| Títulos | Ordem |
| The Hound of the Baskervilles de Sir Arthur Conan Doyle | 1901 |
| Jerusalem de Selma Lagerlöf | 1901 |
| Kim de Rudyard Kipling | 1901 |
| The Sacred Fount de Henry James | 1901 |
| The Fall of the King de Johannes V. Jensen | 1902 |
| Heart of Darkness de Joseph Conrad | 1902 |
| The Immoralist de André Gide | 1902 |
| The Monkey's Paw and Other Tales of Mystery and the Macabre de W. W. Jacobs | 1902 |
| The Wings of the Dove de Henry James | 1902 |
| The Ambassadors de Henry James | 1903 |
| The Fate Of The Baron de Arthur Schnitzler | 1903 |
| Lo Mas Selecto - Cuentos y Nouvelles (Spanish Edition) de Henry James | 1903 |
| Sanctuary de Edith Wharton | 1903 |
| Twelve Stories and a Dream de H. G. Wells | 1903 |
| O Falecido Mattia Pascal de Luigi Pirandello | 1904 |
| Ghost Stories of an Antiquary de M. R. James | 1904 |
| The Golden Bowl de Henry James | 1904 |
| Green Mansions de W. H. Hudson | 1904 |
| Nostromo de Joseph Conrad | 1904 |
| The Club of Queer Trades de G. K. Chesterton | 1905 |
| Doctor Glas de Hjalmar Söderberg | 1905 |
| Kipps de H. G. Wells | 1905 |
| The Confusions of Young Törless de Robert Musil | 1906 |
| The Diaries of Adam and Eve de Mark Twain | 1906 |
| The Empty House de Algernon Blackwood | 1906 |
| The Jungle de Upton Sinclair | 1906 |
| Los mares grises sueñan con mi muerte: Cuentos completos de terror en el mar de William Hope Hodgson | 1906 |
| Mother de Maxim Gorky | 1907 |
| The Tanners de Robert Walser | 1907 |
| The Assistant de Robert Walser | 1908 |
| Hell de Henri Barbusse | 1908 |
| O Homem Que Foi Quinta-Feira (Um Pesadelo) de G. K. Chesterton | 1908 |
| The Old Wives' Tale de Arnold Bennett | 1908 |
| A Set of Six de Joseph Conrad | 1908 |
| The Seven Who Were Hanged de Leonid Andreyev | 1908 |
| The Country of the Blind [Pocket Penguin 70s] de H. G. Wells | 1909 |
| Jakob von Gunten de Robert Walser | 1909 |
| Martin Eden de Jack London | 1909 |
| The Secret Agent de Joseph Conrad | 1909 |
| Strait is the Gate de André Gide | 1909 |
| Divertidas aventuras del nieto de Juan Moreira de Roberto Jorge Payró | 1910 |
| A Dreamer's Tale and Other Stories de Lord Dunsany | 1910 |
| Historias de Nueva York de O. Henry | 1910 |
| The Village de Ivan Bunin | 1910 |
| The Country of the Blind and Other Stories (Penguin Classics) de H. G. Wells | 1911 |
| Fermina Marquez de Valery Larbaud | 1911 |
| The Tree of Knowledge de Pío Baroja | 1911 |
| Under Western Eyes de Joseph Conrad | 1911 |
| The Wild Geese de Ogai Mori | 1911 |
| Zuleika Dobson de Max Beerbohm | 1911 |
| Death in Venice de Thomas Mann | 1912 |
| Il fochista de Franz Kafka | 1912 |
| The Gods Will Have Blood de Anatole France | 1912 |
| O Incesto de Mário de Sá-Carneiro | 1912 |
| Chance: A Tale in Two Parts de Joseph Conrad | 1913 |
| Le Grand Meaulnes de Alain-Fournier | 1913 |
| In Search of Lost Time de Marcel Proust | 1913 |
| Petersburg de Andrei Bely | 1913 |
| Sons and Lovers de D. H. Lawrence | 1913 |
| Les dimanches de Jean Dézert de Jean de La Ville de Mirmont | 1914 |
| Dublinenses de James Joyce | 1914 |
| Kokoro de Natsume Soseki | 1914 |
| O Processo de Franz Kafka | 1914 |
| The Golem de Gustav Meyrink | 1915 |
| The Good Soldier de Ford Madox Ford | 1915 |
| The Goose Man de Jakob Wassermann | 1915 |
| The Great Shadow (and Other Stories) de Mário de Sá-Carneiro | 1915 |
| A Metamorfose de Franz Kafka | 1915 |
| Of Human Bondage de W. Somerset Maugham | 1915 |
| Spoon River Anthology de Edgar Lee Masters | 1915 |
| The Four Horsemen of the Apocalypse de Vicente Blasco Ibáñez | 1916 |
| The Home and the World de Rabindranath Tagore | 1916 |
| A Portrait of the Artist as a Young Man de James Joyce | 1916 |
| The Short Stories of Saki de Saki | 1916 |
| Under Fire de Henri Barbusse | 1916 |
| Abel Sánchez de Miguel de Unamuno | 1917 |
| Cuentos de Amor de Locura y de Muerte de Horácio Quiroga | 1917 |
