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1Q84

de Haruki Murakami

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Séries: 1Q84 (1-3)

MembrosResenhasPopularidadeAvaliação médiaConversas / Menções
8,986355911 (3.81)3 / 779
An ode to George Orwell's "1984" told in alternating male and female voices relates the stories of Aomame, an assassin for a secret organization who discovers that she has been transported to an alternate reality, and Tengo, a mathematics lecturer and novice writer.
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» Veja também 779 menções

Inglês (338)  Holandês (4)  Espanhol (3)  Catalão (2)  Italiano (2)  Grego (1)  Chinês, simplificado (1)  Alemão (1)  Todos os idiomas (352)
Mostrando 1-5 de 352 (seguinte | mostrar todas)
NDT
(pensavo di avere la versione completa, invece mi manca il libro 3... ma che peccato!! non potrò finirlo)
libro deprimente,noioso,prolisso,ripetitivo ( )
  LLonaVahine | May 22, 2024 |
This book wear super long, super weird — which was fine — but sparked almost no joy in me. But I finished it. ( )
  RaynaPolsky | Apr 23, 2024 |
I hesitated reading 1Q84 as it is such a tome of a book. Picked it up on a whim, and surprisingly it is quite easy-going, easier than some much thinner books. Like other Murakami books, there's no need to ponder too much. Just go along with the ride and a helluva one it will be. ( )
  siok | Feb 17, 2024 |
Boom goes the dynamite. I finished it! Took me 44 days, but it never was really a slog. At its core, its a basic star crossed lovers, who met as children, moved apart and always thought of each other and wanted to find each other. But its Murakami, it can't be that simple, and it isn't. He's a struggling author who ghost writes a book by a girl who escapes from a religious cult, that's about these mysterious creature who are causing havoc. She's a fitness instructor who is also an assassin who grew up in another religious cult and some how gets transported to an alternate earth, maybe as a result of the mysterious creatures that He was writing about? Yeah its very weird but in a very good way. Even though I think it falls under my theory that once an author gets "too big for his britches", his editor can't keep him contained and large tomes are the result.

The book was originally published as 3 separate books, but when combined to 1157 pages, I think it could have used a bit of trimming. Some of the exposition might not have been entirely necessary. Despite that, I still enjoyed the book a lot, would recommend and Murakami continues to be one of those authors I will always read when given the opportunity.

Book Quote:
And is that why we joined our bodies? Tengo wanted to ask Fuka-Eri. In that wild storm last night. What did that mean? But he did not ask those questions, which might have been inappropriate, and which he knew she never would have answered.

If you can't understand it without an explanation, you can't understand it with an explanation, Tengo's father said somewhere. ( )
  mahsdad | Feb 10, 2024 |
This is a book sorely in need of an editor. It reminds me of the narrative flabbiness of the Harry Potter books after book 3. Once writers become famous, it seems that editors become more timid with their editing. I skipped entire chapters in the second half of the book without losing much in the way of plot. This is a bad sign.

The story itself is a bit flimsy and didn't really interest me. I really enjoy Murakami's writing style ( through his translator), so I powered through as well as I could, but I definitely lost interest by about page 600. The story just felt stalled.

This is my first full-length Murakami novel, which I understand to be a bad place to start, but it was the first title available at the library. Murakami still intrigues me, bit I'd recommend skipping this doorstop of a novel. ( )
  cmayes | Dec 21, 2023 |
Mostrando 1-5 de 352 (seguinte | mostrar todas)
Murakami name-drops George Orwell's laugh-riot 1984 several times. Both books deal with the concept of manipulated realities. And while Murakami's book is more than three times as long, it's also more fun to read.
adicionado por WeeklyAlibi | editarWeekly Alibi, John Bear (Jan 26, 2012)
 
As always, the experience is a bit like watching a Hollywood-influenced Japanese movie in a version that’s been dubbed by American actors. This time, sad to say, it also reminded me of stretches of the second season of Twin Peaks: familiar characters do familiar things, with the expected measure of weirdness, but David Lynch has squabbled with the network and left the show.
 
I finished 1Q84 feeling that its spiritual project was heroic and beautiful, that its central conflict involved a pitched battle between realism and unrealism (while being scrupulously fair to both sides), and that, in our own somewhat unreal times, younger readers, unlike me, would have no trouble at all believing in the existence of Little People and replicants. What they may have trouble with is the novel’s absolute faith in the transformative power of love.
 
One of the many longueurs in Haruki Murakami’s stupefying new novel, “1Q84,” sends the book’s heroine, a slender assassin named Aomame, into hiding. To sustain her through this period of isolation she is given an apartment, groceries and the entirety of Marcel Proust’s “Remembrance of Things Past.”

For pity’s sake, if you have that kind of spare time, follow her lead. Aomame has the chance to read a book that is long and demanding but well worth the effort. The very thought of Aomame’s situation will pain anyone stuck in the quicksand of “1Q84.” You, sucker, will wade through nearly 1,000 uneventful pages while discovering a Tokyo that has two moons and is controlled by creatures that emerge from the mouth of a dead goat. These creatures are called Little People. They are supposed to be very wise, even though the smartest thing they ever say is “Ho ho.”
adicionado por Shortride | editarThe New York Times, Janet Maslin (Nov 10, 2011)
 
1Q84 is psychologically unconvincing and morally unsavory, full of lacunas and loose ends, stuffed to the gills with everything but the kitchen sink and a coherent story. By every standard metric, it is gravely flawed. But, I admit, standard metrics are difficult to apply to Murakami. It's tempting to write that out of five stars, I'd give this book two moons.
 

» Adicionar outros autores (21 possíveis)

Nome do autorFunçãoTipo de autorObra?Status
Haruki Murakamiautor principaltodas as ediçõescalculado
Dean, SuzanneDesigner da capaautor secundárioalgumas ediçõesconfirmado
Gabriel, PhilipTradutorautor secundárioalgumas ediçõesconfirmado
Hiroto, AllisonNarradorautor secundárioalgumas ediçõesconfirmado
Holm, MetteTradutorautor secundárioalgumas ediçõesconfirmado
Rubin, JayTradutorautor secundárioalgumas ediçõesconfirmado
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It's a Barnum and Bailey world,
just as phoney as it can be,
But it wouldn't be make-believe
if you believed in me

"It's Only a Paper Moon,"
~~ Billy Rose and E. Y. "Yip" Harburg
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Don't let appearances fool you. There's always only one reality.
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This is those works (sets, single-volume editions) containing the complete text of 1Q84. Please do not combine with any single volumes from multi-book versions.
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Wikipédia em inglês (2)

An ode to George Orwell's "1984" told in alternating male and female voices relates the stories of Aomame, an assassin for a secret organization who discovers that she has been transported to an alternate reality, and Tengo, a mathematics lecturer and novice writer.

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Média: (3.81)
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