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Cindy Sherman

de Eva Respini

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"Cindy Sherman is one of the most influential and consistently original artists of our time. Masquerading as a myriad of characters in front of her own camera, Sherman creates invented personas and provocative tableaus that examine the construction of identity and the nature of representation. Her works speak to our increasingly image-saturated world, drawing on the unlimited supply of visual material provided by the mass media, pop culture, and art history. Whether portraying a career girl or a blond bombshell, a fashion victim or a clown, a French aristocrat or a society lady of a certain age, Sherman's work has always had the ability to reflect the ideas of the culture at large and to resonate with a wide audience. Cindy Sherman presents the most up-to-date overview of her groundbreaking career, from the mid-1970s to the present, and provides new insight into the work of this relentlessly innovative artist."--Publisher's website.… (mais)
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recommended by: Petra X

This is the type of book I most enjoy after I’ve seen an exhibition and I read this cold, without really knowing anything about the artist. There are a couple excellent, essays and a short interview with John Waters, but the captions for each art piece don’t have the kind of extra information I like to read. While some of the works are shown so that their scale is obvious, and I did appreciate that, I don’t think they captured the power and feelings seeing the museum exhibit would. Seeing the exhibit first and then revisiting the art in the book would probably have felt more satisfying than just reading the book. Most of the art is not my cup of tea though, so if I’d seen the exhibit, this might not have been a book I’d have felt compelled to then read. It’s too narcissistic in my opinion, even though I understand the wanting to work mostly alone thing and know that’s why most of the photos are of the artist. Many of the pages’ art subject matter were so horrifying I just wanted to turn the page, as quickly as I could. But I have to admit the art was brilliant in a way as it gave me a lot to think about, and some of it, a relatively small amount, was enjoyable to view. I’m not sure how much I’d actually have a good time, but if a Cindy Sherman exhibit came to one of the museums where I keep a membership, and there was no additional charge, I’d probably go see it. I’d have to be in the right mood though. I actually know a couple young people who are artists and whose art (much of it photography) sort of reminds me of Sherman’s. I have to assume she’s been an influence on them. I’m going to ask. I’m a huge fan of art books, but I can’t say this is one of the many that’s brought me pleasure. I think I recommend this book for readers who are already fans of the artist or maybe those who often appreciate disturbing and/or unusual art that has the potential to make them feel and think. This wasn’t the right book for me at this time. 2 ½ stars ( )
1 vote Lisa2013 | Aug 19, 2013 |
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"Cindy Sherman is one of the most influential and consistently original artists of our time. Masquerading as a myriad of characters in front of her own camera, Sherman creates invented personas and provocative tableaus that examine the construction of identity and the nature of representation. Her works speak to our increasingly image-saturated world, drawing on the unlimited supply of visual material provided by the mass media, pop culture, and art history. Whether portraying a career girl or a blond bombshell, a fashion victim or a clown, a French aristocrat or a society lady of a certain age, Sherman's work has always had the ability to reflect the ideas of the culture at large and to resonate with a wide audience. Cindy Sherman presents the most up-to-date overview of her groundbreaking career, from the mid-1970s to the present, and provides new insight into the work of this relentlessly innovative artist."--Publisher's website.

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