| The Shadow-Line: A Confession de Joseph Conrad | 1917 |
| The Walk [and Other Stories] de Robert Walser | 1917 |
| Diary of a Madman and Other Stories de Lu Xun | 1918 |
| Far Away and Long Ago de W. H. Hudson | 1918 |
| My Ántonia de Willa Cather | 1918 |
| The Return of the Soldier de Rebecca West | 1918 |
| A Country Doctor: Short Stories de Franz Kafka | 1919 |
| In the Penal Colony de Franz Kafka | 1919 |
| Satan's Diary de Leonid Andreyev | 1919 |
| Seven Men de Max Beerbohm | 1919 |
| Valmouth de Ronald Firbank | 1919 |
| The Vatican Cellars de André Gide | 1919 |
| Winesburg, Ohio de Sherwood Anderson | 1919 |
| The Age of Innocence de Edith Wharton | 1920 |
| Main Street de Sinclair Lewis | 1920 |
| Women in Love de D. H. Lawrence | 1920 |
| Aunt Tula de Miguel de Unamuno | 1921 |
| The Extraordinary Adventures of Julio Jurenito and His Disciples de Ilja Ehrenburg | 1921 |
| The Good Soldier Svejk de Jaroslav Hašek | 1921 |
| Memoirs of a Midget de Walter de la Mare | 1921 |
| Amok: A Story de Stefan Zweig | 1922 |
| Babbitt de Sinclair Lewis | 1922 |
| The Castle de Franz Kafka | 1922 |
| The Garden Party de Katherine Mansfield | 1922 |
| Kristin Lavransdatter de Sigrid Undset | 1922 |
| One of Ours de Willa Cather | 1922 |
| Ulysses de James Joyce | 1922 |
| A Consciência de Zeno de Italo Svevo | 1923 |
| The Devil in the Flesh de Raymond Radiguet | 1923 |
| A Lost Lady de Willa Cather | 1923 |
| The Maimed de Hermann Ungar | 1923 |
| Tales of Terror and Mystery de Sir Arthur Conan Doyle | 1923 |
| Augustus Carp, Esq., By Himself: Being the Autobiography of a Really Good Man de Henry Howarth Bashford | 1924 |
| The Magic Mountain de Thomas Mann | 1924 |
| My Friends de Emmanuel Bove | 1924 |
| A Passage to India de E. M. Forster | 1924 |
| Red Cavalry de Isaac Babel | 1924 |
| The Red Redmaynes de Eden Phillpotts | 1924 |
| An American Tragedy de Theodore Dreiser | 1925 |
| The Counterfeiters de André Gide | 1925 |
| Don Segundo Sombra de Ricardo Güiraldes | 1925 |
| O grande Gatsby de F. Scott Fitzgerald | 1925 |
| The Informer de Liam O'Flaherty | 1925 |
| Manhattan Transfer de John Dos Passos | 1925 |
| Mrs. Dalloway de Virginia Woolf | 1925 |
| The Polyglots de William Gerhardie | 1925 |
| The Robber de Robert Walser | 1925 |
| My Mortal Enemy de Willa Cather | 1926 |
| The Sun Also Rises de Ernest Hemingway | 1926 |
| Tyrant Banderas de Ramón del Valle-Inclán | 1926 |
| Under Satan's Sun de Georges Bernanos | 1926 |
| The Bridge of San Luis Rey de Thornton Wilder | 1927 |
| Chevengur de Andrej Platonov | 1927 |
| Death Comes for the Archbishop de Willa Cather | 1927 |
| Envy de Yuri Olesha | 1927 |
| Rumo ao Farol de Virginia Woolf | 1927 |
| Steppenwolf de Hermann Hesse | 1927 |
| Thérèse Desqueyroux de François Mauriac | 1927 |
| The Children de Edith Wharton | 1928 |
| Nadja de André Breton | 1928 |
| Parade's End de Ford Madox Ford | 1928 |
| Point Counter Point de Aldous Huxley | 1928 |
| Story of the Eye de Georges Bataille | 1928 |
| 24 Horas da Vida de uma Mulher de Stefan Zweig | 1929 |
| All Quiet on the Western Front de Erich Maria Remarque | 1929 |
| Berlin Alexanderplatz de Alfred Döblin | 1929 |
| Climates de André Maurois | 1929 |
| Doña Barbara de Rómulo Gallegos | 1929 |
| The Dunwich Horror de H. P. Lovecraft | 1929 |
| A High Wind in Jamaica de Richard Hughes | 1929 |
| Look Homeward, Angel de Thomas Wolfe | 1929 |
| Relatos de Rudyard Kipling | 1929 |
| The Seven Madmen de Roberto Arlt | 1929 |
| The Sound and the Fury de William Faulkner | 1929 |
| The 42nd Parallel de John Dos Passos | 1930 |
| As I Lay Dying de William Faulkner | 1930 |
| The Defense de Vladimir Nabokov | 1930 |
| Saint Manuel Bueno, martyr de Miguel de Unamuno | 1930 |
| The Glass Key de Dashiell Hammett | 1931 |
| Gog de Giovanni Papini | 1931 |
| The Red Lances de Arturo Uslar Pietri | 1931 |
