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John Wayne's America: The Politics of Celebrity

de Garry Wills

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1602170,461 (3.7)1
Eighteen years after his death, John Wayne is still America's favorite movie star. He was less an actor than a symbol, the most popular pop icon of the twentieth century, and one of the most important political figures in America. People shaped their lives or adopted political stands to conform to him as a template of authentic Americanism. Wayne became the lens through which people saw their own and their country's history. In this brilliant, groundbreaking study of the relationship between politics and popular culture, Pulitzer Prize-winning author Garry Wills focuses on the manufacture of "John Wayne" from the raw materials of Marion Morrison, the person born in Iowa who became a myth, his own reality swallowed up in his meaning as master directors such as John Ford crafted films that made him the personification of America's frontier myth. Unlike other actors and actresses with whom we associate political views, Wayne embodied a politics of large meanings - a politics of gender (masculine), ideology (patriotism), character (self-reliance), and personal responsibility. It was a politics of implicit dogmas that often transcended his own views and behavior. Although Wayne avoided serving in the military during World War II, he became, through his screen roles, the model of the American soldier. Likewise, although Wayne's popular image is that of a staunch anti-Communist, in reality he avoided taking a stand in the bitter ideological war that raged in Hollywood until after the issue had been decided. In this work of great originality, the biography of an idea, Wills shows how John Wayne and the Hollywood image factories distorted or ignored important facts of Wayne's life to create his myth. Wills shows for the first time how Wayne, through his screen characters, spoke to the needs of his audience at crucial periods in American history, and how in response Americans invested their emotions in that embodiment of their deepest myths.… (mais)
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Fun to read account of how John Wayne and his image fit into American politics and culture. Talks a lot about specific films and directors, especially John Ford. ( )
  kslade | Dec 8, 2022 |
The book, while well written, was somewhat disappointing. Wills gets close to describing not only John Wayne's America and the role of John Wayne in the creation of the cowboy myth, but he never dives deeply into it. It appears he is a fan, which is okay if he doesn't let it get in the way of what he is doing, but much (too much) time is spent on Wayne's natural grace and not enough on the political turmoil that he helped shape. It is there, there are references, and the final chapter appears to bring up a little more, but most of the work is devoted to a thorough examination of key films, which was interesting but did not really explicate the theme. It does give more than enough material for another writer to build on and focus on the America that was supposed to be the subject of this book. And while the author acknowledges the misogyny in the films and appears to be sad about it, there seems to be somewhat of a dismissal of the impact on actual men and women in actual life as he helps normalize the idea of abusing women and humiliating women. Overall, a good read, especially if you're a John Wayne fan but don't think he's perfect. Just don't expect the cogent political analysis usually expected from Wills. ( )
  Devil_llama | Feb 19, 2022 |
Exibindo 2 de 2
The book's crowded agenda, with its generous dose of debunking and deconstruction, yields fascinating insights and revelations but also irritating and tedious passages as well. Mr. Wills's prodigiousness lies in gifts not usually found together: a zeal for meticulous research combined with the head-spinning leaps and pirouettes of the essayist. Having lived on both sides of the liberal-conservative divide, he is able to penetrate masks and self-deceptions invisible to the rest of us, with our politically interested points of view. But with that bias-free stance comes a querulous, carping, smarter-than-thou tone: he stands above the fray, kvetching right and left, finding chinks in everybody's armor.
 
Although Mr. Wills brings his usual acumen and fluency to this discussion, the long-winded volume he has produced is really little more than a modest essay, padded out to book length with biographical asides, tired analyses of Wayne's movies and detailed assessments of his work with the directors John Ford and Howard Hawks. The central focus of the book is often lost, as though Mr. Wills felt compelled to use all the research he'd accumulated along the way or simply wanted to showcase his abilities as a film critic.
 
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Eighteen years after his death, John Wayne is still America's favorite movie star. He was less an actor than a symbol, the most popular pop icon of the twentieth century, and one of the most important political figures in America. People shaped their lives or adopted political stands to conform to him as a template of authentic Americanism. Wayne became the lens through which people saw their own and their country's history. In this brilliant, groundbreaking study of the relationship between politics and popular culture, Pulitzer Prize-winning author Garry Wills focuses on the manufacture of "John Wayne" from the raw materials of Marion Morrison, the person born in Iowa who became a myth, his own reality swallowed up in his meaning as master directors such as John Ford crafted films that made him the personification of America's frontier myth. Unlike other actors and actresses with whom we associate political views, Wayne embodied a politics of large meanings - a politics of gender (masculine), ideology (patriotism), character (self-reliance), and personal responsibility. It was a politics of implicit dogmas that often transcended his own views and behavior. Although Wayne avoided serving in the military during World War II, he became, through his screen roles, the model of the American soldier. Likewise, although Wayne's popular image is that of a staunch anti-Communist, in reality he avoided taking a stand in the bitter ideological war that raged in Hollywood until after the issue had been decided. In this work of great originality, the biography of an idea, Wills shows how John Wayne and the Hollywood image factories distorted or ignored important facts of Wayne's life to create his myth. Wills shows for the first time how Wayne, through his screen characters, spoke to the needs of his audience at crucial periods in American history, and how in response Americans invested their emotions in that embodiment of their deepest myths.

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