeless place.
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A young boy in New York City, Theo Decker, miraculously survives an accident that takes the life of his mother. Alone and abandoned by his father, Theo is taken in by a friend's family and struggles to make sense of his new life. In the years that follow, he becomes entranced by one of the few things that reminds him of his mother; a small, mysteriously captivating painting that ultimately draws Theo into the art underworld.

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