Ted Striphas
Autor(a) de The Late Age of Print: Everyday Book Culture from Consumerism to Control
About the Author
Ted Striphas is associate professor in the Department of Communication and Culture and adjunct professor of American Studies and Cultural Studies at Indiana University. He maintains a Web site at www.thelateageofprint.org
Obras de Ted Striphas
Etiquetado
Conhecimento Comum
- Sexo
- male
Membros
Resenhas
I had trouble getting into this text, as the intro and early parts of the book are a bit dense with academic-talk to cover the author's thesis and reasons for collecting what seems to be five-six sections of a class (turned into essay chapters).
Still, the information in this book is essential for many wondering about how the current problems of publishing and book selling came about and what might be done about them.
Informative and at times fascinating, though albeit for a limited audience of people interested in books at the professional end.… (mais)
Still, the information in this book is essential for many wondering about how the current problems of publishing and book selling came about and what might be done about them.
Informative and at times fascinating, though albeit for a limited audience of people interested in books at the professional end.… (mais)
This is a charming book, which I just wrote a nice review for and then closed the page. Doh.
It covers the history of "Print Culture" for more or less the past century, from the first rise of what we now call the "trad publisher" over the small private press, through to the early 2000's with the big box book store and the Oprah Book Club and the early days of Amazon. There's a pretty good look at the real effect that big book store chains like Barnes and Noble had on indie bookstores (apparently, remarkably little, despite all the naysaying and gloom). Amazon on the other hand, is probably going to kill off both, as well as trad pub.
There's also a look at the "taste leader" phenomenon, writ large and personified by Oprah. Now this I found interesting, because it's a wonderful example. Just because a book blogger or GR or BL reviewer's reach isn't Oprah-sized, doesn't mean the same basic dynamics don't come into play.
It's really nicely written, easy to read, and I can quite recommend it if you can find a copy. Like anything involving people and technology, it's going to date, but as a snapshot and history of a time when big print publishing owned the world, it's pretty comprehensive.
Half a star off for being US-centric and apparently not noticing. I don't mind if you want to hog the baseball, just don't say you're having a world series, you know? If you're US focussed in an academic text, just be up front and say so.
But it is, overall, quite a fun read.
And I'm still quite enamoured of the little section I used as a status update earlier, below.
Reading progress update: I've read 35 out of 187 pages.
Regarding early publishing industry attempts to discourage library borrowing:
I kind of like the idea of being bookaneer or a biblioacquisiac :)
… (mais)
It covers the history of "Print Culture" for more or less the past century, from the first rise of what we now call the "trad publisher" over the small private press, through to the early 2000's with the big box book store and the Oprah Book Club and the early days of Amazon. There's a pretty good look at the real effect that big book store chains like Barnes and Noble had on indie bookstores (apparently, remarkably little, despite all the naysaying and gloom). Amazon on the other hand, is probably going to kill off both, as well as trad pub.
There's also a look at the "taste leader" phenomenon, writ large and personified by Oprah. Now this I found interesting, because it's a wonderful example. Just because a book blogger or GR or BL reviewer's reach isn't Oprah-sized, doesn't mean the same basic dynamics don't come into play.
It's really nicely written, easy to read, and I can quite recommend it if you can find a copy. Like anything involving people and technology, it's going to date, but as a snapshot and history of a time when big print publishing owned the world, it's pretty comprehensive.
Half a star off for being US-centric and apparently not noticing. I don't mind if you want to hog the baseball, just don't say you're having a world series, you know? If you're US focussed in an academic text, just be up front and say so.
But it is, overall, quite a fun read.
And I'm still quite enamoured of the little section I used as a status update earlier, below.
Reading progress update: I've read 35 out of 187 pages.
Regarding early publishing industry attempts to discourage library borrowing:
Among Bernays’s more intriguing strategies to “increase the market for good books” was to have his institute sponsor a contest in the spring of 1931 “to look for a pejorative word for the book borrower, the wretch who raised hell with book sales and deprived authors of earned royalties.” Bernays drew his inspiration for the contest from another term that had been introduced into the American English lexicon in 1924, namely, “scofflaw,” which originally referred to a “‘lawless drinker’ of illegally made or illegally obtained liquor.” To judge the contest Bernays convened a panel of three well-known New York City book critics: Harry Hansen (of the New York World-Telegram), Burton Rascoe (formerly of the New York Herald-Tribune), and J. C. Grey (of the New York Sun). Among the thousands of entries they considered were terms like “book weevil,” “borrocole,” “greader,” “libracide,” “booklooter,” “bookbum,” “bookkibitzer,” “culture vulture,” “greeper,” “bookbummer,” “bookaneer,” “blifter,” “biblioacquisiac,” and “book buzzard.” The winner? “Book sneak,” entered by Paul W. Stoddard, a high school English teacher from Hartford, Connecticut."
I kind of like the idea of being bookaneer or a biblioacquisiac :)
… (mais)
A very good book about books and their relationship to commerce and the present cultural moment. Includes chapters on the marketing of books in the 20th century, their digital transformation, Oprah's influence on books and culture, the Harry Potter franchise and copyright, and the ways that consumer culture and the book industry intersect. The author has generously made it available at no cost under a Creative Commons license.… (mais)
Listas
You May Also Like
Estatísticas
- Obras
- 3
- Membros
- 161
- Popularidade
- #131,051
- Avaliação
- 3.7
- Resenhas
- 9
- ISBNs
- 5
And, in a reminder of how technologies are always tested on marginalized people first, he notes that Cambridge Analytica tested its ability to manipulate politics in Trinidad and Tobago before it brought the same tools to the West. “Aimé Césaire identified this vicious, narcissistic circle back in 1955, powerfully connecting Nazi Germany’s crimes against humanity to the brutalities that had been and continued to be exacted in Europe’s colonies: ‘What he [Westerners] cannot forgive Hitler for is not the crime in itself, the crime against man, it is not the humiliation of man as such, it is the crime against the white man ….’” As you can tell, there are a lot of riffs here.… (mais)