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Starting from Scratch de Rita Mae Brown
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Starting from Scratch (edição: 1989)

de Rita Mae Brown

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436557,193 (3.46)6
From the best-selling author ofnbsp;nbsp;Rubyfruit Jungle andnbsp;nbsp;Bingo, here is a writers' manual as provocative,nbsp;nbsp;frank, and funny as her fiction. Unlike mostnbsp;nbsp;writers' guides, this one had as much to do with hownbsp;nbsp;writers live as with mastering the tools of theirnbsp;nbsp;trade. Rita Mae Brown begins with a very personalnbsp;nbsp;account of her own career, from her days as a youngnbsp;nbsp;poet who had written a novel no publisher wantednbsp;nbsp;to take a chance on, right up to her recentnbsp;nbsp;adventures as a Hollywood screenwriter. In a sassy stylenbsp;nbsp;that makes her outspoken advice as entertaining asnbsp;nbsp;it is useful, she provides straight talk aboutnbsp;nbsp;paying the rent while maintaining the energy tonbsp;nbsp;write; and dealing with agents, publishers, critics,nbsp;nbsp;and the publicity circus; about pursuingjnbsp;nbsp;ournalisim, academia, or screen-writing; and about rejectingnbsp;nbsp;the Hemingway myth of the hard-living,nbsp;nbsp;hard-drinking genius. In addition Brown, a former teacher ornbsp;nbsp;writing, offers a serious examination of thenbsp;nbsp;writer's tool--language, plotting, characters,nbsp;nbsp;symbolism--plus exercises to sharpen the ear for dialogue,nbsp;nbsp;and a fascinating, annoted reading list ofnbsp;nbsp;important works from the seventh century to the latenbsp;nbsp;twentieth.… (mais)
Membro:nolapoet
Título:Starting from Scratch
Autores:Rita Mae Brown
Informação:Bantam (1989), Paperback, 272 pages
Coleções:Sua biblioteca
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Starting from Scratch de Rita Mae Brown

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Exibindo 5 de 5
on life of a writer and how to
  ritaer | Apr 7, 2020 |
I've had trouble getting through this book, because her opinions get weirdly biased and I get annoyed with her. ( )
  riani1 | Mar 2, 2010 |
I began this book, thinking I would get grammer lessons or whatever to help with writing. Instead, I enjoyed Bowns's tidbits of information on how to write even if criticized, how to avoid the pitfalls of the trade, coping with publishers. There are outspoken opinions on a wealth of subjects, such as academic careers; how to write for the movies. In addition, there is a serious examination of a writer's tools, and many exercises to sharpen the ear and broaden your range of characters. This is a book you will return to many times, for its wonderful lessons and to absorb her passionate and irreverent love of writing.
  bakersfieldbarbara | Mar 2, 2009 |
Good ideas and she backs up her haughty, contemporary attitude with a firm foundation in the classics and literature. I might not agree with some of the political jibes interspersed, but she knows how to write and puts most of those with similar views to shame. ( )
  jpsnow | May 24, 2008 |
One of the best books I've ever read on the art of writing. Unpretentious, just gets to the meat of the matter...by prescribing some STUDY!! (Oh, no!! The 'S' word!!) ( )
  GrinningDwarf | Dec 22, 2006 |
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From the best-selling author ofnbsp;nbsp;Rubyfruit Jungle andnbsp;nbsp;Bingo, here is a writers' manual as provocative,nbsp;nbsp;frank, and funny as her fiction. Unlike mostnbsp;nbsp;writers' guides, this one had as much to do with hownbsp;nbsp;writers live as with mastering the tools of theirnbsp;nbsp;trade. Rita Mae Brown begins with a very personalnbsp;nbsp;account of her own career, from her days as a youngnbsp;nbsp;poet who had written a novel no publisher wantednbsp;nbsp;to take a chance on, right up to her recentnbsp;nbsp;adventures as a Hollywood screenwriter. In a sassy stylenbsp;nbsp;that makes her outspoken advice as entertaining asnbsp;nbsp;it is useful, she provides straight talk aboutnbsp;nbsp;paying the rent while maintaining the energy tonbsp;nbsp;write; and dealing with agents, publishers, critics,nbsp;nbsp;and the publicity circus; about pursuingjnbsp;nbsp;ournalisim, academia, or screen-writing; and about rejectingnbsp;nbsp;the Hemingway myth of the hard-living,nbsp;nbsp;hard-drinking genius. In addition Brown, a former teacher ornbsp;nbsp;writing, offers a serious examination of thenbsp;nbsp;writer's tool--language, plotting, characters,nbsp;nbsp;symbolism--plus exercises to sharpen the ear for dialogue,nbsp;nbsp;and a fascinating, annoted reading list ofnbsp;nbsp;important works from the seventh century to the latenbsp;nbsp;twentieth.

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