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Aristotle and Dante Discover the Secrets of…
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Aristotle and Dante Discover the Secrets of the Universe (edição: 2012)

de Benjamin Alire Sáenz (Autor)

Séries: Aristotle and Dante (1)

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6,1763531,613 (4.27)110
Fifteen-year-old Ari Mendoza is an angry loner with a brother in prison, but when he meets Dante and they become friends, Ari starts to ask questions about himself, his parents, and his family that he has never asked before.
Membro:scupper
Título:Aristotle and Dante Discover the Secrets of the Universe
Autores:Benjamin Alire Sáenz (Autor)
Informação:Simon & Schuster Books for Young Readers (2012), Edition: Reprint, 376 pages
Coleções:Sua biblioteca, Para ler
Avaliação:
Etiquetas:Nenhum(a)

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Aristotle and Dante Discover the Secrets of the Universe de Benjamin Alire Sáenz

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Rating: 4.5* of five

The Publisher Says: A lyrical novel about family and friendship from critically acclaimed author Benjamin Alire Sáenz.

Aristotle is an angry teen with a brother in prison. Dante is a know-it-all who has an unusual way of looking at the world. When the two meet at the swimming pool, they seem to have nothing in common.

But as the loners start spending time together, they discover that they share a special friendship—the kind that changes lives and lasts a lifetime. And it is through this friendship that Ari and Dante will learn the most important truths about themselves and the kind of people they want to be.

I RECEIVED THIS BOOK AS A GIFT. THANKS!

My Review
: First love, with another boy, when you're fifteen and angsty and from a Mexican-American family.

Wow, that's a lot. Like, a real, real lot.

Which, as adults, we sometimes do not take into account when dealing with teens. The thing we lose sight of most often is that teens have adult-strength emotions triggered by the same things we get triggered by but without our decades of perspective to temper our responses with. Ari's right...his Dad is suffering. His Dad is right...Ari can't understand this suffering. In fact, no one really can. Adults don't think this is as weird and awful as Ari, not yet used to the helplessness of loving others, does. All Ari knows is that his Dad's refusal to talk about his feelings feels like rejection. So Ari clams up...and doesn't see the irony of this. Perspective: missing.

Dante, being brash and bold, just...does stuff. Ari feels envious, astonished, drawn to this bigness and forcefulness. This feels so intoxicating, so overwhelmingly right, that he and Dante meet each other all the time, talk, think, and in that gloriously uniquely young man way, fall in love. They're on different pages here, too, stunningly. Dante doesn't see this love as weird or ugly...it's the 1980s! Stonewall was in the 1960s! Ari thinks it's another way he's weird. He does think Dante's weird, too, and if Dante...big, bright, beautiful Dante with his strong ideas about Chicanismo...is weird, weird must be okay. Somehow that must be true, but how?

Thus is first love born. That was my absolute favorite thing about the story. It wasn't about the zeal of the organs for each other, in Joseph Campbell's memorable and accurate formulation of sexual desire's essence; it was instead about the addictive rush of communion with the Other, the joy of discovering the Other is not only Other but gloriously beautifully Other. These boys discover, slowly and organically, that Love is the best, the only addictive drug that makes things better.

Or it can. And it does in this story. It does this, you should note, S L O W L Y. And Ari, angry teen with a huge rock on top of his mouth, needs help figuring out what it is about Dante that he is, well, Noticing. Here is where I felt the true beauty of the story comes to the fore. It is Ari's parents, these complicatedly wounded souls who are sources of difficulty for him (as all parents must be) who rip off the bandage and show him that he is in love with Dante.

And they do it, in 1980s El Paso, Texas, with kindness and acceptance. This is how we know it's fiction.

Everything about this read was a pleasure to me. It's been over a decade since the story burst on the scene. There are sequels (I haven't read those yet). This story keeps reverberating through our louding voices of hatred. I hope you and I, readers with mileage and perspective unavailable to its target audience, can help that audience find this wonderful story of honest love and acceptance offered and accepted. ( )
  richardderus | Jun 15, 2024 |
Words cannot express how beautiful I thought this book was, so poignantly written, with believable and well developed characters that you feel so deeply for. I will be reading this book again.

Also props to Lin Manuel Miranda's narration. ( )
  jenkies720 | Jun 7, 2024 |
Almost perfect. ( )
  minhjngo | Mar 28, 2024 |
I might have liked this more as a physical book; as an audio book, it dragged.

ETA: I had a similar experience with [b:In the Dream House|43317482|In the Dream House|Carmen Maria Machado|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1547869259l/43317482._SX50_.jpg|65787792]: unimpressive as an audiobook, engrossing as text. It might have something to do with poetic writing short chapters; I should someday try this one again. ( )
  caedocyon | Feb 23, 2024 |
"SAT in the backseat" ( )
  salllamander | Feb 11, 2024 |
Mostrando 1-5 de 349 (seguinte | mostrar todas)
adicionado por gsc55 | editarBoys in our Books, Susan (Nov 12, 2014)
 
adicionado por gsc55 | editarMM Good Book Reviews, Tams (Oct 2, 2014)
 

» Adicionar outros autores (9 possíveis)

Nome do autorFunçãoTipo de autorObra?Status
Benjamin Alire Sáenzautor principaltodas as ediçõescalculado
Miranda, Lin-ManuelNarradorautor secundárioalgumas ediçõesconfirmado

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Why do we smile? Why do we laugh? Why do we feel alone? Why are we sad and confused? Why do we read poetry? Why do we cry when we see a painting? Why is there a riot in the heart when we love? Why do we feel shame? What is that thing in the pit of your stomach called desire?
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To all the boys who've had to learn to play by different rules
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One summer night I fell asleep, hoping the world would be different when I woke. In the morning, when I opened my eyes, the world was the same.
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I got to thinking that poems were like people. Some people you got right off the bat. Some people you just didn't get - and never would get. (p. 29)
The whole world seemed to be quiet and calm and I wanted to be the world and feel like that. (p. 105)
My mother and father held hands. I wondered what that was like, to hold someone's hand. I bet you could sometimes find all of the mysteries of the universe in someone's hand. (p. 140)
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Fifteen-year-old Ari Mendoza is an angry loner with a brother in prison, but when he meets Dante and they become friends, Ari starts to ask questions about himself, his parents, and his family that he has never asked before.

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