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The Ocean at the End of the Lane de Neil…
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The Ocean at the End of the Lane (original: 2013; edição: 2019)

de Neil Gaiman (Autor)

MembrosResenhasPopularidadeAvaliação médiaConversas / Menções
11,632839428 (4.07)1 / 728
It began for our narrator forty years ago when the family lodger stole their car and committed suicide in it, stirring up ancient powers best left undisturbed. Dark creatures from beyond the world are on the loose, and it will take everything our narrator has just to stay alive: there is primal horror here, and menace unleashed - within his family and from the forces that have gathered to destroy it. His only defense is three women, on a farm at the end of the lane. The youngest of them claims that her duckpond is ocean. The oldest can remember the Big Bang.… (mais)
Membro:KevinRubin
Título:The Ocean at the End of the Lane
Autores:Neil Gaiman (Autor)
Informação:William Morrow (2019), Edition: Reissue, 256 pages
Coleções:Sua biblioteca
Avaliação:****1/2
Etiquetas:Nenhum(a)

Detalhes da Obra

O Oceano no Fim do Caminho de Neil Gaiman (2013)

  1. 253
    O Livro do Cemitério de Neil Gaiman (emperatrix)
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    Lugar Nenhum de Neil Gaiman (riverwillow)
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    Coraline de Neil Gaiman (emperatrix)
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    Something Wicked This Way Comes de Ray Bradbury (streamsong, BookshelfMonstrosity)
    BookshelfMonstrosity: These atmospheric coming-of-age tales are magical and poignant as they dance around issues of good and evil. Though they contain plenty of dark undercurrents, they are ultimately hopeful.
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    A Monster Calls de Patrick Ness (bookworm12)
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    Among Others de Jo Walton (norabelle414)
    norabelle414: A young, bookish kid in 1970s England gets tangled up in magical and scary events larger than they are.
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    Dandelion Wine de Ray Bradbury (souloftherose)
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    Tom's Midnight Garden de Philippa Pearce (rakerman)
    rakerman: There are similar themes of childhood and memory in The Ocean at the End of the Lane and Tom's Midnight Garden. The Ocean is a much more intense book, Midnight Garden is more wistful.
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    The Dark Is Rising de Susan Cooper (Iudita)
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    A Sudden Wild Magic de Diana Wynne Jones (LongDogMom)
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    A Fistful of Sky de Nina Kiriki Hoffman (LongDogMom)
    LongDogMom: Similar style, magical family
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    The Earth Hums in B Flat de Mari Strachan (-Eva-)
    -Eva-: Similar narrator in a similar environment, where magic is all around, but the growth of the character is the essential part.
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    The Book of Lost Things de John Connolly (bookworm12, bluenotebookonline, BookshelfMonstrosity)
    BookshelfMonstrosity: These fantasy novels featuring boys who get caught up in mystical, mysterious adventures both have dark undercurrents that create a strong atmosphere of suspense. Their vividly imagined fairy tale-like worlds make the stories both wondrous and compelling.… (mais)
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    Spirits That Walk in Shadow de Nina Kiriki Hoffman (LongDogMom)
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    Slade House de David Mitchell (CGlanovsky)
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    The Particular Sadness Of Lemon Cake de Aimee Bender (akblanchard)
    akblanchard: Both books use magical realism to illuminate family relationships.

(ver todas 27 recomendações)

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Inglês (824)  Alemão (3)  Holandês (2)  Espanhol (2)  Francês (2)  Sueco (2)  Árabe (1)  Dinamarquês (1)  Norueguês (1)  Todos os idiomas (838)
Mostrando 1-5 de 838 (seguinte | mostrar todas)
While I cannot boast that I am a HUGE Gaiman fan, I will say I have listened to about 5-8 books of his. This book while intended for adults could work for teens and adults. While it no American Gods, Coraline, Graveyard Book - there is something simpler about it. Something there that I cannot quite describe. What this book did for me, as most Gaiman books do, was spark that sense of whimsy, magic and what exactly is and isn't possible in the world. There could be some commentary about adulthood is the line which we cross that forsake magic unless we are in childhood places. Unless we carry those magical places within us with our inner child. I thoughtful read. ( )
  MorbidLibrarian | Sep 18, 2021 |
This was a very depressing read. It has this oppressive atmosphere where everything works against the narrator, yet the story somehow manages not to paint the world as entirely hopeless. The pervading sense of sadness and despair can be overwhelming at times though its classic Gaiman style makes it a very captivating, enjoyable read.

All the things I mentioned above aren't negatives, however. They serve to drive the narrative forward and present the narrator's perspective towards the world; it is also used to showcase his loss of innocence. More importantly, it feels very down to earth and human despite having fantastical characters and monsters. The Hempstocks are absolutely fascinating to visualize, and the "ocean" becomes an entity by itself as the story progresses.

Truth be told, this book feels like a cross between Coraline and American Gods. Its got Coraline's child narrator who loses his innocence and encounters evil. Its American Gods part comes through the mythos, beasts, and the highly intriguing world that has been conjured through Gaiman's words.

