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Carregando... King Learde William Shakespeare, Bristol Walker
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A very enjoyable edition. Unlike most of the Arden editions, Foakes comes across more as an educator than an academic-among-friends. This does mean occasionally that he'll cover ground most professional-level readers already understand, but it makes this a really well-rounded introduction to the play. The decision here is to incorporate both Quarto and Folio texts in one, with the differences clearly delineated. It's probably the best possible option for this play, and well done. PRATELEIRA EUNICE 1 LIVRO 121 A TRAGÉDIA DEFINITIVA SOBRE A VELHICE Ao chegar à velhice, Lear, rei da Bretanha, se vê obrigado a dividir seu reino. A maior desgraça para um monarca atingira-o: para protegê-lo e garantir sua sucessão, nenhum filho varão, apenas três filhas mulheres, Goneril, Regana e Cordélia. As duas primeiras são casadas, respectivamente, com o Duque da Albânia e com o Duque da Cornualha, olhos cobiçosos por sobre as terras bretãs, enquanto que Cordélia recusa-se a casar, para permanecer ao lado do pai. Mas o assédio de estranhos pelo reino não é o mal maior do qual padece o rei. A progressiva dificuldade de discernir as atitudes e os discursos daqueles que o cercam, o embotamente da percepção da sinceridade e da falsidade humana e a suspeita errônea de onde viria a traição são os males fatais para o outrora grande monarca sem resenhas | adicionar uma resenha
Pertence à série publicadaCentopaginemillelire (205) — 28 mais Está contido emElizabethan Drama in Two Volumes [set] de Charles William Eliot (indireta) The Harvard Classics [50 Volume Set] de Charles William Eliot (indireta) The complete works of William Shakespeare : reprinted from the First Folio (volume 11 of 13) de William Shakespeare [Dramatische Werke] Shakespeare's dramatische Werke 11 König Lear. Troilus und Cressida. Ende gut, alles gut de William Shakespeare The Annotated Shakespeare: The Comedies, Histories, Sonnets and Other Poems, Tragedies and Romances Complete de William Shakespeare (indireta) Shakespeares Dramatische Werke Sechster Band / Meyers Klassiker (Lear / Macbeth / Timon / Troilus) de William Shakespeare The Norton Shakespeare: Four-Volume Set de Stephen Greenblatt (indireta) The Norton Shakespeare: Two Volume Set de William Shakespeare (indireta) É reescrito emÉ uma adaptação deTem a adaptaçãoThe Graphic Canon, Vol. 1: From the Epic of Gilgamesh to Shakespeare to Dangerous Liaisons de Russ Kick Foi inspirada porInspiradoTem como guia de referência/texto acompanhanteTem como estudoTem como suplementoTem um comentário sobre o textoTem um guia de estudo para estudantesPrêmiosNotable Lists
Drama.
Fiction.
HTML: King Lear is considered one of Shakespeare's greatest plays. King Lear decides to step down and divide his kingdom between his three daughters. When his youngest and favorite daughter refuses to compete and perform her love for him, he is enraged and disowns her. She remains loyal to him, however, though he slides into madness and his other children betray him. .Não foram encontradas descrições de bibliotecas. |
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Google Books — Carregando... GênerosClassificação decimal de Dewey (CDD)822.33Literature English & Old English literatures English drama Elizabethan 1558-1625 Shakespeare, William 1564–1616Classificação da Biblioteca do Congresso dos E.U.A. (LCC)AvaliaçãoMédia:
É você?Torne-se um autor do LibraryThing. Penguin Australia2 edições deste livro foram publicadas por Penguin Australia. Edições: 0140714766, 0141012293 Yale University PressUma edição deste livro foi publicada pela Yale University Press. » Página Web de informação sobre a editora Sourcebooks MediaFusionUma edição deste livro foi publicada pela Sourcebooks MediaFusion. |
- people who can read and enjoy pretty much anything ie the same people youll find reading harry potter and stuff. everyone that isn't obviously difficult or antiquated or without renown is an author for them, so this is a bit redundant
- people who are interested in art as something primarily expository and with exclusively objective standards of quality i.e. those who take the ideas of aristotle's poetics and universalize them. he is an EXTREMELY aristotelian artist
- people who would really rather read a work of philosophy than a work of literature, or at least people who think that philosophy is more IMPORTANT than art. as consequence, these are also people who really only care about whether themes are interesting and delivered intelligibly/cogently
my primary evidence for this is the fact that my enjoyment of the work comes almost entirely from the extreme affinity its thematic content has with what i think about love. here just like in every other work of shakespeare's i found the same clumsy devices and scattershot aesthetics that i feel, were i to read all his work, would characterize his entire output. maybe ill return to him a bit more to finalize this but it seems pretty definitive to me that as a writer shakespeare could not care less about beauty or aesthetics, so he isn't really for me at all and im not going to bother trying anymore
no reason to clown on people for talking about "reading" him and calling his work "literature" and talking about his faults as a "writer"; you know as well as i he has a reputation for being eminently readable outside of the theatrical context. nevertheless ive seen some of these works in play form and they didnt do anything to my opinion ( )