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Ludwig Tieck (1773–1853)

Autor(a) de Der blonde Eckbert + Der Runenberg

171+ Works 1,043 Membros 11 Reviews 3 Favorited

About the Author

While many representatives of the romantic movement in Germany led short, troubled lives, often burning themselves out in a period of frenzied creativity, the robust Ludwig Tieck lived to become a patriarch of German letters. He not only wrote in a vast variety of forms, but also acted as a mostrar mais publicist for his more temperamental friends such as Wilhelm Heinrich Wachenroder and Novalis. In addition, he helped call attention to the literary value of previously neglected German chapbooks and fairy tales. During his lifetime, Tieck was often celebrated as the successor to Goethe. Much of his work has now fallen into neglect, and he is remembered above all as the author of literary fairy tales such as "Fair-haired Eckbert" (1797) and the "Runenberg" (1804). Thesestories convey the sort of terror which the romantic tradition has often associated with insight into the nature of reality. In addition, they anticipate Freudian psychology, particularly with respect to defense mechanisms such asrepression. (Bowker Author Biography) mostrar menos

Inclui os nomes: Ludwig Tieck, Ludwig Tieck

Image credit: Image © ÖNB/Wien

Séries

Obras de Ludwig Tieck

Der blonde Eckbert + Der Runenberg (1965) — Autor — 143 cópias
Romantic Fairy Tales (2000) 113 cópias
Der gestiefelte Kater (1974) — Autor — 77 cópias
Des Lebens Überfluss (1915) 33 cópias
Franz Sternbalds Wanderungen (1798) — Autor — 31 cópias
The Elves [short story] (2004) — Autor — 19 cópias
Blond Eckbert (1797) — Autor — 18 cópias
Wake Not the Dead (1823) 17 cópias
Der Hexensabbat (1988) — Autor — 15 cópias
Vittoria Accorombona (1922) — Autor — 12 cópias
Phantasien über die Kunst (1986) 10 cópias
Die verkehrte Welt (1978) — Autor — 9 cópias
Der Aufruhr in den Cevennen. Roman (1987) — Autor — 9 cópias
Märchen aus dem ' Phantasus'. (2003) — Autor — 9 cópias
Die Gesellschaft auf dem Lande (1983) — Autor — 7 cópias
Die Märchen aus dem Phantasus : Dramen (1978) — Autor — 7 cópias
Phantasus (1985) 7 cópias
Frühe Erzählungen und Romane (1963) — Autor — 6 cópias
Fiabe romantiche (2009) 6 cópias
Der blonde Eckbert + Der Runenberg (1997) — Autor — 6 cópias
Tales From the "Phantasus," etc. of Ludwig Tieck (2012) — Autor — 6 cópias
Novellen (1965) 6 cópias
Der junge Tischlermeister (1943) 5 cópias
William Lovell (1986) 5 cópias
Tiecks Werke in zwei Bänden (1985) — Autor — 4 cópias
Romane (1966) — Autor — 4 cópias
Der Geheimnisvolle (2012) 3 cópias
The Bride Of The Grave (2013) 3 cópias
Shakespeare-Novellen (1981) 3 cópias
Lesen und Üben : Ludwig Tieck : Der Runenberg (2008) — Autor — 3 cópias
Tod des Dichters (1984) — Autor — 3 cópias
Dichterleben (2013) — Autor — 3 cópias
Novellen und Märchen (1986) 3 cópias
Sabat 3 cópias
Märchen (1988) — Autor — 3 cópias
Der Gelehrte (2012) 2 cópias
Die Gemälde (2013) 2 cópias
Tiecks Werke in 3 Bänden / Meyers Klassiker (1892) — Autor — 2 cópias
Erzählungen und Märchen (1983) 2 cópias
Der fünfzehnte November (2010) 2 cópias
Die schönsten Märchen (2003) 2 cópias
Der Alte vom Berge 1 exemplar(es)
Die Freunde (1797) — Autor — 1 exemplar(es)
Trusty Eckart and Tannenhäuser (2016) 1 exemplar(es)
Straußfedern 2 (2016) 1 exemplar(es)
The Legacy: A Novel (1883) (2008) 1 exemplar(es)
Tiecks Werke. (1892) 1 exemplar(es)
Volksmärchen 1 exemplar(es)
Ludwig Tieck : Il biondo Eckbert (2009) — Text — 1 exemplar(es)
Romantische Dichtungen 1 exemplar(es)
Der junge Tischlermeister (1996) 1 exemplar(es)
Straußfedern 3 (2016) 1 exemplar(es)
Tales From the Phantasus (2015) 1 exemplar(es)
Ludwig Tieck und die Brüder Schlegel - Briefe (1972) — Autor — 1 exemplar(es)
Deutsches Theater 1 exemplar(es)
The Pictures; The Betrothing (2009) 1 exemplar(es)
Das Fest zu Kenelworth (2018) 1 exemplar(es)
Tiecks Werke Bd. 1 [...] 1 exemplar(es)
Die Verlobung 1 exemplar(es)
Straussfedern — Autor — 1 exemplar(es)
Novalis (1963) 1 exemplar(es)
Wampiros 1 exemplar(es)
Gesammelte Werke Ludwig Tiecks (2014) 1 exemplar(es)
The Old Man of the Mountain (2015) 1 exemplar(es)
Liebeszauber 1 exemplar(es)
La coupe d'or (1997) 1 exemplar(es)
Gedichte (2018) 1 exemplar(es)
Tiecks Werke. Bd. 2: Die Vogelscheuche — Autor — 1 exemplar(es)
Wunderlichkeiten 1 exemplar(es)
Der Wassermensch (2011) 1 exemplar(es)

