Andrea Valle
Autor(a) de La notazione musicale contemporanea : aspetti semiotici ed estetici
About the Author
Andrea Valle is a researcher/aggregate professor in film, photography and television at the University of Turin-DAMS, and is active as a musician and composer. He has been a SuperCollider user since 2005.
Obras de Andrea Valle
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Conhecimento Comum
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Membros
Resenhas
Estatísticas
- Obras
- 3
- Membros
- 7
- Popularidade
- #1,123,407
- Avaliação
- 3.0
- Resenhas
- 1
- ISBNs
- 3
- Idiomas
- 1
Valle has an impressive knowledge of both semiotics and musical scores, and the inclusion of figures both well known and lesser known makes this a very valuable book. Valle does not look at graphic scores in isolation either (although that is the primary focus), instead tracing lines of connection and departure with integral serialism and the like. Readers who are not at least roughly acquainted with the works of Charles Sanders Peirce and Umberto Eco may find themselves frustrated, especially as Valle ultimately relies heavily on Peircean conceptions of "sign." Inasmuch as the author claims their aim was to "outline a picture as complex as possible" (187), the book truly succeeds. The complexity provides many springboards for further interrogation and anyone pursuing scholarly work in this area would be well-advised to familiarize themselves with Valle's work here. The complexity, on the other hand, sometimes makes the overall narrative rather unwieldy, diving too deeply into self-referentialism and the "'fuga an infitum' of semiosis as a mental process" (186). There are rather fascinating topics that Valle touches upon briefly, such as looking at a new concept of "oral tradition" in works of Stockhausen and Bussotti, and it becomes clear that the author has an expansive mind and ability to make fascinating connections. Many of the more frustrating aspects could have been mitigated with some rigorous editing: in Chapter 2, for example, the revelation of three basic hieroglyphic aspects of notation comes approximately twenty pages after the subject is introduced.
The book is beautifully researched, and along with crucial semiotic sources, also dialogues intentionally with the work of Erhard Karkoschka, Reginald Smith-Brindle and other foundational scholarship. The absence of an index is extremely frustrating, but certainly not a criticism unique to this particular book. The frustration, however, attests to how much Valle packs into approximately 180 pages, as my own notes are filled with cross-references and maps to navigate Valle's useful and thoughtful interrogations… (mais)