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Arthur Roth (1926–1993)

Autor(a) de The Iceberg Hermit (Point)

22 Works 974 Membros 10 Reviews

About the Author

Obras de Arthur Roth

The Iceberg Hermit (Point) (1974) 399 cópias
Avalanche (1979) 246 cópias
The Castaway (1983) 100 cópias
Trapped! (1983) 70 cópias
Eiger, Wall of Death (1982) 51 cópias
Snowbound (1989) 22 cópias
Two for Survival (1976) 19 cópias
A Terrible Beauty 10 cópias
Great Spy Stories (1981) 8 cópias
The Yucky Monster (1979) 6 cópias
Eiger : la pared trágica (1985) 3 cópias
The runaways (1979) 2 cópias
Against Incredible Odds (1983) 2 cópias
Caretaker (1980) 2 cópias
Alene på isfjeldet (1976) 1 exemplar(es)
L'aterratge forçós 1 exemplar(es)
The shame of our wounds 1 exemplar(es)
Eisberg voraus 1 exemplar(es)

Etiquetado

Conhecimento Comum

Membros

Resenhas

Willoughby Sharp and Liza Béar founded Avalanche shortly after they met in 1968. At the time, Sharp was a New York-based independent curator and Béar an underground magazine editor who had recently moved to New York from London. They published the first issue in 1970 and collaborated on 13 issues from 1970 to 1976. Avalanche focused on art from the perspective of artists rather than critics, and investigated new forms of art that were developing in the U.S. and Europe with probing interviews, extensive use of photography and dynamic layouts. For many artists, publication in Avalanche preceded a one-person gallery or museum show. Aside from an eight-page news section, the editorial content included only interviews, artists' texts and documents of art and art making. All interviews were conducted by Sharp, Béar or done jointly. Among the featured artists were Vito Acconci, Joseph Beuys, Hanne Darboven, Walter De Maria, Jan Dibbets, Philip Glass, Barry Le Va, Sol LeWitt, Richard Long, Gordon Matta-Clark, Bruce Nauman, Dennis Oppenheim, Yvonne Rainer, Keith Sonnier, Richard Serra, Robert Smithson, William Wegman, Lawrence Weiner and Jackie Winsor. This boxed facsimile edition of Avalanche's complete run reproduces the first eight issues individually, and the final five in a single newsprint paperback.
“Avalanche was a unique media phenomenon in an age that crossed boundaries freely, a cross between a magazine, an artist book and an exhibition space in print.”

Avalanche 1, Fall, 100 pages, b&w, Earth Art, 1970
Avalanche 2, Spring, 140 pages, b&w, Body Works, 1971
Avalanche 3, Fall, 100 pages, b&w, Post-Studio Sculpture, 1971
Avalanche 4, Spring, 100 pages, b&w, Conceptual Art, 1972
Avalanche 5, Summer, 84 pages, b&w, Performance, 1972
Avalanche 6, Fall, 100 pages, b&w, Vito Acconci, 1972
Avalanche 7, Winter/Spring, 84 pages, color, Humor, 1973
Avalanche 8, Summer/Fall, 84 pages, b&w, 1973

Tabloid Newspaper Format:

Avalanche 9, May/June, 36 pages, b&w, Video Performance, 1974
Avalanche 10, December, 52 pages, b&w, 1974
Avalanche 11, Summer, 40 pages, b&w, 1975
Avalanche 12, Winter, 40 pages, b&w, 1975
Avalanche 13, Summer, 48 pages, two-color, 1976

The Avalanche archive is in the collection of the Museum of Modern Art.
… (mais)
 
Marcado
petervanbeveren | outras 4 resenhas | Jan 3, 2024 |
 
Marcado
lcslibrarian | 1 outra resenha | Aug 13, 2020 |
 
Marcado
lcslibrarian | outras 4 resenhas | Aug 13, 2020 |
Like Island of the Blue Dolphins, but with a boy, a bear, and an "island" of ice.
 
Marcado
wordcauldron | outras 2 resenhas | Jul 11, 2018 |

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Associated Authors

Tom O'Sullivan Illustrator

Estatísticas

Obras
22
Membros
974
Popularidade
#26,441
Avaliação
3.9
Resenhas
10
ISBNs
42
Idiomas
5

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