| Sanctuary de William Faulkner | 1931 |
| The Sleepwalkers de Hermann Broch | 1931 |
| These Thirteen de William Faulkner | 1931 |
| The Waves de Virginia Woolf | 1931 |
| 1919 de John Dos Passos | 1932 |
| Brave New World de Aldous Huxley | 1932 |
| The Knot of Vipers de François Mauriac | 1932 |
| Light in August de William Faulkner | 1932 |
| Little Man, What Now? de Hans Fallada | 1932 |
| The Pure and the Impure de Colette | 1932 |
| The Radetzky March de Joseph Roth | 1932 |
| The Reed Cutter de Junichirô Tanizaki | 1932 |
| The Sheltered Life de Ellen Glasgow | 1932 |
| Bödeln de Pär Lagerkvist | 1933 |
| The Engagement de Georges Simenon | 1933 |
| God's Little Acre de Erskine Caldwell | 1933 |
| Man's Fate de André Malraux | 1933 |
| Miss Lonelyhearts de Nathanael West | 1933 |
| Patul lui Procust de Camil Petrescu | 1933 |
| Call It Sleep de Henry Roth | 1934 |
| A Cool Million de Nathanael West | 1934 |
| I, Claudius de Robert Graves | 1934 |
| Miss Buncle's Book de D. E. Stevenson | 1934 |
| The Nine Tailors de Dorothy L. Sayers | 1934 |
| Obrigado, Jeeves de P. G. Wodehouse | 1934 |
| The Street of Crocodiles de Bruno Schulz | 1934 |
| Tender is the Night de F. Scott Fitzgerald | 1934 |
| Tropic of Cancer de Henry Miller | 1934 |
| Of Time and the River de Thomas Wolfe | 1935 |
| They Shoot Horses, Don't They? de Horace McCoy | 1935 |
| Absalom, Absalom! de William Faulkner | 1936 |
| Auto-da-Fé de Elias Canetti | 1936 |
| The Big Money: Volume Three of the U.S.A. Trilogy de John Dos Passos | 1936 |
| Mephisto de Klaus Mann | 1936 |
| The Blind Owl de Ṣādiq Hidāyat | 1937 |
| La femme de Gilles de Madeleine Bourdouxhe | 1937 |
| Of Mice and Men de John Steinbeck | 1937 |
| They Came like Swallows de William Maxwell | 1937 |
| In Dreams Begin Responsibilities and Other Stories de Delmore Schwartz | 1938 |
| Mangeclous de Albert Cohen | 1938 |
| Nausea de Jean-Paul Sartre | 1938 |
| Scoop de Evelyn Waugh | 1938 |
| At Swim-Two-Birds de Flann O'Brien | 1939 |
| The Big Sleep de Raymond Chandler | 1939 |
| The Day of the Locust de Nathanael West | 1939 |
| Goodbye to Berlin de Christopher Isherwood | 1939 |
| The Grapes of Wrath de John Steinbeck | 1939 |
| The Legend of the Holy Drinker de Joseph Roth | 1939 |
| The Mask of Dimitrios de Eric Ambler | 1939 |
| Mister Johnson de Joyce Cary | 1939 |
| On the Marble Cliffs de Ernst Jünger | 1939 |
| Pergunte ao Pó de John Fante | 1939 |
| The Wild Palms de William Faulkner | 1939 |
| And Quiet Flows the Don de Mikhail Sholokhov | 1940 |
| Darkness at Noon de Arthur Koestler | 1940 |
| The Heart is a Lonely Hunter de Carson McCullers | 1940 |
| The Invention of Morel de Adolfo Bioy Casares | 1940 |
| The Man Who Loved Children de Christina Stead | 1940 |
| The Master and Margarita de Mikhail Bulgakov | 1940 |
| Native Son de Richard Wright | 1940 |
| The Pilgrim Hawk: A Love Story de Glenway Wescott | 1940 |
| The Power and the Glory de Graham Greene | 1940 |
| The Tartar Steppe de Dino Buzzati | 1940 |
| Between the Acts de Virginia Woolf | 1941 |
| Conversations in Sicily de Elio Vittorini | 1941 |
| The Poor Mouth de Flann O'Brien | 1941 |
| Reflections in a Golden Eye de Carson McCullers | 1941 |
| Thomas the Obscure de Maurice Blanchot | 1941 |
| The Beach de Cesare Pavese | 1942 |
| O Estrangeiro de Albert Camus | 1942 |
| The Family of Pascual Duarte de Camilo José Cela | 1942 |
| The Man Without Qualities de Robert Musil | 1942 |
| I sette messaggeri de Dino Buzzati | 1942 |
| Suite Française de Irène Némirovsky | 1942 |
| Field of Honour de Max Aub | 1943 |
| The Glass Bead Game de Hermann Hesse | 1943 |
| Special Friendships de Roger Peyrefitte | 1943 |
| The Woman from Sarajevo de Ivo Andrić | 1943 |
| The Dwarf de Pär Lagerkvist | 1944 |
| El diario de Hamlet Garcia de Paulino Masip | 1944 |
| Fictions de Jorge Luis Borges | 1944 |
