Karel Thole (1914–2000)
Autor(a) de Logan's Run
About the Author
Image credit: Karel Thole at 1971 Worldcon (Noreascon One) By Jay Kay Klein - Original publication: Jay Kay Klein photographs and papers on science fiction fandom (MS 381). Special Collections & University Archives, University of California, Riverside.Immediate source: Title: DC in '74 party, Noreascon One Date: 1971 Collection: Jay Kay Klein photographs and papers on science fiction fandom Owning Institution: UC Riverside, Library, Special Collections and University Archives Source: Calisphere Date of access: October 10 2020 03:11 Permalink: https://calisphere.org/item/ark:/86086/n2p849qk/, Fair use, https://en.wikipedia.org/w/index.php?curid=65543505
Obras de Karel Thole
Agonia Della Terra 4 cópias
Il bambino nel forno — Ilustrador — 1 exemplar(es)
Com'era lassù e altri racconti — Ilustrador — 1 exemplar(es)
Droom mij dood — Ilustrador — 1 exemplar(es)
La stella della vita — Ilustrador — 1 exemplar(es)
Associated Works
The Dispossessed (1974) — Artista da capa, algumas edições; Artista da capa, algumas edições — 10,680 cópias
The Best from Fantasy and Science Fiction: 16th Series (1967) — Designer da capa, algumas edições — 69 cópias
Het doosje — Ilustrador — 21 cópias
De gelaarsde kat : vertelling van een merkwaardige strafzaak (1949) — Ilustrador, algumas edições — 11 cópias
Ganymedes 8 — Artista da capa — 8 cópias
Gogols Frau. Internationale Science Fiction Erzählungen. (1994) — Artista da capa, algumas edições — 5 cópias
Johann Sebastian Bach Memorial Barbecue. Internationale Science Fiction Erzählungen. (1990) — Artista da capa, algumas edições — 4 cópias
Etiquetado
Conhecimento Comum
- Nome padrão
- Thole, Karel
- Nome de batismo
- Thole, Carolus Adrianus Maria
- Outros nomes
- Thole, C. A. M.
- Data de nascimento
- 1914-04-20
- Data de falecimento
- 2000-03-26
- Nacionalidade
- Nederland
- Local de nascimento
- Bussum, North Holland, Netherlands
- Local de falecimento
- Cannobio, Piedmont, Italy
- Locais de residência
- Milan, Lombardy, Italy
- Educação
- State Drawing School, Amsterdam
- Ocupação
- illustrator
- Premiações
- Kurd-Laßwitz-Preis (Bester Graphiker/Künstler ∙ 1994)
Kurd-Laßwitz-Preis (Sonderpreis Lebenswerk ∙ 1997) - Pequena biografia
- Carolus Adrianus Maria Thole wurde am 20. April 1914 in Bussum (ca. 20 km von Amsterdam entfernt) in Holland als zweites von elf Kindern geboren. Die Familie Thole gehörte dem Mittelstand an, sein Vater war als Handels-vertreter tätig, seine Mutter kam aus dem deutschsprachigen Raum. Karel Thole war in der Schule nur mässiger Erfolg beschieden, aber seine künstlerische Neigung war nicht zu leugnen. Nach der Mittelschule in Hilversum, besuchte er deshalb die staatlichen Zeichenschule in Amsterdam und kam so in den Genuß eines freien Eintritts in alle städtischen Museen. Im Sommer 1953 kam Karel Thole das erstemal nach Italien und finanzierte seine Reise durch seine Zeichnungen. Zurück in Holland begann er seine Arbeit als Titelbildillustrator, und im Laufe der nächsten Jahre arbeitete er teilweise für mehr als 20 Verleger. 1958 übersiedelte er ganz nach Italien, genauer gesagt nach Mailand. Karel Thole sprach Holländisch, Deutsch, Italienisch, Französisch und Englisch und sah sich selbst nicht mehr als Holländer, sondern als Europäer.
Karel Tholes Werke sind eindeutig vom Werk der Surrealismus geprägt, und unter seinen Vorbilder waren Max Ernst, Salvador Dali und Rene Magritte. Über viele Jahre hinweg prägten seine Titelbilder das Gesicht der SF in Europa und vor allem in Deutschland. Er wurde 1973 in Toronto beim damaligen WorldCon mit einem Spezialpreis ausgezeichnet, weitere Würdigungen folgten. Unter dem Titel "Visionen des Unwirklichen: Die phantastischen Bilder des Karel Thole" erschien 1982 eine Sammlung seiner besten Illustrationen in Deutschland. 1986 mußte Karel Thole seine Arbeit aufgrund eines Augenleidens fast komplett einstellen.
Karel Thole erhielt u.a. zweimal den Kurd-Laßwitz-Preis (wird seit 1981 im Bereich der Science Fiction im deutschsprachigen Raum vergeben): 1994 als bester Graphiker/Künstler und 1997 als Sonderpreis für sein Lebenswerk.
