Georges Seurat (1859–1891)
Autor(a) de Sunday with Seurat (Mini Masters)
About the Author
Obras de Georges Seurat
Seurat 12 cópias
Afternoon at La Grande Jatte [image] 4 cópias
Seurat and His Friends: A loan exhibition...for the benefit of the Scholarship Fund of L'Alliance Française de New… (1953) 2 cópias
The Lighthouse at Honfleur [image] 1 exemplar(es)
Seascape at Port-en-Bessin, Normandy [image] 1 exemplar(es)
Picture Study : Georges-Pierre Seurat 1859-1891 French. 7 x A4 prints, produced by Riverbend Press 1 exemplar(es)
Seurat to Picasso : European paintings, drawings & sculpture: 1855-1965 ; from Romanticism and Impressionism to Cubism… 1 exemplar(es)
Les dessins de Georges Seurat (1859-1891) 1 exemplar(es)
Sunday in the park 1 exemplar(es)
Seurat (1859-1891) [par] John Rewald 1 exemplar(es)
Seurat: Grande Jatte 1 exemplar(es)
Seurat : paintings and drawings 1 exemplar(es)
Bathers at Asnieres 1 exemplar(es)
Associated Works
Etiquetado
Conhecimento Comum
- Data de nascimento
- 1859-12-02
- Data de falecimento
- 1891-03-29
- Sexo
- male
- Nacionalidade
- France
- Local de nascimento
- Paris, France
- Local de falecimento
- Paris, France
- Locais de residência
- Paris, France
- Educação
- École Municipale de Sculpture et Dessin
École des Beaux-Arts, Paris, France
Brest Military Academy - Ocupação
- painter
draughtsman
Membros
Resenhas
Listas
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Associated Authors
Estatísticas
- Obras
- 30
- Also by
- 3
- Membros
- 367
- Popularidade
- #65,579
- Avaliação
- 3.7
- Resenhas
- 2
- ISBNs
- 30
- Idiomas
- 4
Seurat had a number of important influences, including the contemporary Impressionists, but perhaps the most significant were not artists but scientists. He absorbed all the latest theories of colour and used them to develop the extraordinary effects of Pointillism - paintings composed entirely of dots of colour - usually of unmixed, single pigment paints, relying on proximity of dots and distance of the observer to create mixed colours in the eye, which the science had demonstrated gave a brighter, less muddy colour effect.
Oddly, his genius was better recognised during his lifetime than in the immediate aftermath: Thirty or so years after his death, The Metropolitan Museum of Art turned down the purchase of one of his greatest works - it was bought instead by the Art Institute of Chicago, where it still hangs. Now, of course, he's considered to have been exceptional and a sad loss, dying young, but leaving a huge impact on the development of Western art - the second step towards Abstract art after the original Impressionists. It's a pity that no sane format of book can ever really do justice to the Pointillist technique when fully reproducing even modestly sized paintings, but this gives you an idea - go see the real things if you ever have opportunity.… (mais)