| Kaputt de Curzio Malaparte | 1944 |
| Our Lady of the Flowers de Jean Genet | 1944 |
| Perto do coração selvagem de Clarice Lispector | 1944 |
| The Razor's Edge de W. Somerset Maugham | 1944 |
| Animal Farm de George Orwell | 1945 |
| Brideshead Revisited de Evelyn Waugh | 1945 |
| The Bridge on the Drina de Ivo Andrić | 1945 |
| The Death of Virgil de Hermann Broch | 1945 |
| Nada de Carmen Laforet | 1945 |
| All the King's Men de Robert Penn Warren | 1946 |
| The Deadly Percheron de John Franklin Bardin | 1946 |
| Froth on the Daydream de Boris Vian | 1946 |
| If This Is a Man de Primo Levi | 1946 |
| The President de Miguel Ángel Asturias | 1946 |
| Zorba the Greek de Nikos Kazantzakis | 1946 |
| Doctor Faustus: The Life of the German Composer Adrian Leverkuhn As Told by a Friend de Thomas Mann | 1947 |
| Family Chronicle de Vasco Pratolini | 1947 |
| Fortress Besieged de Qian Zhongshu | 1947 |
| Manservant and Maidservant de Ivy Compton-Burnett | 1947 |
| Midaq Alley de Naguib Mahfouz | 1947 |
| Of Love and Hunger de Julian Maclaren-Ross | 1947 |
| L'onda dell'incrociatore de Pier Antonio Quarantotti Gambini | 1947 |
| The Pearl de John Steinbeck | 1947 |
| The Plague de Albert Camus | 1947 |
| Under the Volcano de Malcolm Lowry | 1947 |
| The Atom Station de Halldór Laxness | 1948 |
| Confessions of a Mask de Yukio Mishima | 1948 |
| Devil Take the Blue-Tail Fly de John Franklin Bardin | 1948 |
| The Family Mashber de Der Nister | 1948 |
| The Heart of the Matter de Graham Greene | 1948 |
| The Naked and the Dead de Norman Mailer | 1948 |
| La trama celeste de Adolfo Bioy Casares | 1948 |
| The Tunnel de Ernesto Sábato | 1948 |
| The Wisdom of the Sands de Antoine de Saint-Exupéry | 1948 |
| The Aleph de Jorge Luis Borges | 1949 |
| The Beautiful Summer de Cesare Pavese | 1949 |
| The Beginning and the End de Naguib Mahfouz | 1949 |
| The Golden Apples de Eudora Welty | 1949 |
| The Kingdom of this World de Alejo Carpentier | 1949 |
| Knight's Gambit de William Faulkner | 1949 |
| Nineteen Eighty-Four de George Orwell | 1949 |
| Portraits of a Marriage de Sándor Márai | 1949 |
| The Sheltering Sky de Paul Bowles | 1949 |
| Women of Messina de Elio Vittorini | 1949 |
| Barabbas de Pär Lagerkvist | 1950 |
| A Brief Life de Juan Carlos Onetti | 1950 |
| The Disenchanted de Budd Schulberg | 1950 |
| The Family Moskat de Isaac Bashevis Singer | 1950 |
| The Guiltless de Hermann Broch | 1950 |
| The Moon and the Bonfires de Cesare Pavese | 1950 |
| The Adventures of Ingenious Alfanhui de Rafael Sánchez Ferlosio | 1951 |
| O Apanhador no Campo de Centeio de J. D. Salinger | 1951 |
| Bestiary de Julio Cortázar | 1951 |
| The Conformist de Alberto Moravia | 1951 |
| The End of the Affair de Graham Greene | 1951 |
| The Hive de Camilo José Cela | 1951 |
| Molloy de Samuel Beckett | 1951 |
| The Opposing Shore de Julien Gracq | 1951 |
| Pigeons on the Grass de Wolfgang Koeppen | 1951 |
| A Tree of Night and Other Stories de Truman Capote | 1951 |
| Confabulario de J.J. Arreola | 1952 |
| East of Eden de John Steinbeck | 1952 |
| Invisible Man de Ralph Ellison | 1952 |
| Journey to the End of the Night de Louis-Ferdinand Céline | 1952 |
| The Judge and His Hangman de Friedrich Dürrenmatt | 1952 |
| O Velho e O Mar de Ernest Hemingway | 1952 |
| Wise Blood de Flannery O'Connor | 1952 |
| The Adventures of Augie March de Saul Bellow | 1953 |
| The Burning Plain, and Other Stories de Juan Rulfo | 1953 |
| El inocente de Mario Lacruz | 1953 |
| The Erasers de Alain Robbe-Grillet | 1953 |
| Fahrenheit 451 de Ray Bradbury | 1953 |
| The Long Goodbye de Raymond Chandler | 1953 |
| The Lost Steps de Alejo Carpentier | 1953 |
| Black Friday & Selected Stories de David Goodis | 1954 |
| Bonjour Tristesse de Françoise Sagan | 1954 |
| Death in Rome de Wolfgang Koeppen | 1954 |
| Dream of Heroes de Adolfo Bioy Casares | 1954 |