Associated Works

The Complete Works of William Shakespeare (1589) — Tradutor, algumas edições31,575 cópias
Dom Quixote (1605) — Tradutor, algumas edições30,338 cópias
Myths of the Norsemen: From the Eddas and Sagas (1909) — Contribuinte, algumas edições1,473 cópias
Tales Before Tolkien: The Roots of Modern Fantasy (2003) — Contribuinte — 608 cópias
Penny Dreadfuls: Sensational Tales of Terror (1818) — Contribuinte — 455 cópias
Isaac Asimov's Magical Worlds of Fantasy, Volume 12: Faeries (1991) — Contribuinte — 207 cópias
A Treasury of Fantasy (1981) — Contribuinte — 185 cópias
The Fantastic Imagination (1977) — Contribuinte — 154 cópias
Randall Jarrell's Book of Stories (1958) — Contribuinte — 142 cópias
Deutsche Gedichte (1956) — Contribuinte, algumas edições135 cópias
The Mammoth Book of Fairy Tales (1997) — Contribuinte — 62 cópias
The Romantics on Shakespeare (1992) — Contribuinte — 37 cópias
In the Shadow of Dracula (2011) — Contribuinte — 23 cópias
Romantiques allemands, tome 1 (1963) — Autor, algumas edições20 cópias
Fragmentos para una teoría romántica del arte (1987) — Autor — 13 cópias
The Vampyre: A Bedside Companion (1978) — Contribuinte — 11 cópias
Verhalen uit de Duitse romantiek (1982) — Autor, algumas edições9 cópias
Märchen der deutschen Romantik (1987) — Autor — 8 cópias
Deutsche Novellen von Tieck bis Hauptmann — Contribuinte — 8 cópias
German romance: specimens of its chief authors (2010) — Contribuinte — 7 cópias
Die blaue Blume. Märchennovellen der deutschen Romantik (1979) — Contribuinte — 6 cópias
Der Zauberbrunnen : die Lieder der deutschen Romantik (1913) — Contribuinte — 4 cópias
Vorbereitung (1937) — Contribuinte — 3 cópias
Czarny Pająk - Opowieści Niesamowite Z Prozy Niemieckiej (1988) — Contribuinte — 3 cópias
Die edlen Wilden (1989) — Contribuinte — 3 cópias
Dramen der Frühromantik (1970) — Contribuinte — 2 cópias
Frühromantische Erzählungen Zweiter Band (1933) — Contribuinte — 2 cópias
Frühromantische Erzählungen Erster Band (1933) — Contribuinte — 2 cópias
Kunstanschauung der Frühromantik — Contribuinte — 2 cópias
Klassische deutsche Erzähler II — Autor — 2 cópias
Auf dem Wege zum Realismus (Erzählungen Vierter Band) — Contribuinte — 1 exemplar(es)
Die Romantik in Deutschland — Featured Artist — 1 exemplar(es)
Musenalmanach für das Jahr 1802 (1802) — Editor — 1 exemplar(es)
Am Borne deutscher Dichtung (1927) — Contribuinte — 1 exemplar(es)

