Willibald Sauerländer (1924–2018)
Autor(a) de Kunstgeschichte: Eine Einführung
About the Author
Obras de Willibald Sauerländer
Abwegige Gedanken über frühgotische Architektur und 1 exemplar(es)
Von Sens bis Strassburg : ein Beitrag zur Kunstgeschichtlichen Stellung der Strassburger Querhausskulpturen 1 exemplar(es)
"Romanesque Sculpture in its Architectural Context" in The Romanesque Frieze and Its Spectator. London: Harvey Miller… 1 exemplar(es)
Reliquien, Altare und Portale 1 exemplar(es)
"Premiere architecture gothique" or "renaissance of the twelfth century"? Changing perspectives in the evaluation of… 1 exemplar(es)
A naumburgi donátorszobrok. Beszámoló és kérdések 1 exemplar(es)
La cultura figurativa emiliana in età romanica 1 exemplar(es)
Die Naumburger Stifterfiguren Rückblick und Fragen 1 exemplar(es)
Romanesque Art 1 exemplar(es)
Spätstaufische Skulpturen in Sachsen und Thüringen. Überlegungen zum Stand der Forschung 1 exemplar(es)
Reims und Bamberg 1 exemplar(es)
Die Zeit der Staufer die Ausstellung wird veranstaltet aus Anlass des 25jährigen Bestehens des Landes… 1 exemplar(es)
Die Bronzetür von Nowgorod 1 exemplar(es)
Etiquetado
Conhecimento Comum
- Nome de batismo
- Sauerländer, Willibald
- Data de nascimento
- 1924-02-09
- Data de falecimento
- 2018-04-18
- Sexo
- male
- Nacionalidade
- Germany
- País (para mapa)
- Allemagne
- Local de nascimento
- Waldsee, Württemberg, Allemagne
- Local de falecimento
- Munich, Bavière, Allemagne
- Educação
- Université Louis-et-Maximilien de Munich (Doctorat, Histoire, 19 53)
- Ocupação
- Conservateur (Musée)
Professeur (Histoire)
Historien (Art) - Relacionamentos
- Jantzen, Hans (Directeur de thèse)
- Organizações
- Zentralinstitut für Kunstgeschichte, Munich (Directeur ∙ 19 70 ∙ 19 89)
Université de Fribourg-en-Brisgau, Bade, Allemagne (Professeur, Histoire de l'art, 19 62 | 19 70)
université de Marbourg, Hesse, Allemagne (Assistant-professeur, 19 61 | 19 62)
Lycée Charlemagne, Paris (Assistant professeur ∙ 19 54 ∙ 19 59)
Süddeutsche Zeitung, Journal (Chroniqueur)
Académie des inscriptions et belles-lettres (Membre ∙ 19 98) (mostrar todas 7)
British Academy (Mambre ∙ 19 91) - Premiações
- Université de Strasbourg (Docteur honoris causa (Docteur honoris causa)
Ordre bavarois de Maximilien pour la science et l'art (1995)
Grand Prix de la Société française d’archéologie (2007)
Perfezionato d’Honore Scuola, Pisa
Membros
Resenhas
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Associated Authors
Estatísticas
- Obras
- 30
- Membros
- 123
- Popularidade
- #162,201
- Avaliação
- 3.8
- Resenhas
- 3
- ISBNs
- 21
- Idiomas
- 4
The book served as a timeline of events started on war, which Manet volunteered as National Guard, up to the time he met Monet in Argenteuil. The book emphasized the difference of their styles. I like the juxtaposition of both artists. Monet mostly focused on nature while Manet focused on people. I was a little surprised to learn that they were friends. All I know was that Monet idolized Manet but he intended to surpass the skills of Manet. Funny how I thought they were vying for being the best artist and had an unhealthy relationship.
The book also includes images of their paintings and some details of when Manet and Monet did their paintings. I like how the author wrote some explanations and stories. But I don't like it when he describes every paintings because it is very clear to see. The paintings say it all, no need for excessive descriptions.… (mais)