| The Go-Between de L. P. Hartley | 1954 |
| I'm Not Stiller de Max Frisch | 1954 |
| Lucky Jim de Kingsley Amis | 1954 |
| O Senhor das Moscas de William Golding | 1954 |
| Story of O de Pauline Réage | 1954 |
| A Time to Love and a Time to Die de Erich Maria Remarque | 1954 |
| Tomorrow and Yesterday de Heinrich Böll | 1954 |
| Under the Net de Iris Murdoch | 1954 |
| The Wicked Pavilion de Dawn Powell | 1954 |
| A Dance to the Music of Time de Anthony Powell | 1955 |
| Lolita de Vladimir Nabokov | 1955 |
| The Man in the Gray Flannel Suit de Sloan Wilson | 1955 |
| Merlin and Company de Alvaro Cunqueiro | 1955 |
| Pedro Páramo de Juan Rulfo | 1955 |
| The Quiet American de Graham Greene | 1955 |
| The Recognitions de William Gaddis | 1955 |
| The Rose at Ten de Marco Denevi | 1955 |
| La tarde de Mario Lacruz | 1955 |
| The Voyeur de Alain Robbe-Grillet | 1955 |
| Wait for November de Hans Erich Nossack | 1955 |
| The Demons de Heimito von Doderer | 1956 |
| The Dolls' Room de Llorenç Villalonga | 1956 |
| End of the Game de Julio Cortázar | 1956 |
| The Fall de Albert Camus | 1956 |
| The Floating Opera de John Barth | 1956 |
| Grande Sertão: Veredas de João Guimarães Rosa | 1956 |
| The Key de Jun'ichirō Tanizaki | 1956 |
| Nedjma de Kateb Yacine | 1956 |
| Pincher Martin de William Golding | 1956 |
| The Temple of the Golden Pavilion de Yukio Mishima | 1956 |
| That Awful Mess on Via Merulana de Carlo Emilio Gadda | 1956 |
| A Walk on the Wild Side de Nelson Algren | 1956 |
| The Baron in the Trees de Italo Calvino | 1957 |
| A Change of Heart de Michel Butor | 1957 |
| A Death in the Family de James Agee | 1957 |
| Doctor Zhivago de Boris Pasternak | 1957 |
| The Egghead Republic de Arno Schmidt | 1957 |
| Exile and the Kingdom de Albert Camus | 1957 |
| Homo Faber de Max Frisch | 1957 |
| The Jib Door de Marlen Haushofer | 1957 |
| Justine de Lawrence Durrell | 1957 |
| Pé na Estrada de Jack Kerouac | 1957 |
| Voss de Patrick White | 1957 |
| The Bell de Iris Murdoch | 1958 |
| An Ermine in Czernopol de Gregor von Rezzori | 1958 |
| Gabriela, Cravo e Canela de Jorge Amado | 1958 |
| Jusep Torres Campalans de Max Aub | 1958 |
| The Leopard de Giuseppe Tomasi di Lampedusa | 1958 |
| The Lost Children de Ana María Matute | 1958 |
| Saturday Night and Sunday Morning de Alan Sillitoe | 1958 |
| Things Fall Apart de Chinua Achebe | 1958 |
| Where the Air Is Clear de Carlos Fuentes | 1958 |
| Almoço Nu de William S. Burroughs | 1959 |
| Baal Babylon de Fernando Arrabal | 1959 |
| Billiards at Half-Past Nine de Heinrich Böll | 1959 |
| Blow Up de Julio Cortázar | 1959 |
| The Tin Drum de Günter Grass | 1959 |
| Zazie in the Metro de Raymond Queneau | 1959 |
| Pornografia de Witold Gombrowicz | 1960 |
| Rabbit, Run de John Updike | 1960 |
| The Sot-Weed Factor de John Barth | 1960 |
| The Violent Bear It Away de Flannery O'Connor | 1960 |
| Catch-22 de Joseph Heller | 1961 |
| Clock Without Hands de Carson McCullers | 1961 |
| The Day of the Owl de Leonardo Sciascia | 1961 |
| House of the Sleeping Beauties de Yasunari Kawabata | 1961 |
| The Moviegoer de Walker Percy | 1961 |
| Un olor a crisantemo de Serrano Segundo | 1961 |
| On Heroes and Tombs de Ernesto Sábato | 1961 |
| A primavera da Srta. Jean Brodie de Muriel Spark | 1961 |
| Revolutionary Road de Richard Yates | 1961 |
| Solaris de Stanisław Lem | 1961 |
| The Train de Georges Simenon | 1961 |
| Voices in the Evening de Natalia Ginzburg | 1961 |
| Bomarzo de Manuel Mujica Lainez | 1962 |
| The Cry of the Owl de Patricia Highsmith | 1962 |
| The Death of Artemio Cruz de Carlos Fuentes | 1962 |
| Dos días de setiembre de José Manuel Caballero Bonald | 1962 |
| Explosion in a Cathedral de Alejo Carpentier | 1962 |
| The Garden of the Finzi-Continis de Giorgio Bassani | 1962 |
| The Golden Notebook de Doris Lessing | 1962 |
| LARANJA MECÂNICA de Anthony Burgess | 1962 |