Etiquetado

16th century (360) 17th century (751) adventure (248) anthology (837) British (253) British literature (315) Cervantes (369) classic (1,740) classic literature (315) classics (2,094) collection (270) comedy (269) Don Quixote (321) drama (2,505) English (319) English literature (602) fantasy (438) fiction (4,789) hardcover (295) horror (219) humor (272) Kindle (218) literature (2,563) novel (763) own (294) play (463) plays (1,842) poetry (2,090) read (328) Renaissance (314) satire (234) short stories (332) Spain (794) Spanish (815) Spanish literature (1,051) theatre (843) to-read (1,945) translation (229) unread (351) William Shakespeare (2,766)

Conhecimento Comum

Membros

Resenhas

I continue to read lesser-known 19th century German authors because I have found that I enjoy writers from this place and time, though I usually prefer realist writers to romantic writers. Tieck falls clearly in the latter category and so I was surprised to enjoy some of his stories as much as I did. They are, I think, a bit melodramatic and “overdone,” but he is a wonderful storyteller. His stories reminded me of nothing so much as Grimms’ fairy tales turned into short stories. And it turns out that Tieck (1773-1853) and the Grimms were pretty much contemporaries. One of the stories, “The Fair-Haired Eckbert,” is often considered to be the start of German romanticism and all of the stories I read clearly fall into that mode: valuing emotion instead of intellect; emphasizing the beauties of nature and imagination and spiritual truth; and focusing on the hero, his passions and his inner struggles. To achieve this, Tieck relies on folk culture, the story of national/ethnic origins (often illustrated with medieval situations and circumstances) and a lot of the exotic, the mysterious, and the occult. For these reasons, I think, that the Grimms are a good comparison. Because Tieck is largely ignored today (at least in the USA), the only translation I could find was by the Scottish historian Thomas Carlyle (done in 1827!); fortunately, Carlyle’s translation is mostly quite good and reads surprisingly easily. It is dated, certainly, but less so than one might imagine. Recommended, but largely for those tempted by this kind of thing.… (mais)
 
Marcado
Gypsy_Boy | Aug 23, 2023 |
Esta antología –la más completa y documentada que sobre este tema se ha publicado hasta el momento en español– reúne los mejores textos sobre vampiros desde principios del siglo XIX hasta los comienzos del XX. En cualquiera de sus tres variantes –ya sea como noble perverso e irresistible a las mujeres, como brutal reviniente inspirado en las leyendas eslavas o como bella y fatal vampiresa–, la tempestuosa belleza del vampiro sigue fascinando a través de los siglos. Esa mezcla de horror y atracción, de sangre y erotismo en lo más tenebroso de la muerte no dejan de cautivar a la imaginación humana. El variado conjunto de relatos que forman este libro presenta una imagen completa del vampiro clásico de la literatura. Las notas introductorias del vampirólogo Conde de Siruela nos ayudarán a entender la amplitud y antigüedad de un mito no menos complejo, ni asombroso, que cualquiera de los grandes temas de la literatura.… (mais)
 
Marcado
BibliotecaUNED | Apr 20, 2018 |
I read this for my German class. It was pretty enjoyable. But all I can really say is that I did NOT expect it to end with incest! WOW.
 
Marcado
hylandk | outras 4 resenhas | Nov 2, 2016 |
A historical novel set in Lisbon, it describes the last days of the poet Luís de Camões, which coincide with the last days of Portugal as an independent nation: King Sebastian engaged on a fatal campaign in Africa, got himself killed, and Philip of Spain took over the kingdom.
I am tempted to say that it is typical of what we expect from the Romantics; everything is larger than life, people more beautiful, feelings more intense, faith more fervent, fates more desperate. Death and the futility of life loom large. There's also the parallel between the nation's ingratitude towards its greatest poet and the decline of Portugal as a great colonial empire, and this was an aspect I found hard to swallow. This fervent nationalism, coupled as it is with the firm belief in white peoples' superiority, is very much a product of its time, a fact I was constantly reminded of by the author's quaint, old-fashioned style. It's so odd that I went to look at a digitised copy of an original printing just to reassure myself that he had actually written it like this.… (mais)
 
Marcado
MissWatson | May 4, 2016 |

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Estatísticas

Obras
171
Also by
57
Membros
1,043
Popularidade
#24,687
Avaliação
½ 4.3
Resenhas
11
ISBNs
186
Idiomas
14
Favorito
3

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