In der Nacht zum 26. März 2000 verstarb Karel Thole im Alter von 85 Jahren in seinem Haus in Cannobio am Lago Maggiore (Italien). Karel Thole war als SF-Illustrator weltweit bekannt, seine Werke zierten aber vor allem die SF&F-Ausgaben des Heyne-Verlags, Gruselheftromane (VHR + DämonenKiller) des Pabel-Verlages und von Mondadori in Italien.
(Quellen: Text: 18. April 2000 - Autor: Florian Breitsameter bei SF-Fan.de, Locus, Heyne SF-Magazin 1, Encyclopedia of Science Fiction)
Membros
Resenhas
An enjoyable short novel that moves fast, as you might expect from what is essentially a long chase. Significantly different from the film.
Though I was incredibly excited about the premise of this book, it ended up being centered around action and fighting instead of the dystopia.
This book was written in 1967, so for an entirely different audience than today, which made the writing style intriguing to look at.
As soon as the premise is established, Logan goes on the run and the book turns into an action story, with chases and racing, gypsies and monsters, various climates, and all types of things that are out to kill the pair. Though they were running because of their age, it really wasn't that different than if they'd been branded murderers or something and then had everyone come after them.
The history behind the premise was a little hard for me to digest. In the year 2000, the population of Earth had hit 6 billion and a movement had started to get everyone to die at 21. The youth eventually overthrew all politicians and city councilmen and took over. Nolan's optimism is cute--while there are a lot of youth, the likelihood of American politicians relinquishing power just like that is laughable. He hit the nail on the head with the population issue though.
Another problem I had with the story was in how society functioned. Kids from 14-21 were considered adults. While I think young adults often get a bad rep, it's hard to imagine them being mature enough for the jobs they needed to perform and to look after the other two-thirds of the population. I often found myself feeling like Logan was a lot older and more jaded than a mere 21-year-old.
It was extremely cool to see the technology that Nolan created for this book. While there's an elaborate transportation system to get people around, cell phones aren't a thing, showing how times have changed. Nolan didn't put much time into describing how this technology worked though, and I got kind of confused by how quickly they warped between scenarios.
My favourite scene was one in which he used a new technology to relive parts of his own life. This was a cool gimmick that allowed me to see what growing up in this world was like without having Logan recount it.
For what it was, this book was a good action story, but I thought the dystopian aspect could have been much stronger. I mainly enjoyed it for its age and different style, but I'm not much of a fan of chases and adventure, so I probably didn't appreciate it to its fullest extent.
Overall, though I won't be reading the sequels, I'm glad I did finally get my hands on a copy of this book.… (mais)
This book was written in 1967, so for an entirely different audience than today, which made the writing style intriguing to look at.
As soon as the premise is established, Logan goes on the run and the book turns into an action story, with chases and racing, gypsies and monsters, various climates, and all types of things that are out to kill the pair. Though they were running because of their age, it really wasn't that different than if they'd been branded murderers or something and then had everyone come after them.
The history behind the premise was a little hard for me to digest. In the year 2000, the population of Earth had hit 6 billion and a movement had started to get everyone to die at 21. The youth eventually overthrew all politicians and city councilmen and took over. Nolan's optimism is cute--while there are a lot of youth, the likelihood of American politicians relinquishing power just like that is laughable. He hit the nail on the head with the population issue though.
Another problem I had with the story was in how society functioned. Kids from 14-21 were considered adults. While I think young adults often get a bad rep, it's hard to imagine them being mature enough for the jobs they needed to perform and to look after the other two-thirds of the population. I often found myself feeling like Logan was a lot older and more jaded than a mere 21-year-old.
It was extremely cool to see the technology that Nolan created for this book. While there's an elaborate transportation system to get people around, cell phones aren't a thing, showing how times have changed. Nolan didn't put much time into describing how this technology worked though, and I got kind of confused by how quickly they warped between scenarios.
My favourite scene was one in which he used a new technology to relive parts of his own life. This was a cool gimmick that allowed me to see what growing up in this world was like without having Logan recount it.
For what it was, this book was a good action story, but I thought the dystopian aspect could have been much stronger. I mainly enjoyed it for its age and different style, but I'm not much of a fan of chases and adventure, so I probably didn't appreciate it to its fullest extent.
Overall, though I won't be reading the sequels, I'm glad I did finally get my hands on a copy of this book.… (mais)
En el futuro, la superpoblación del planeta exige por ley que la vida acabe a los 21 años. Quienes tratan de huir son eliminados por los Vigilantes. Pero, ¿y si un Vigilante decidiera escapar?
Listas
Best Dystopias (1)
um actually (1)
Prêmios
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Associated Authors
Estatísticas
- Obras
- 11
- Also by
- 134
- Membros
- 1,473
- Popularidade
- #17,440
- Avaliação
- 4.0
- Resenhas
- 41
- ISBNs
- 29
- Idiomas
- 5
Characters: 6
Setting: 7.5
Prose: 4
Themes: Old, obligation, youth, war, work