Manfred Wundram
Autor(a) de Andrea Palladio 1508-1580 architect tussen renaissance en barok
About the Author
Obras de Manfred Wundram
Donatello und Nanni di Banco 2 cópias
Madonna im Rosenhag : Stefan Lochner 2 cópias
Kunst der Welt - Renaissance 2 cópias
Malerei des Abendlandes. Maler, Bilder, Deutung. Frührenaissance von Masaccio bis Bosch/ Renaissance von Leonardo… 1 exemplar(es)
Raffael: Klassiker der Kunst 1 exemplar(es)
Menzel : Flötenkonzert in Sanssouci. Nr. 5 / B 9005. 1 exemplar(es)
Malerei des Abendlandes. Renaissance. Von Leonardo und Dürer bis El Greco.. Maler Bilder Deutung. 1 exemplar(es)
La peinture de la Renaissance 1 exemplar(es)
Kunst der Welt. Die Kulturen des Abendlandes, ihre geschichtlichen, soziologischen und religiösen Grundlagen. Eine… (1970) 1 exemplar(es)
Raffael 1 exemplar(es)
Kleine Kunstgeschichte des Abendlandes 1 exemplar(es)
Lorenzo Ghiberti, Paradiestür 1 exemplar(es)
Palladio: 25 Jahre TASCHEN 1 exemplar(es)
Associated Works
Etiquetado
Conhecimento Comum
- Nome padrão
- Wundram, Manfred
- Data de nascimento
- 1925-08-20
- Sexo
- male
- Nacionalidade
- Duitsland
- Locais de residência
- Waiblingen bei Stuttgart, Duitsland
Italië
USA - Educação
- Art Historical Institute, Florence
Harvard University - Ocupação
- art historian
- Organizações
- Ruhr-University Bochum
Membros
Resenhas
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Associated Authors
Estatísticas
- Obras
- 28
- Also by
- 3
- Membros
- 529
- Popularidade
- #47,055
- Avaliação
- 3.8
- Resenhas
- 3
- ISBNs
- 65
- Idiomas
- 12
But the book is let down heavily by the text. There's an architectural glossary but it is cursory and needs to be much more comprehensive. Some of the definitions differ from others I've come across. The author clearly isn't a native English speaker and the proof-reading cannot have been done by one either: a few sentences are entirely unintelligible and typos are sprinkled through-out. I never worked out what the author meant by "plastic" - none of the ordinary definitions seem to fit. The style is weirdly elliptical. Whilst interesting, it's not pleasant reading. Finally, at the end, there's a five page essay on "Palladio's Legacy," except only the final three sentences were actually on topic, which is a real shame as it's an interesting topic and most of the essay was just recapitulation of previous material.
Despite these flaws, it served my purpose, giving me very clear ideas on what techniques and motifs of Bath architecture are taken from Palladio. I could have acheived the goal just by looking at the pictures, though.… (mais)