| Life and Fate de Vasily Grossman | 1962 |
| One Day in the Life of Ivan Denisovich de Alexander Solzhenitsyn | 1962 |
| Pale Fire de Vladimir Nabokov | 1962 |
| A praça do Diamante de Mercè Rodoreda | 1962 |
| La saga/fuga de J. B. de Gonzalo Torrente Ballester | 1962 |
| The Time of the Hero de Mario Vargas Llosa | 1962 |
| The Clown de Heinrich Böll | 1963 |
| The Collector de John Fowles | 1963 |
| The Council of Egypt de Leonardo Sciascia | 1963 |
| Don Juan de Gonzalo Torrente Ballester | 1963 |
| Hopscotch de Julio Cortázar | 1963 |
| The Interrogation de J. M. G. Le Clezio | 1963 |
| The Spy Who Came In from the Cold de John le Carré | 1963 |
| V. de Thomas Pynchon | 1963 |
| Beauty and Sadness de Yasunari Kawabata | 1964 |
| Behind the Door de Giorgio Bassani | 1964 |
| Closely Watched Trains de Bohumil Hrabal | 1964 |
| The Dalkey Archive de Flann O'Brien | 1964 |
| Herzog de Saul Bellow | 1964 |
| Three Trapped Tigers de Guillermo Cabrera Infante | 1964 |
| The Cyberiad: Fables for the Cybernetic Age de Stanisław Lem | 1965 |
| The Dark de John McGahern | 1965 |
| In Cold Blood de Truman Capote | 1965 |
| The Little Saint de Georges Simenon | 1965 |
| The Painted Bird de Jerzy Kosiński | 1965 |
| Roseanna de Maj Sjöwall | 1965 |
| Stoner de John Williams | 1965 |
| The Birds Fall Down de Rebecca West | 1966 |
| Children of the Arbat de Anatolij Rybakow | 1966 |
| Dona Flor e seus dois Maridos de Jorge Amado | 1966 |
| The Fixer de Bernard Malamud | 1966 |
| Marks of Identity de Juan Goytisolo | 1966 |
| Paradiso de José Lezama Lima | 1966 |
| Últimas tardes con Teresa de Juan Marsé | 1966 |
| Cem Anos de Solidão de Gabriel Garcia Marquez | 1967 |
| The Confessions of Nat Turner de William Styron | 1967 |
| A Grain of Wheat de Ngũgĩ wa Thiong'o | 1967 |
| Trout Fishing in America de Richard Brautigan | 1967 |
| Belle du Seigneur de Albert Cohen | 1968 |
| Betrayed by Rita Hayworth de Manuel Puig | 1968 |
| El rapto de las Sabinas de Francisco García Pavón | 1968 |
| The First Circle de Aleksandr Solzhenitsyn | 1968 |
| The Heron de Giorgio Bassani | 1968 |
| In the Heart of the Heart of the Country & Other Stories de William H. Gass | 1968 |
| The Occupation trilogy | La Place de L'Étoile • The night watch • Ring roads de Patrick Modiano | 1968 |
| O Terceiro Tira de Flann O'Brien | 1968 |
| Conversation in the Cathedral de Mario Vargas Llosa | 1969 |
| Heartbreak Tango de Manuel Puig | 1969 |
| Matadouro 5 de Kurt Vonnegut | 1969 |
| Portnoy's Complaint de Philip Roth | 1969 |
| San Camilo, 1936: The Eve, Feast, and Octave of St. Camillus of the Year 1936 in Madrid de Camilo José Cela | 1969 |
| Fifth Business de Robertson Davies | 1970 |
| The King of the Two Sicilies de Andrzej Kusniewicz | 1970 |
| Losing Battles de Eudora Welty | 1970 |
| The Obscene Bird of Night de José Donoso | 1970 |
| The Ogre de Michel Tournier | 1970 |
| Angle of Repose de Wallace Stegner | 1971 |
| The Book of Daniel de E. L. Doctorow | 1971 |
| Malina de Ingeborg Bachmann | 1971 |
| Movimiento perpetuo de Augusto Monterroso | 1972 |
| The Optimist's Daughter de Eudora Welty | 1972 |
| The Summer Book de Tove Jansson | 1972 |
| Captain Pantoja and the Special Service de Mario Vargas Llosa | 1973 |
| Dear Michael de Natalia Ginzburg | 1973 |
| The Fallen de Juan Marsé | 1973 |
| The Farewell Party de Milan Kundera | 1973 |
| The Bottle Factory Outing de Beryl Bainbridge | 1974 |
| The Conservationist de Nadine Gordimer | 1974 |
| Correction de Thomas Bernhard | 1974 |
| History de Elsa Morante | 1974 |
| I, the Supreme de Augusto Roa Bastos | 1974 |
| Memoirs of Hadrian de Marguerite Yourcenar | 1974 |
| Mouth Full of Earth de Branimir Scepanovic | 1974 |
| Ágata ojo de gato de José Manuel Caballero Bonald | 1974 |
| Estas ruinas que ves de Jorge Ibargüengoitia | 1975 |
| Fatelessness de Imre Kertész | 1975 |