I truly enjoyed the novel. Nevertheless, it's a very depressing read, and it leaves you empty once you finish it. ( )
  bdgamer | Sep 10, 2021 |
Neil, Neil, Neil.

I've discovered I have a strange series of experiences when it comes to Gaiman. Every single time I pick up any of his stuff, I always seem to think, Probably won't enjoy this one.

Then I start reading it, and I'm literally talking three or four pages, and I think, Definitely not going to like this one.

And then, I end up getting sucked in and immersed in the world he's building, and I'm lost in the magical storytelling of Neil Gaiman, and I thoroughly enjoy my time there.

This one's no different. It's a wonderfully simple story, with magical characters, and even a few horrific scenes that tend to only amplify the magic of the rest of the novel.

I absolutely loved this book. ( )
  TobinElliott | Sep 3, 2021 |
This is a children fairytale masquerading as an adult book. I like fairytales so I wanted to give it a 4 but then some things were left unexplained so I wanted to give it a 3. I think it is really a 3.5 for me and it will not be the last Neil Gaiman book I read. ( )
  Douna1980 | Sep 3, 2021 |
Gaiman is really talented at making a world where the supernatural is hidden behind human characters. It felt really similar to Coraline in a short digestible narrative. It's a light read with a few hints of darkness peering through at the end. Worth checking out considering it's under 200 pages. ( )
  livertalia | Aug 30, 2021 |
Mostrando 1-5 de 838 (seguinte | mostrar todas)
The Ocean at the End of the Lane arouses, and satisfies, the expectations of the skilled reader of fairytales, and stories which draw on fairytales. Fairytales, of course, were not invented for children, and deal ferociously with the grim and the bad and the dangerous. But they promise a kind of resolution, and Gaiman keeps this promise.
adicionado por riverwillow | editarThe Guardian, AS Byatt (Jul 3, 2013)
 
[Gaiman's] mind is a dark fathomless ocean, and every time I sink into it, this world fades, replaced by one far more terrible and beautiful in which I will happily drown.
adicionado por zhejw | editarNew York Times, Benjamin Percy (Jun 27, 2013)
 
The story is tightly plotted and exciting. Reading it feels a lot like diving into an extremely smart, morally ambiguous fairy tale. And indeed, Gaiman's adult protagonist observes at one point that fairy tales aren't for kids or grownups — they're just stories. In Gaiman's version of the fairy tale, his protagonist's adult and child perspectives are interwoven seamlessly, giving us a sense of how he experienced his past at that time, as well as how it affected him for the rest of his life.
adicionado por SimoneA | editarNPR, Annalee Newitz (Jun 17, 2013)
 
Reading Gaiman's new novel, his first for adults since 2005's The Anansi Boys, is like listening to that rare friend whose dreams you actually want to hear about at breakfast. The narrator, an unnamed Brit, has returned to his hometown for a funeral. Drawn to a farm he dimly recalls from his youth, he's flooded with strange memories: of a suicide, the malign forces it unleashed and the three otherworldly females who helped him survive a terrifying odyssey. Gaiman's at his fantasy-master best here—the struggle between a boy and a shape-shifter with "rotting-cloth eyes" moves at a speedy, chilling clip. What distinguishes the book, though, is its evocation of the powerlessness and wonder of childhood, a time when magic seems as likely as any other answer and good stories help us through. "Why didn't adults want to read about Narnia, about secret islands and ... dangerous fairies?" the hero wonders. Sometimes, they do.
 

» Adicionar outros autores (27 possíveis)

Nome do autorFunçãoTipo de autorObra?Status
Gaiman, Neilautor principaltodas as ediçõesconfirmado
Coder, LaneArtista da capaautor secundárioalgumas ediçõesconfirmado
Johnson, AdamDesigner da capaautor secundárioalgumas ediçõesconfirmado
Kerner, Jamie LynnDesignerautor secundárioalgumas ediçõesconfirmado
McKean, DaveIlustradorautor secundárioalgumas ediçõesconfirmado
Sasscer, AshleeDesigner da capaautor secundárioalgumas ediçõesconfirmado
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"I remember my own childhood vividly ... I knew terrible things. But I knew I mustn't let adults know I knew. It would scare them."

Maurice Sendak, in conversation with Art Spiegelman,
The New Yorker, September 27, 1993
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It was only a duck pond, out at the back of the farm. It wasn't very big.
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Books were safer than other people anyway.
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Lettie Hempstock said it was an ocean, but I knew that was silly. She said they'd come here across the ocean from the old country.
Her mother said that Lettie didn't remember properly, and it was a long time ago, and anyway, the old country had sunk.
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It began for our narrator forty years ago when the family lodger stole their car and committed suicide in it, stirring up ancient powers best left undisturbed. Dark creatures from beyond the world are on the loose, and it will take everything our narrator has just to stay alive: there is primal horror here, and menace unleashed - within his family and from the forces that have gathered to destroy it. His only defense is three women, on a farm at the end of the lane. The youngest of them claims that her duckpond is ocean. The oldest can remember the Big Bang.

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