Drake has been taken and it's up to Becky to save him. And her search for him lands her in the city Penance...a city not like other cities...

This volume is just as good as the first three and one thing very special about this volume that I really liked is that it had an issue without dialogue. It was just plain pictures. I loved it, it was written so good that you don’t need to read what there were saying. ( )

Drake has been taken and it's up to Becky to save him. And her search for him lands her in the city Penance...a city not like other cities...

This volume is just as good as the first three and one thing very special about this volume that I really liked is that it had an issue without dialogue. It was just plain pictures. I loved it, it was written so good that you don’t need to read what there were saying. ( )

This grouping of six stories didn't feel as strong in terms of plot development as the previous three trades, but what I liked about it was the dialogue-less fourth chapter (issue 21) and Mr Tyler Crook's illustration of the sixth chapter (issue 23). The six issues gathered in volume four do move the story on, of course, but it didn't feel as fast paced. I suppose all good stories need lulls in the action to allow more nuanced aspects of the story to develop. There were a couple of very interesting developments that needed a little quiet to sink in. Bunn's writing is as good as ever and, while I liked the change in style brought by Crook, I prefer Hurtt's illustrations in the context of this story. The faces Crook gives to the characters are too cuddly. ( )