| Gathering Evidence: A Memoir de Thomas Bernhard | 1975 |
| A Moment of True Feeling de Peter Handke | 1975 |
| A Mortal Spring de Francisco Umbral | 1975 |
| Ragtime de E. L. Doctorow | 1975 |
| Shakespeare's Memory de Jorge Luis Borges | 1975 |
| The Truth about the Savolta Case de Eduardo Mendoza | 1975 |
| Tan triste como ella y otros cuentos de Juan Carlos Onetti | 1976 |
| A Tomb for Boris Davidovich de Danilo Kiš | 1976 |
| Alguien que anda por ahí de Julio Cortázar | 1977 |
| Carnival: Entertainments and Posthumous Tales de Isak Dinesen | 1977 |
| The Dead Girls de Jorge Ibargüengoitia | 1977 |
| The Harafish de Naguib Mahfouz | 1977 |
| The Shining de Stephen King | 1977 |
| Song of Solomon de Toni Morrison | 1977 |
| Visión del ahogado de Juan José Millás | 1977 |
| The Czar's Madman de Jaan Kross | 1978 |
| Extramuros de Jesús Fernández Santos | 1978 |
| A Funny Dirty Little War de Osvaldo Soriano | 1978 |
| The Human Factor de Graham Greene | 1978 |
| The Last Good Kiss de James Crumley | 1978 |
| Life: A User's Manual de Georges Perec | 1978 |
| Requiem for a Dream de Hubert Selby Jr. | 1978 |
| The Stories of John Cheever de John Cheever | 1978 |
| Women de Charles Bukowski | 1978 |
| The World According to Garp de John Irving | 1978 |
| The Executioner's Song de Norman Mailer | 1979 |
| La Habana para un infante difunto de Guillermo Cabrera Infante | 1979 |
| If on a Winter's Night a Traveler de Italo Calvino | 1979 |
| Memoirs of an Anti-Semite de Gregor von Rezzori | 1979 |
| Signs of Fire de Jorge de Sena | 1979 |
| Suttree de Cormac McCarthy | 1979 |
| A Confederacy of Dunces de John Kennedy Toole | 1980 |
| How German is it de Walter Abish | 1980 |
| O Nome da Rosa de Umberto Eco | 1980 |
| El río de la luna de José María Guelbenzu | 1981 |
| The File on H. de Ismail Kadare | 1981 |
| The Georgics de Claude Simon | 1981 |
| Il gioco del rovescio de Antonio Tabucchi | 1981 |
| Midnight's Children de Salman Rushdie | 1981 |
| The Rebel Angels de Robertson Davies | 1981 |
| La vida exagerada de Martín Romaña de Alfredo Bryce Echenique | 1981 |
| The Zone: A Prison Camp Guard's Story de Sergei Dovlatov | 1981 |
| The Assault de Harry Mulisch | 1982 |
| Ballad of Dogs' Beach: Dossier of a Crime de Jose Cardoso Pires | 1982 |
| Spanking the Maid de Robert Coover | 1982 |
| Cassandra de Christa Wolf | 1983 |
| Cathedral de Raymond Carver | 1983 |
| Life & Times of Michael K de J. M. Coetzee | 1983 |
| Mazurca para dos muertos de Camilo José Cela | 1983 |
| The Sorrow of Belgium de Hugo Claus | 1983 |
| Lo Stadio DI Wimbledon (Italian Edition) de Daniele Del Giudice | 1983 |
| An Angel at My Table de Janet Frame | 1984 |
| The City and the House de Natalia Ginzburg | 1984 |
| Flaubert's Parrot de Julian Barnes | 1984 |
| The Lover de Marguerite Duras | 1984 |
| Money: A Suicide Note de Martin Amis | 1984 |
| The Real Life of Alejandro Mayta de Mario Vargas Llosa | 1984 |
| Small Lives de Pierre Michon | 1984 |
| The Unbearable Lightness of Being de Milan Kundera | 1984 |
| What a Carve Up! de Jonathan Coe | 1984 |
| Antrobus Complete de Lawrence Durrell | 1985 |
| Blood Meridian de Cormac McCarthy | 1985 |
| The Execution of Justice de Friedrich Dürrenmatt | 1985 |
| The Handmaid's Tale de Margaret Atwood | 1985 |
| Love in the Time of Cholera de Gabriel Garcia Marquez | 1985 |
| O Perfume - A História de um Assassino de Patrick Süskind | 1985 |
| White Noise de Don DeLillo | 1985 |
| A Book of Memories de Péter Nádas | 1986 |
| The City of Marvels de Eduardo Mendoza | 1986 |
| Danube de Claudio Magris | 1986 |
| La fuente de la edad de Luis Mateo Díez | 1986 |
| See Under: Love de David Grossman | 1986 |
| The Sportswriter de Richard Ford | 1986 |
| Black Box de Amos Oz | 1987 |
| Cuando entonces de Juan Carlos Onetti | 1987 |
| The Enigma of Arrival de V. S. Naipaul | 1987 |
| Forty Stories de Donald Barthelme | 1987 |
| Norwegian Wood de Haruki Murakami | 1987 |
| Red Sorghum de Mo Yan | 1987 |
| The Sacred Night de Tahar Ben Jelloun | 1987 |
| Verde agua de Marisa Madieri | 1987 |
| The Beginning of Spring de Penelope Fitzgerald | 1988 |
| Gente feliz com lágrimas de Joao De Melo | 1988 |
| Ilona Comes With the Rain de Alvaro Mutis | 1988 |
| In Praise of the Stepmother de Mario Vargas Llosa | 1988 |
| Obabakoak de Bernardo Atxaga | 1988 |
| Oscar and Lucinda de Peter Carey | 1988 |
| Stories in an Almost Classical Mode de Harold Brodkey | 1988 |
| The Towpath de Jesús Moncada | 1988 |
| The Acacia de Claude Simon | 1989 |
| The Book of Evidence de John Banville | 1989 |
| Dictionary of the Khazars: A Lexicon Novel in 100,000 Words {unspecified Editions} de Milorad Pavić | 1989 |
| Generations of Winter de Vasily Aksyonov | 1989 |
| Juegos de la edad tardía de Luis Landero | 1989 |
| Keep the Change de Thomas McGuane | 1989 |
| Lust de Elfriede Jelinek | 1989 |
| The Remains of the Day de Kazuo Ishiguro | 1989 |
| The Stars of the South de Julien Green | 1989 |
| This Boy's Life de Tobias Wolff | 1989 |
| The Woman in the Dunes de Kōbō Abe | 1989 |
| Fields of Glory de Jean Rouaud | 1990 |
| Friend of My Youth: Stories de Alice Munro | 1990 |
| Galíndez de Manuel Vázquez Montalbán | 1990 |
| The Great World de David Malouf | 1990 |
| The Music of Chance de Paul Auster | 1990 |
| Possession: A Romance de A. S. Byatt | 1990 |
| A Princess in Berlin de Arthur R. G. Solmssen | 1990 |
| Soul Mountain de Gao Xingjian | 1990 |
| What Remains de Christa Wolf | 1990 |
| The Best Intentions de Ingmar Bergman | 1991 |
| El jinete polaco de Antonio Muñoz Molina | 1991 |
| Qui pro quo de Gesualdo Bufalino | 1991 |
| La buena letra de Rafael Chirbes | 1992 |
| Campo de Agramante de José Manuel Caballero Bonald | 1992 |
| Cuentos de Julio Ramón Ribeyro | 1992 |
| Cuentos Completos: Los Mundos Reales de Abelardo Castillo | 1992 |
| The Emigrants de W. G. Sebald | 1992 |
| A Heart So White de Javier Marías | 1992 |
| Muchos años después de José Antonio Gabriel y Galán | 1992 |
| The Natural Order of Things de António Lobo Antunes | 1992 |
| Small Gods de Terry Pratchett | 1992 |
| Strange Pilgrims de Gabriel Garcia Marquez | 1992 |
| Variable Cloud de Carmen Martin Gaite | 1992 |
| Shanghai Nights de Juan Marsé | 1993 |
| The Shipping News de E. Annie Proulx | 1993 |
| Una estrella brilla sobre Mount Morris Park de Henry Roth | 1994 |
| Open Secrets de Alice Munro | 1994 |
| Our Lady of the Assassins de Fernando Vallejo | 1994 |
| Pereira Maintains de Antonio Tabucchi | 1994 |
| Camino de perdición de Luis Mateo Díez | 1995 |
| A Diving Rock on the Hudson de Henry Roth | 1995 |
| The Unconsoled de Kazuo Ishiguro | 1995 |
| From Bondage de Henry Roth | 1996 |
| Fuegos con limón de Fernando Aramburu | 1996 |
| Independence Day de Richard Ford | 1996 |
| The Terra-Cotta Dog de Andrea Camilleri | 1996 |
| Az érsek látogatása de Ádám Bodor | 1997 |
| All the Names de José Saramago | 1997 |
| American Pastoral de Philip Roth | 1997 |
| Night Train de Martin Amis | 1997 |
| The Splendor of Portugal de António Lobo Antunes | 1997 |
| All Souls' Day de Cees Nooteboom | 1998 |
| The Elementary Particles de Michel Houellebecq | 1998 |
| The Heretic de Miguel Delibes | 1998 |
| The Love of a Good Woman de Alice Munro | 1998 |
| My Name Is Red de Orhan Pamuk | 1998 |
| Requiem for Harlem de Henry Roth | 1998 |
| The Savage Detectives de Roberto Bolaño | 1998 |
| La Casa Pierde de Juan Villoro | 1999 |
| Compulsory Happiness de Norman Manea | 1999 |
| Disgrace de J. M. Coetzee | 1999 |
| El Evangelio según Van Hutten de Abelardo Castillo | 1999 |
| El nombre que ahora digo de Antonio Soler | 1999 |
| The Hours de Michael Cunningham | 1999 |
| El alma del controlador aéreo de Justo Navarro | 2000 |
| The Feast of the Goat de Mario Vargas Llosa | 2000 |
